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80s home described as “ugly, ugly, ugly!” gets Parisian style makeover

Built in the 1980’s this large Sydney family home, located in Bellevue Hill, was in serious need of a facelift before interior designer Hilary Ryan was engaged to overhaul its layout and dated aesthetic. “It was badly built in the ‘80’s and was ugly, ugly, ugly!” says Hilary of the original home that, while palatial in size, was in desperate need of a modern update.

Kitchen
The kitchen looks onto the outdoor entertaining area

“The owners wanted a ‘Parisian apartment’ style aesthetic to bring the right blend of tradition to suit a modern lifestyle and create a character filled home. They wanted the home to feel luxurious yet welcoming,” says Hilary who clearly did many things right given the project has just been named as a finalist in several categories in this year’s KBDi (Kitchen Bathrooms Designers Institute) awards. The home’s kitchen, laundry and wine cellar were all recognised in the competition.

Bellevue Hill lounge room
Lounge room
Wine cellar
The stairs house a unique wine cellar
Bathroom
Bathroom

A standout space in the home, the new kitchen replaces one that had no appliance storage, little preparation room and was squashed into a corner making it difficult for more than one cook to work at the same time. “In contrast, the renovated space is large, filled with storage and has enough workspace to accommodate the home’s busy family of five,” says Hilary.

Kitchen
The spacious new kitchen

French Oak timber floors, a butler’s sink, a custom traditional style rangehood, integrated fridge and freezer, shaker doors with inner detailed moulding, and polished nickel taps and lighting all feature in the large space. The kitchen island is painted with Dulux Grid, a statement shade. “The indigo island bench adds drama to a timeless classic kitchen and exudes a refreshing style that complements the wider aesthetic of the renovated home,” says Hilary.

Butler's pantry
The large butler’s pantry

Adjacent to the space, the butler’s pantry houses appliances, a zip tap and a second integrated dishwasher. “This allows the butler’s pantry to function as a scullery when entertaining to keep the main kitchen looking pristine,” says Hilary.

Previously cut off from the home, the outdoor space is now connected to the kitchen to create a fabulous entertaining area. “The new footprint offers open plan living with luxurious fittings and features yet is robust enough to cater to a bustling domestic life but stretch effortlessly to large scale entertaining,” says Hilary.

Laundry
Laundry
Mudroom
Mudroom

Joinery: Impala Kitchens & Bathrooms

Photography: Archetype Photography

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Greg Natale on reinventing the modern man cave

By Greg Natale

The concept of the man cave isn’t new. The term’s been used for more than 20 years and the American TV programme Man Cave is now in its 14th season. In its earliest form, the man cave tended to be largely unused space, like a garage, basement or spare bedroom, which became an incubator for a man’s random collection of gadgets, ephemera and memorabilia, usually with little regard for aesthetics or cohesion.

However if my clients are anything to go by, there’s a new breed of Australian male with an altogether different brief for the modern man cave; one that comes from a more refined set of tastes, pastimes and pursuits and one that has more in common with a gentleman’s club than a sports club.

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A guide to choosing & arranging cushions by Greg Natale

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This means that I’m increasingly being asked to help redefine as well as redesign the sophisticated, contemporary man cave and I’m relishing the fresh and inspiring creative opportunities that now presents.

In the foreword of my new book, The Tailored Interior, the great US designer Jonathan Adler likens the rooms I design to a bespoke suit from Savile Row, in that each is clean, simple and always tailored to the occupant’s requirements. And how I approach the modern man cave is no different.

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The starting point is always to find your inspiration. We’re sentimental creatures and most of us have at least one piece of furniture or a collectable that we’re not willing to part with. In the case of the man cave that’s often even more the case as a consequence of longstanding interests and hobbies. One of my clients is a horse lover, so his study’s concept incorporates layers of equine references, but in a way that’s as curated as it is created.

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Of course I’ve designed all sorts of beautiful sanctuaries for my clients. Some are intended simply as relaxing retreats, others dual purpose business/recreational dens and ones that are just for fun, like the very popular home cinema (think Gold Class!).

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An increasing trend in man caves is to showcase the wine cellar. No longer tucked away from view down a set of rickety stairs, a wine collection is now often front and centre as a connected cellar with custom joinery.

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After the concept’s defined, the next step is layering, which becomes the most fundamental component in decorating. For an environment that’s intended as a sanctuary, layering becomes particularly important because of the way it adds warmth, comfort and interest to an interior. It also stamps the client’s personality on a room with various elements working together to ‘tell the story of you’.

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While each client brief is unique, men do often lean towards a darker, rich palette for walls, with opulent textures like suede, leather and timber. It is a luxurious cocoon of sorts, after all.

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While the man cave has historically been the one room in the house that was pardoned from design principles and aesthetics, my male clients also appreciate that they can have an amazing space created for them that is uniquely theirs but one which remains a harmonious design continuum with the rest of the home. Which has got to be a win-win for everyone!

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–Greg Natale is Belle Coco Republic Interior Designer of the Year 2014 and was recently named the inaugural recipient of the Editors’ Medal at (inside) Interior Design Review’s 2014 Interior Design Excellence Awards. His first book, The Tailored Interior, is available at all good bookstores or online via Bookworld.

Photography of Greg’s work by Anson Smart.