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Furniture

TH Brown relaunch coveted Australian Mid Century stools

Sponsored by TH Brown

We often look to Europe for furniture classics and with good reason. But some of the most recognisable and popular Mid Century designs were actually made right here in Australia. And after a 45-year hiatus, TH Brown have resumed production of their beautifully designed furniture, starting with their Danish Bar Stool and Martelle Bar Stool.

The Danish (left) and Martelle Bar Stools

A signature design of the 1960s, the TH Brown Danish Bar Stool became one of the most sought after Mid Century furniture pieces ever to be produced in this country. The originals have become heirlooms and are seen in many magazines, exhibitions and design showrooms around the world, including the South Australian Library.

The Adelaide furniture business was founded by Thomas Howard Brown in 1911. One of Australia’s most important furniture brands, it was known alongside contemporaries such as Parker, Featherston and Fler during the 50s, 60s and 70s. But it was Peter Brown who first introduced that unmistakable look in Australia. However, due to his being so attention-shy, he remains the unsung leader of timeless Australian Mid Century design.

In these days of mass-produced and same-old-same-old furniture, those who value buying well and buying once, will be delighted to get their hands on these new releases of a classic. Imagine the statement they could make at your breakfast bar! Just works of art!

Mid Century (also commonly called Mid Century Modern) style furniture, known for its fuss-free clean lines and smooth curves, is hugely popular in Australia. The beauty of it is its timelessness, meaning it’s easy to incorporate pieces into most decor and colour schemes. And it immediately screams (if quietly!) understated style.

A modern classic

Continuing the family tradition, the Danish Bar stool is once again being produced under the careful eye of third generation heir Simon Brown, and manufactured under licence to Workspace Commercial Furniture (formerly TH Brown Furniture P/L). Simon says: “It goes without saying that we would commence the relaunch of TH Brown’s back catalogue with the most unique and sought after product of all – the Danish Bar Stool. This stool was considered the gold standard of 1960s furniture design. Now, 45 years on, the stool holds its own as a beautiful, quintessentially modern piece.”

Danish bar stools

The Martelle Bar Stool, with its beautifully sculpted fixed seat, angled legs and hand-stitched upholstery, is also being relaunched. Like all great designs, it is as contemporary today as the day it was designed. Hand finished by expert craftsmen, it features a solid timber frame, the finest Italian leather and the highest quality materials.

“Australian furniture has left an indelible mark on lovers of fine design around the globe, along with a rich manufacturing heritage right here in South Australia. My father’s passion for design and quality were legendary, which is why I am so proud to see his designs back in production in the 21st Century,” Simon says.

Attention to detail

In line with the original TH Brown commitment to craftsmanship, each stool comes with a 10-year warranty and is individually numbered with a Certificate of Authenticity. They are hand finished to the same exacting standards of the original craftsmen.

Buy online, from $799 for the Martelle Bar Stool and from $1,129 for the Danish Bar Stool, at www.thbrown.com.au and select stockists.

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Interiors Addict

Two girls with a passion for chairs

Recently, I’ve been on the hunt for the perfect statement armchair and on my travels I discovered the beautiful work of Laura McEwan and Katie Blume. As the replica furniture debate rumbles on, in Lismore NSW, the duo otherwise known as Flourish & Blume, are breathing new life into truly stunning revamped vintage chairs.

 

Laura says well made chairs are like sculptures. “They’re beautiful objects and they represent a state of maximum relaxation without actually being asleep. Well, sometimes being asleep!” Katie adds: “One of the reasons I love old chairs is because I have discovered that they generally have their own character and story. You get to know a chair when you spend a bit of time with it. I swear sometimes when I’m working on a chair I can hear it speak to me. Sitting in your favourite chair can feel like a hug from an old friend.”

 

You see, these two upholsterers and textile designers, who have a hoarder-esque collection amassed over the years, really do love chairs! And they’d have to, with each one taking between three days and four weeks to transform.


Laura would love to own a few Hans Wegner Round chairs. “That chair represents such incredible craftsmanship and intelligent design but it’s not one to fall asleep in. In terms of Australian chair designers, I love the Eleanor (1954) by Grant Featherston and the Transat chair (1925) by Eileen Gray and so many more.

 

“We’ve met so many chairs that are beautifully made and barely aged in 50 or 60 years, some can’t even be identified as any particular manufacturer. I think my favourites would be the ones that are in a really sad state that reveal themselves with buckets of elbow grease.”

 

Katie adds: “I love anything old, particularly mid-century, anything with beautiful lines and great design, anything wood. There isn’t any particular identifiable chair I can say is my favourite to work with. I have to agree with Laura that there is a great deal of satisfaction and pride in finding or being given a chair that most people would probably throw to the tip and resuscitating it, reviving it and turning it into something beautiful and useful once more.”


Sometimes the hardest part can be parting with their beautiful creations. “They’re our babies!” says Laura. “We like to have at least a couple of nights where we can sit and stare at them before they’re sent on their way.” Katie says: “You get to know a chair, develop a relationship. I don’t want to see them go now they are looking the best they have looked in years and it’s sad thinking you probably won’t see them again.”

 

 

With a background in arts, Laura is very disturbed by the concept of replicas. “I see them as an abuse of the designers’ intellectual property rights. It’s no longer about the appreciation of craftsmanship but about the status of owning the object, with no regard for the conditions under which it is manufactured or the environmental impact of its production. Unfortunately, the flooded replica market means that some of the most beautiful and iconic mid-century designs have now become cliches. I suppose their popularity is a reflection of a consumer society that puts its desires before its ethical considerations.”

 

And while Katie says everyone has a right to their opinion on the matter, she personally isn’t comfortable with the concept or manufacturing of replica furniture. “To me it is morally and ethically wrong on so many levels.”

 

At the same time, Laura thinks more people are learning to cherish secondhand gems. “I don’t think there is as much quality mid-century furniture going to the tip these days, not like it was say five years ago. It just makes sense that for around the same price, or less, as new furniture that could possibly have been manufactured in appalling conditions from endangered rainforest timbers and that probably won’t last a decade, you could have an ‘antique of the future’ that has already stood the test of time and is a more ethical purchase in every way.”


Katie thinks one of the reasons she was put on the planet was to save old chairs. “I have heard many disturbing stories of people burning their old chairs or sending them to the dump because they didn’t know what to do with them or couldn’t afford to have them restored. It’s very sad. Beautiful old chairs, lost forever.”

 

Laura is heartened to see many interior designers using revamped mid-century pieces. And Katie says it feels great to own unique pieces. “I personally love having chairs in my home that I know are like no one else’s in Australia or the world.”

Follow Flourish & Blume’s adventures with chairs on their blog here and visit their Blue Caravan shop here.

Fabric on the above chair is by www.kambamboo.com

Laura and Katie (above) can’t get enough of old chairs.