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Designers Expert Tips Interiors Addict Interviews Outdoor & Exteriors

Outdoor kitchens: The latest home improvement craze

Sponsored by Australian Gas Networks

The COVID effect has been felt across all quarters of the home and the outdoors haven’t remained immune (pardon the pun!). In news that will surprise nobody, given the lockdowns that many endured, Australians are currently all about creating sanctuary-style homes that they never want to leave, and an improved backyard is an important piece of the puzzle.

“There has been a huge explosion in landscape design since COVID and the value of the backyard has shot up. People now see it as an extension of the house and the outdoor kitchen is becoming more important with people wanting to entertain at home much more,” says landscape designer, and Mint Design director, Darin Bradbury.

Mint Design’s Williamstown project. Photo by Daniel Corden

And while the outdoor BBQ, bar fridge and sink setup isn’t new, outdoor kitchen design is becoming much more sophisticated as people seek the same finishes outside that they have inside their homes. “People really see the outdoor kitchen as an extension of the house and there has been a real push to outdoor entertaining. People want a great kitchen and pool and everything at their fingertips,” says Darin.

Image: Kastell Kitchens
Williamstown by Mint Design
A Mint design project. Photo by Daniel Corden.

“The standard outdoor kitchen benchtop size is 2.4 metres long and it will typically house a BBQ, bar fridge and sink. I always try to encourage a sink so that you can wash your hands after handling meat,” says Darin who says who recommends space either side of the sink for platters and the like. The designer has also seen an explosion in interest in different cooking options with smokers, chargrill BBQs and pizza ovens currently the most requested items.

Real Dads of Melbourne project. Photo by Sally Goodall.
Darin favours surface mounted minimalist barbecue designs like this one used in the Real Dads of Melbourne’s holiday home. Photo by Sally Goodall.

“You used to have to buy a DIY pizza oven kit that had to be built into the benchtop but now there are plenty of great pre-fab options that sit atop the bench. They are smaller and don’t take up as much space and most of them have a gas starter so the days of sitting around waiting hours for your pizza oven to heat up are over,” says Darin. The latest pizza oven designs allow you to pre-heat with gas and then add wood.

Gas is still the main energy source for outdoor kitchens with the open flame a must for keen barbecuers. “Plumbed in gas and gas bottles are the standard for outdoor BBQs as there’s nothing that heats as fast and is as hot as gas when you’re outdoors in the elements,” says Darin.

Barwon Heads by Mint Design
Mint Design’s Barwon Heads project

When it comes to cost, many people are shocked to discover that an outdoor kitchen will set them back at least $15,000 but it’s largely due to the materials required. Outdoor kitchen materials have to be able to handle variations in temperature and sunlight and said finishes don’t come cheaply. “If your kitchen is fully exposed you need outdoor grade materials but if it’s under a pergola you will have more leeway with materials,” says Darin. 

When it comes to the bench top, Darin says that Dekton surfaces as well as natural stone or concrete are great options. “A ceramic material, Dekton is very pricey, but you can get a stone-look and it’s very durable and easy to clean. Concrete is a great option, but it must be sealed and resealed over time,” says Darin. 

Keilor East by Mint Design
Keilor East project. Photo by Daniel Corden.

Cabinetry materials are another challenge as you need good durability there too; Darin recommends Tricoya MDF which is a laminated timber that doesn’t shrink or swell. “You can paint that material in any colour that you like,” says Darrin. Cement sheeting is still a popular product for cupboard doors but, alternatively, Polytech has a lot of great outdoor cabinetry finishes which give a timber or stone look. “Again though, that product is expensive. If you want a slick, seamless outdoor kitchen the sky is the limit when it comes to what you can spend.”

As TV interior designer James Treble shared with us recently, the majority of his clients prefer cooking on gas. Thinking about gas at the early stages of a build or reno, and making the most of your gas connection, if you plan to have one, is paramount, he says.

“People need to think about if they’re cooking al fresco and having a gas point there too for their outdoor kitchen or built-in barbecue. You might also want a powerpoint there in case you need it for an ignitor, or perhaps an outdoor fridge, and even plumbing for a single sink.”

