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Interiors Addict

Sydney’s new British pub interior created by film set designer

The Duke of Clarence, a 19th century-inspired English tavern, has open on Sydney’s Clarence Street and as a Pom, I can tell you, it’s very authentic! And like many Poms, a real English pub is one of the things I miss most about home, so I’m loving everything about it!

A team have meticulously scoured the UK for furniture to ensure the experience is authentic as possible, finding many original pub items over 100 years old. The building materials have been sourced from pubs, churches and warehouses around England, with the lights, panelling and stained glass all making their way across the Indian Ocean. The foorboards even date back to the 1850s.

Created and led by Mikey Enright and Julian Train, the world-class team behind multi award-winning gin bar The Barber Shop, The Duke of Clarence will offers a quintessentially British experience in the heart of the CBD. It has been designed in collaboration with famed UK set designer Sara Mathers, who has worked on Moulin Rouge and Ned Kelly among other hit movies.

Nestled in the hidden alleyway next to The Barbershop, the exterior is warmly lit, with flowers hanging from the ceiling and aged timber stairs welcoming guests into the venue. In pride of place at the entrance is a painting of the pub’s namesake and mascot, The Duke of Clarence. Inside there’s a 12-metre-long timber bar with oak wood panelling and stained glass, a library corner and fireplace.

“Everyone asks me what I miss most about England, and my answer is always ‘a proper pub’”, says Mikey, who hails from Liverpool. “This is everything I’ve ever wanted in a pub; a real English boozer where reading the paper over a pint is as welcome as a round of extra dirty martinis. It’s going to have great tunes, perfect lighting and enough spirits to keep the most distinguished ladies and gents satisfied.”

The Duke of Clarence will offer a comprehensive and diverse drinks selection, including a 500-strong lineup of spirits from the British Isles. Beer will be served from ornate beer taps sourced from England, with a heavy focus on cask ale. “The Clarence is a homage to the days gone by,” he adds. “But we want it to feel as fresh and forward-thinking as it is nostalgic, so the drinks will very much reflect this.” Guests can expect classic cocktails, treated with Victorian-era twists or rotovapped with ingredients that were used during the time of Charles Dickens.

In terms of food, there’ll be classic pub cuisine with a clear British sensibility. The team have engaged consultant and fellow Liverpudlian David O’Brien (ex Merivale) to create the menu, drawing on his cherished memories growing up around pubs in Northern England.

The pub is named after the Duke of Clarence, who went on to become King William IV, monarch of England. His reign saw several powerful reforms; the poor law was updated, child labour restricted, slavery abolished in nearly all the British Empire, and the British electoral system refashioned by the Reform Act 1832. Clarence Street was named after him, and now, he even has a Sydney pub in his honour.

For more information.

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Furniture Interviews

From movie special effects to furniture designer: Rory Unite

After studying architecture, sculpture and set design, Rory Unite found himself working in the movie industry as a special effects artist – not your typical route to furniture design. “I started in Jim Henson’s creature shop on the production of Farscape, then went on to the Matrix, Star Wars episodes 1,2 and 3, Superman, Narnia, Peter Pan and The Great Gatsby. During this time, I renovated my in-laws’ house up in Palm Beach which gave me the opportunity to create all the furniture which basically started my design practice,” says Rory, who then set up a small workshop on Sydney’s northern beaches before Andrew Goldsmith, owner of the Boathouse restaurants, discovered him.

Rory and BrightonChair

Rory Unite in his Java workshop

“I started making all of the Boathouse signage and then designed a range of furniture for them. As Andrew’s business expanded, I started looking in Indonesia for workshops to help create the volume of product he required. During this period, I met many great craftsmen and started to realise that the best way to work with them was to create my own workshop and employ them all under one roof.

Pylon Stools Boathouse

“Australian designers making product offshore is a pretty standard routine these days. The difference for me is that I have made the decision to set up my own workshop in Java in order to maintain the quality and consistency of my designs. As a maker, it is very important for me to be integrated within the workshop environment in order to drive the culture of our brand,” says Rory, who travels to Australia regularly for client meetings but spends most of his time in Indonesia at the workshop and with his family.

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The Omni bracket

Setting up a business in Java wasn’t without challenge – the cultural gap in particular. “I come from a very different world from the guys I work with. The glue that binds us is making and designing together. There are universal truths in making an object that manage to bring us together. It’s such a fascinating journey. When I started my exploration in Java I knew nothing of the language or the people. It was very daunting. It was amazing how we were able to connect through the creation of a chair! It seems ridiculous, but the process of making together transcended all our differences,” says Rory.

Jess Flatstack& Omni Low Stool

One of the designer’s most notable creations is the Omni bracket which emerged from the need to create flat pack furniture. “One of the great challenges in making furniture are the joints. By making the main connection joint a universal joining device, not only are we able to flat pack for efficient shipping but the joint itself inspires multiple connection possibilities, creating a constant stream of design ideas.” Rory says the bracket is inspired by the numerous metal factories in Java. “We design and produce all our own hardware with these metal workshops. Being around all this machinery capable of creating almost anything in metal is very inspiring.”

RattanUmbrella

You can find Rory’s designs in Sydney at the Boathouse venues (Palm Beach, Shelley Beach and Balmoral) and Sibella Court’s Society Inc. Warehouse in St Peters.

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