Categories
Interiors Addict

Real Living, April 2013

As they say on The Block: “Wow, wow, wow!” Real Living’s front cover for April certainly packs a punch – the genius colour and print combination is so crazy it works. I’m not brave enough to wear prints, but I’m now reconsidering the option of working prints into my wardrobe, and my home!

Real Living cover

Highlights

The highlight for me this issue was the ‘Find your own Colour Palette’ feature by designer Jacinta Preston. It gives some great advice and made me feel more confident when it comes to choosing colour. I loved one of Jacinta’s examples: “Gloss matt is very different to matt black: gloss accentuates and intensifies the colour, matt helps colour to recede and look more subtle.”

What I’m loving

Categories
Art

Behind the scenes at the photoshoot for Blacklist’s latest collection of Cross My Heart art

I’ll make no bones about it. I’m a huge fan of Blacklist and they’re one of my first ports of call for affordable art. So I was delighted when they shared some exlcusive behind the scenes images from their recent photoshoot for their new collection Cross My Heart.

Blacklist Cross My Heart frames

Almost entirely black and white, it is still instantly recognisable as their popular work and I’m already getting in a panic about which one I’d choose for myself. I love the flexibility of having something monochrome because it usually goes with everything and in any room! And I don’t need to remind you how much I love typography in all its forms. Hello, word nerd!

So why is this collection called Cross My Heart? “We believe in the power and romance of promise,” says Jaynie Johnson, one half of Blacklist with husband Nathan. “Cross My Heart saw us create something that was different from anything we’d ever done; a collection about promise only using a monochromatic palette.” (Well almost all monochrome, we’ll come to that later…).

Blacklist Hold Tight flag

Nathan and Jaynie, known for being a couple of romantics, were reflecting on the simple things, on contrasts and ultimately what mattered most. “As with everything we create, there is always an element of hope: as with the night, joy comes in the morning. So the final pieces we created were the colourful, hope-filled, ‘peace & love’, they are the lights at the end of the tunnel… the last page of the story.”