Can’t afford that outdoor kitchen right now? Allow for the plumbing, gas and powerpoints now at the build stage, so it’s an easier job later when you can.

Installing an outdoor natural gas BBQ? You may be eligible for a rebate!

Australian Gas Networks have rebates available for customers on their networks who are installing or purchasing new outdoor gas appliances. You can get more information here: Rebates | Australian Gas Networks

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Design Designers Interiors Addict Interviews

Designer profile: From expat childhood to high end interiors

Growing up as an expat, Brisbane based interior designer Keeley Green lived in Africa, Papua New Guinea and England which explains the global influence you can see in her work. “I would describe my aesthetic as comfortable elegance and it has an international feel too. It’s also very collected as I don’t like to use things from just one era,” says Keeley who spent her early years globetrotting before settling in Bundaberg where she married, had two children and worked as a property developer in the family business for 16 years.

Keeley Green
Interior designer Keeley Green

But it wasn’t until the breakup of her marriage that Keeley decided to pursue a design career and she began by moving to Italy and undertaking a Masters at the Florence Design Academy with her two children in tow. “Florence was an incredible experience. While I was dealing with my separation it was great to give my children a dose of culture and to role model for my daughter.

“I wanted to teach her about resilience, being courageous and following your dreams,” says Keeley who studied for 18 months in the Italian city. During that time, she met Amanda Ferragamo (of the Salvatore Ferragamo family) with whom she set up a wallpaper and fabric business called Ailanto Design — a business she continues to run.

After Keeley completed her studies, she moved to the UK and set up a design studio in England which she ran for a few years. But it was when her eldest child was about to start high school that Keeley made the decision to return to Australia (family beckoned) and she set up her Brisbane based design studio soon after. “It was my mother that said if I didn’t come home then my children would start their lives there and I’d find it hard to leave. It was great advice.”

Beach House
Beach House project
Beach House
Beach House project

Keeley’s team work on a range of projects that vary from luxury residential work to boutique hospitality jobs and, rather interestingly, super yachts. “I have really enjoyed working on the yacht projects lately because they’ve been such a steep learning curve. We work with clients at a very high end and when you work on a luxurious property it’s usually quite large whereas with a super yacht it must have all the same things but it’s much smaller,” says Keeley who has enjoyed using her design skills in a different setting.

The Old Vicarage project
Old Vicarage project
The Old Vicarage project
Old Vicarage project

And though Keeley is based in Brisbane, she has just launched one-hour Zoom consults in order to service clients anywhere. “The idea behind the consults is to make our services accessible to more people as not everyone can afford to engage us for a full design service, nor do they necessarily need to,” says Keeley who covers all sorts of things during the consults including floor plan revision and ideas, furniture layouts and selections, home décor selections, paint and wall treatments, exterior design and more. As an aside, 10% of fees raised from the Zoom consults will be donated to the domestic violence charity RizeUp Australia.

Beach House project
Beach House project
The Old Vicarage project
The Old Vicarage project

“If you enjoy the challenge of managing your own project but have some burning interior design questions, or you don’t have the budget to engage a full-time interior designer, this would be a great option for you.”

For more on Keeley’s Zoom offer

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Architecture Design Designers Expert Tips Interviews RENO ADDICT

Knockdown or renovate? Expert tips to help you decide

Whether your family has grown in size, or your house is looking a little tired, you might be weighing up the pros and cons of renovating versus demolishing and starting afresh. It’s a quandary that Melbourne architect Anna Dutton, of Bower Architecture, sees all the time and she’d like to help our readers put some clarity around the issue.

“This week I chatted to some really lovely potential clients who had mid-century houses, and they were struggling with whether they should renovate or create a new home. It’s a question we get so often that I thought it might be worthwhile to share our thoughts with anyone else who is facing the same challenge,” says Anna.

Bower
This Bower Architecture new build sits atop a demolition site

While renovating can produce a great result from a design, sustainability and cost perspective, Anna stresses that a home must pass a simple three question test to figure out if it’s worthy of demolition or an overhaul.

Is your home structurally sound?
Is the house or building in good structural condition? Answer with a ‘yes’ if it feels solidly built and there are no large cracks appearing, no springy squeaky floors, no damp on the walls (or on your nose!) and if the walls and floors are straight or level. 

Are you happy with your home’s room sizes?
Are the majority of the rooms a good size to be re-used? Answer ‘yes’ to this one if you could imagine re-purposing most of the spaces with a continued or new use. For example, in an existing house, are the bedrooms a size that you are happy with keeping? Are bathroom spaces large enough to be re-used?

Bower Architecture new build
The owners of this home decided to start afresh because the old one had small room sizes

Does your home have good bones?
Finally, does the house or building have some architectural character and do you actually like it? It doesn’t have to be a masterpiece but if it has something interesting to you, and some charm, answer ‘yes’ to this question.

The old home on this site was poorly oriented. A new build remedied this.
The old home on this site was poorly oriented – the new build remedied this.

“For the house or building to be an ideal candidate for a renovation, you need to have answered ‘yes’ to all three of these questions. If you have answered yes to only two you could have a renovator on your hands, but it may be similar in cost to a rebuild. If it is a ‘no’ to all, a new project will probably be your best option financially,” says Anna.

And while we love a one-size-fits-all approach (I mean, who doesn’t want this issue resolved in three simple steps?), there is one factor that completely nullifies the above. And that is a matter of the heart – are you emotionally attached to your existing home? Has your home been in the family for years or has it been the backdrop to many amazing memories? “If this is the case a renovation is the only way forward even if you have answered ‘no’ to all of the questions above.”

Architecture & interior design: Bower Architecture | Photographer: Shannon McGrath | Shoot stylist: Ruth Welsby | Builder: Macasar | ​Furniture, decorating and artwork selections: Tara Wood | ​Window coverings by Nicole Bell Design

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Design Designers Interviews Shopping

Incy Interiors celebrates 10 years with brand new range of children’s furniture

When Incy Interiors launched a decade ago, the Australian children’s furniture scene was a rather bland and predictable one. Debuting with a range of retro style iron beds and cots, in a delectable range of on-trend colours, the Incy Interiors range soon became a favourite of design-conscious parents across the country – and it’s still going strong after ten years in business.

Incy Interiors’ iconic rose gold ‘Ellie’ cot

“I definitely underestimated the gap in the market and that first year was insane,” says the brand’s founder Kristy Withers who decided to launch the brand after shopping for a ‘big boy bed’ for her two-year-old son Oscar and being uninspired by the options.

Working in corporate marketing at eBay at the time, and travelling to the US and Europe constantly, Kristy was able to check out all of the amazing children’s furniture products that weren’t available in Australia. “After lots of talking about it, trying to get things made and researching, my husband finally said to me one day ‘for god sake just do it!'” says Kristy.

Kristy Withers
Incy Interiors’ founder Kristy Withers

That first year of business was so successful that even Kristy’s daughter was waiting in line for one of the brand’s covetable cots. “The year we launched I also had my daughter Polly, and she didn’t have a cot until she was at least six months old because it kept selling out, so I had to keep bumping her to the next shipment!” says Kristy.

The stylish range has since expanded to encompass around 70 products and is available across the globe with distributors in the US and UK and stockists in New Zealand, the UAE, Hong Kong and Singapore. 

Incy Interiors
Kristy’s daughter Polly with a sofa from the new collection

And Kristy manages all of this from her base in Orange, where she resides with her husband and two children on 100 acres of land. “We lead a really simple, easy life in such a beautiful part of the world.  Most of my team are based in Sydney so I have a great excuse to get back to the city and get my fix and catch up with my friends. I couldn’t imagine life any other way,” says Kristy.

The new collection features five shades of velvet
The new collection features velvet in five lovely shades

As for the brand’s most popular product, it’s no surprise to hear that it’s the rose gold cot. “I don’t think there would have been Incy without our rose gold products. I have lost count of how many beds and cots we have sold. They are definitely our signature piece that are the perfect blend of classic but cool!” says Kristy.

Incy Interiors
This new children’s Chesterfield is rather gorgeous

And to celebrate Incy’s tenth birthday, the brand has a new range on the horizon too – slated to launch next month and pictured here. Central to the brand’s ethos, Incy believes that kids’ rooms are sacred spaces in which children can showcase their creativity and thus have launched a fully customisable range that speaks to this. With five velvet shades and two gorgeous, aged leathers, the range represents over 1000 exciting design possibilities. 

Incy Interiors
Dark brown aged leather features in the range

“We are so excited about the massive new collection and we also have a new collaboration that I am really excited about, that has been in the works for two years. We have something really exciting happening every month of this year so strap yourselves in for some amazingness from Incy as we hit our second decade!”

Incy Interiors

Photography: Pablo Viega (shot on location at stylist Steve Cordony’s gorgeous Rosedale Farm)

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Bathrooms Design Designers Shopping

Designer profile: Thomas Coward aims to outlast trends

“I’m not aiming for a particular look. I am trying to create designs that will outlast trends and be relevant for a long time,” says Melbourne-based English designer Thomas Coward. With a repertoire that spans product and furniture design as well as interior fit-outs, the designer is also interested in how products make people feel.

“Forms can speak to certain people and I feel like I am interested in speaking to a few people directly, rather than a lot of people indirectly. The way a product makes someone feel can ensure it stays in a person’s life for a long time,” says Thomas.

Thomas's United Products range
Thomas’s United Products range

Thomas's United Products range
Thomas’s United Products range

Having grown up in England’s Cornwall, Thomas cut his design teeth at Ravensbourne, a small Greenwich-based art school that counts Stella McCartney in its alumni. “It’s a specialist art college and I studied furniture design there,” says Thomas.

Moving out to Australia 12 years ago, with an Australian passport courtesy of his Aussie mum, Thomas hasn’t looked back. Originally working as the principal designer at Omvivo and Schiavello for 10 years, Thomas is now the creative director of Artedomus which entails designing their showrooms and in-house products too.

Thomas Coward
Thomas Coward

“I just completed the Artedomus showroom in Brisbane and I’m also creative director of New Volumes which is a brand that showcases the materials that Artedomus imports,” says Thomas. Using ELBA stone, which Artedomus imports exclusively, Thomas heads up a company created to make things out of the material including bowls, vases, planters and side tables.

Artedomus showroom
Artedomus showroom designed by Thomas Coward

But perhaps his more impressive work is his range for bathroom brand United Products. The super stylish collection of design-led bathroom fittings has a clean, minimalist and understated feel. Sustainability underpins the brand too – the entire United Products range is made from a combination of natural minerals and resins.

United Products
United Products

United Products
United Products

The United Products range has a sculptural feel which is why it’s no surprise to learn that sculpture is one of the designer’s main sources of inspiration. “I’m very interested in the sculptors Barbara Hepworth and Henry Moore. The forms that these sculptors created really speak to me in a way and I’m trying to do that with my products.”

United Products
United Products

For more on Thomas Coward | Designer profile: Kate Walker Design

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Design Designers Furniture Interviews Shopping

Designer profile: Celebrated UK creative Bethan Gray

A recipient of four Elle Decoration British Design Awards including the coveted ‘Best British Designer’ and ‘Best British Tableware Designer,’ Bethan Gray is one of the UK’s most celebrated furniture and homewares designers. In Australia recently to launch her Shamsian collection, available locally through Living Edge, we caught up Bethan to gain insight into her career trajectory, her approach to design and how her ethnic roots inform her creativity.

Bethan Gray with some of her designs
Bethan Gray with some of her designs

Inspired by her ancestors, a nomadic and artistic Rajasthani clan who migrated across Arabia and Persia before settling in Wales, creativity is literally in Bethan’s DNA. “With that kind of background my parents always encouraged me to be creative, which I’m grateful for,” says Bethan who studied three-dimensional design at De De MontFort University in Leicester before winning a prestigious design award, which set her career in motion.

Bethan Gray designs

The award was granted by Tom Dixon, the then head of British furniture and homewares giant Habitat. “The prize included an internship and I stayed there for ten years,” says Bethan who found the experience gave her a fabulous grounding in the commercial world, while indulging her love of travel. “I went all over the world to small craft workshops and large fabric makers. I loved the travel and meeting people,” says Bethan.

In 2008, Bethan set up her own studio, with a desire to explore her own creative direction. “I have always been very passionate about working with natural materials, and there wasn’t much of that at the time. I really wanted to push the boundaries with natural materials, technology and traditional craft,” says Bethan. Since launching, her pieces are now stocked in prestigious UK retailers including Harrods and Liberty.

Bethan's Lustre tableware
Lustre tableware

Describing her aesthetic as ‘calm,’ the designer combines natural materials with a modern aesthetic, in unique ways. “I love highlighting natural materials. I also like my collections to have a cultural link to where the product is being made, or to the people making it,” says Bethan whose latest collection uses marble, hand-stained maple wood and brass.

The collection, Shamsian, takes its name from the master craftsman that produces it in Oman. Inspired by the historic Nizwa fort, in Muscat, the range contains some of Bethan’s personal favourites.

Bethan at the Nizwa fort, that inspired her new range

“I love the green Nizwa cabinet as I remember how excited I was when I first saw it. We went to a trade fair soon after and we got such a positive reaction which was very satisfying,” says Bethan. The design features an ombre effect that mirrors the sun setting on the walls of the famous castle.

The Nizwa three-door cabinet in monochrome, is part of the Shamsian range
The Nizwa three-door cabinet in monochrome, is part of the Shamsian range

Bethan in Oman, with master craftsman Shamsian

The billowing sails of Oman’s distinctive Dhow boats are another point of inspiration in the Shamsian collection. “The sails are made from sateen strips sewn together and I wanted to recreate the overlapping, billowing effect of the wind,” says Bethan. The elegant pattern work, something of a Bethan Gray design signature, features across furniture and tableware designs.

The Lustre table and tableware features a design inspired by sail boats
The Lustre table and tableware features a design inspired by Omani sail boats

“Even the most complex pattern becomes harmonious when you get it just right. I think my instinct for geometry comes from my family’s middle eastern heritage.”

Lustre tables
Lustre tables

For more on Bethan Gray | New furniture & homewares: Our favourite October finds

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Design Designers Homewares Interviews Shopping

Australian boutique homewares brand: Behr & Co.

When perusing the covetable collection of boutique Aussie homewares brand Behr & Co. it’s the natural materials that stand out. The stylish collection of throws, pots, vases, vessels and cushions are crafted in wool, marble and brass and look super luxe as a result.

Behr and Co

“The ideal Behr customers would have to be like-minded spirits who value luxe, natural materials and timeless designs. Our philosophy is to design and manufacture products made from natural and raw materials that are in some cases handmade by skilled craftsmen,” says owner and designer Louise Nikolakopoulos.

“It’s often difficult to convince people that natural materials such as marble, solid brass and wool may over time reveal imperfections. This is not considered a flaw or defect, but rather the unique beauty of these living materials. If my customers see the value in materials that take on their own life, then that’s half the battle.”

Behr & Co

But Louise is quick to add that her wares are not for everyone. “I have learnt to realise that you simply cannot be all things to all people. By keeping this ideology in mind, I quickly remind myself to know our products’ worth, and to back them fully. I trust that our loyal customers who invest in our pieces, think and feel the same.”

Behr & Co

Louise’s design journey isn’t a typical one. After studying Social Science at university, she embarked on finding her vocational passion – a journey that took her across continents. “I would often ask myself whilst studying, what would really and truly get me out of bed each morning for the rest of my adult life? The answer to that question was an industry that would be aesthetically pleasing, creatively challenging, and hands-on.” She ultimately ended up working in the design industry in Melbourne and London before buying Behr & Co. off its founder during her maternity leave.

Behr & Co

“After studying interior design whilst living in London some time ago, I returned home full of perspective, hopes and dreams that one day I would get the opportunity to own my own business. This dream came to light four months into my maternity leave period when we decided to take on this business. The idea of investing my passion, industry knowledge and creative flare meant that I could leverage off the existing structures in place, whilst putting my own mark on the brand. The opportunities are endless, and I have full control over the possibilities that await me,” says Louise, who purchased the business in February.

“The business was in action approximately three years prior to us taking it over. We took on the existing name and logo in order to maintain brand recognition and representation, however re-branding may be on the agenda in the not too distant future,” says Louise.

Behr & Co

Of the current range, Louise is most proud of the Squircle Tray – a timeless, seamless marble piece that has no visible joins. “I’ve always had a slight obsession with marble and after visiting a marble quarry in Carrara, Italy back in July, I have developed an even deeper appreciation and fascination for how marble is formed and derived from earth.

“I was aware that there were variations of square and circle trays on the market, so I wanted to design a tray that reflected features of both shapes whilst still maintaining a translatable design,” says Louise of the object that is made from genuine Carrara marble. “It’s the finer details that really do matter to us. Yes, a design of this scale and quality may come at a higher price point, but as they say…guacamole is always extra!”

Behr and Co
The gorgeous ‘Squircle Tray’

Of the future, Louise is hoping to expand the range and move into furniture too. “My short term goal and focus for the coming months is adding more new products. Even though Behr & Co.’s core offering is homewares, I’d love to dabble in designing smaller furniture pieces, particularly in metal. I am also loving the architectural metallic finishes at the moment, and will be launching a new range of home decor products shortly featuring a handful of special finishes.”

Behr & Co

Styling: Sara Huckett @lennox_rd_interiors for Greenhouse Interiors | Photography: Armelle Habib

For wholesale enquires

Shop Behr & Co. online 

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Art Homewares Interviews

For the love of flowers: From fashion designer to artist

With a background in fashion and textiles, it was only when Freya Powell signed up for a painting course, with the intention of improving her print-making skills, that she realised she wanted to take it further.

“I’d never thought about painting until a couple of years ago; I’d do a bit of drawing to create a print, but always preferred being hands on with fabric. But when I started painting I fell in love with the immediacy and the challenge of it. It also makes you notice so much detail in your subject, things that you would never have seen if you hadn’t been staring at it for hours!”


Leaving the world of fashion, she began painting full-time. Having grown up in country England, Freya was drawn to the blooming cottage garden, secret dells and wide open skies; so naturally flowers became her muses. “It’s a bit of a cliché but there really is so much beauty in flowers,” says Freya. “When you study them up close you realise how much detail there is and such complexity to the structures. Also, if you’re a flower lover then having a painting of them is a way to make them last forever in your own home.”

With a realistic style, Freya keeps the backgrounds of her paintings bare, putting the sole emphasis on the flowers themselves. Her artistic practice begins with the search for fresh blooms, which she photographs before putting paint to canvas. “Depending on the type of flower it’s good to focus on certain things. For example, when I’ve painted really blooming flowers like peonies or David Austin Roses I’ve just painted the blooms themselves because they’re so amazing, but if there’s a really graceful movement to the stems like with poppies and irises then I try to incorporate that.”

A lover of nature, Freya now calls Sydney’s east home – swapping countryside walks for beach walks – spending her time working on commissions: “It’s lovely to know that a client will have a piece of your work as a part of their life.” Freya also hopes to work on a more personal project: “I’d like to try and fit in a bit of time for some experimenting with a couple of ideas. I really don’t think I could ever get bored with flowers, but that’s not to say I’d never do something different!”

For more on Freya | Artists we love

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Covet my coffee table Designers Furniture Homewares Styling

Covet My Coffee Table: With designer Lorena Gaxiola

A firm believer in investing in quality products that will be cherished forever, interior and product designer Lorena Gaxiola bought her original Zanotta coffee table over 10 years ago. “Despite its age it continues to look impeccable,” explains Lorena. “I love the size, height and Carrara marble top. It is both durable and sleek, my daughter loves to use it as a mini stage!”

Lorena

A place to display her travel treasures, it’s home to an ever-growing collection of design books, healing crystals, a one of a kind sculpture made with Mexican clay and relics that hark back to a transformative experience. “I have a collection of Egyptian memorabilia which inspires me daily,” says Lorena. “I once had a life regression experience that placed me back in the ancient Egyptian era, so the pieces refer to that.” For those unsure, past life regression is a hypnosis technique that help you recover what practitioners believe are memories of past lives or incarnations!

With an opinion that more is less, Lorena isn’t afraid of – as she puts it – ‘overwhelming’ her table. “I love having a lot of objects on my table. I like having items that are stackable like books to add scale, with contrasting organic shapes to add a sense of whimsy.”

Treating her coffee table like a bookshelf, she doesn’t often change the contents: “I might add flowers or crystals but generally I just pile more books onto it.” More than anything the coffee table acts as a place of expression and individuality, which is Lorena’s big tip when styling yours at home. “It doesn’t need to follow any specific rule or decor. It can be a standalone eclectic piece or a very understated piece perfect to display funky objects.”

For more on Lorena | Browse our other coffee tables

Photography: Susan Papazian

 

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Furniture

TH Brown relaunch coveted Australian Mid Century stools

Sponsored by TH Brown

We often look to Europe for furniture classics and with good reason. But some of the most recognisable and popular Mid Century designs were actually made right here in Australia. And after a 45-year hiatus, TH Brown have resumed production of their beautifully designed furniture, starting with their Danish Bar Stool and Martelle Bar Stool.

The Danish (left) and Martelle Bar Stools

A signature design of the 1960s, the TH Brown Danish Bar Stool became one of the most sought after Mid Century furniture pieces ever to be produced in this country. The originals have become heirlooms and are seen in many magazines, exhibitions and design showrooms around the world, including the South Australian Library.

The Adelaide furniture business was founded by Thomas Howard Brown in 1911. One of Australia’s most important furniture brands, it was known alongside contemporaries such as Parker, Featherston and Fler during the 50s, 60s and 70s. But it was Peter Brown who first introduced that unmistakable look in Australia. However, due to his being so attention-shy, he remains the unsung leader of timeless Australian Mid Century design.

In these days of mass-produced and same-old-same-old furniture, those who value buying well and buying once, will be delighted to get their hands on these new releases of a classic. Imagine the statement they could make at your breakfast bar! Just works of art!

Mid Century (also commonly called Mid Century Modern) style furniture, known for its fuss-free clean lines and smooth curves, is hugely popular in Australia. The beauty of it is its timelessness, meaning it’s easy to incorporate pieces into most decor and colour schemes. And it immediately screams (if quietly!) understated style.

A modern classic

Continuing the family tradition, the Danish Bar stool is once again being produced under the careful eye of third generation heir Simon Brown, and manufactured under licence to Workspace Commercial Furniture (formerly TH Brown Furniture P/L). Simon says: “It goes without saying that we would commence the relaunch of TH Brown’s back catalogue with the most unique and sought after product of all – the Danish Bar Stool. This stool was considered the gold standard of 1960s furniture design. Now, 45 years on, the stool holds its own as a beautiful, quintessentially modern piece.”

Danish bar stools

The Martelle Bar Stool, with its beautifully sculpted fixed seat, angled legs and hand-stitched upholstery, is also being relaunched. Like all great designs, it is as contemporary today as the day it was designed. Hand finished by expert craftsmen, it features a solid timber frame, the finest Italian leather and the highest quality materials.

“Australian furniture has left an indelible mark on lovers of fine design around the globe, along with a rich manufacturing heritage right here in South Australia. My father’s passion for design and quality were legendary, which is why I am so proud to see his designs back in production in the 21st Century,” Simon says.

Attention to detail

In line with the original TH Brown commitment to craftsmanship, each stool comes with a 10-year warranty and is individually numbered with a Certificate of Authenticity. They are hand finished to the same exacting standards of the original craftsmen.

Buy online, from $799 for the Martelle Bar Stool and from $1,129 for the Danish Bar Stool, at www.thbrown.com.au and select stockists.

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Designers Furniture Homewares

Design trade show DENFAIR lands in Sydney

One of Australia’s leading contemporary design and art events DENFAIR is coming to Sydney! A favourite in Melbourne, the boutique trade show brings together the brightest talent from local and international brands.

DENFAIR Melbourne 2017

Following continued success in Melbourne and many requests from both exhibitors and attendees to hold a second show in Sydney, the decision was a natural step. “It’s really humbling to see the show go from strength to strength and see the design community embrace the show with such enthusiasm,” says DENFAIR co-founder Thibaud Cau-Cecile.

Cult Stand 2017

With a focus on homegrown talent, the idea behind DENFAIR is to give designers a platform to promote original content without compromise. While many design exhibitions are done by large corporations in equally large spaces, the aim of DENFAIR is to put intimacy front and centre. “We want the show to be intimate enough to move around in a single day knowing that our visitors are time poor,” explains co-founder Claudio Oyarce. “Offering two shows permits an increase in visitation as we are closer to a wider audience.”

Great Dane Stand

DENFAIR Sydney 2018 will be held at the Hordern Pavillion from August 16 to 18.

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Designers Homewares Styling

Modern Retro Home by Mr Jason Grant: how to mix old and new

When stylist Mr Jason Grant started working on his third book, he wasn’t sure what the finished product would be. While he knew the book had to be informative and of course beautiful, it wasn’t until he and photographer Lauren Bamford started shooting houses that he found its theme.

“The working title of book three wasn’t Modern Retro Home,” explains Jason. “But this best summed up the type of houses I gravitated towards. For the book we shot houses of many creative friends and colleagues, that really showcased contemporary Australian homes that mix old and new, modern and retro.”

Mr Jason Grant

It’s a style close to his heart: “I have always been a fan of mixing old with new for layered interiors that evolve over time.” The book is a culmination of the tips and tricks Jason has learnt from 10-plus years of styling. “This book is super hard working with lots of information on every page,” says Jason. “You can open it at any page for a how-to. Each image I deconstruct and explain why this room worked and what the idea is behind it.”

A go-to guide for any budget, Modern Retro Home takes you inside the abodes of those who effortlessly blend modern furniture with vintage pieces — think geometric patterns, neon colours and such items as record players and old-fashioned radios.

Organised into chapters according to each room of the house, the images are captioned by Jason with information on how the room is styled and why it worked. There are also plenty of styling tips on how to choose the right colour, shape, pattern and texture, focal points, scale and lighting.

Despite its adventure into the past, don’t expect to find tired-looking rooms in this book! Get your hands on Modern Retro Home ($49.99) now.

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Designers House Tours Interviews RENO ADDICT

Now THIS is how you do Hamptons decor in Australia!

Natalee Bowen has always been creative. At the age of 15, she started designing and selling clothes, a career she would have happily pursued if it wasn’t for her parents. “They told me they had spent way too much money on my private school education for me to just make clothes,” Natalee explains. “So they told me to go study! I couldn’t see the point in studying fashion as I was already making money from it, so the next obvious choice was to go and study interior design and I fell in love.”

A few years later, Indah Island was born. With a holistic approach to design, she works on new builds and renovations, as well as interior styling and custom furniture design. Her style is classic Hamptons with a Caribbean twist, an aesthetic that emerged after Natalee visited the US holiday destination. “Visiting the Hamptons, I realised that this was the look I had always emulated… Hamptons can be such an overused cliché in Australia, however the real look is in how you bring it all together. There are many styles within the American classic such as the glamorous Manhattan look to the traditional classic beach vibe. A mansion to a typical home can be styled with this look.”

Having designed homes across Australia, transforming her own Perth residence has been one of Natalee’s favourite projects. Adding a pool, an alfresco area, detailed balustrade work and decking, it was a chance for the designer to become the client. “It was great to experience what I put others through! It is a messy, noisy experience and it can also be a long and tedious ride but the results are amazing!”

Other career highlights include a beautiful house in a prestigious area of Perth, which she was involved in from initial design to final furnish. With the dream brief “just do what you would do if this was your home,” Natalee was on site for every breakthrough and setback. “When renovating, you start to peel away years of a home and it can reveal a load of issues. But if there weren’t dramas I would be worried; these create fast-thinking creative design ideas and great teamwork.”

It’s for this reason Natalee recommends clients have an interior designer or project consultant, as while trades read what’s on a plan, designers are paid to think outside the box. “My job is to be the advice-giver and problem-solver. You don’t want a client to be asked questions they don’t have the answers to or walk into their home and realise what they got is not what they wanted. A designer saves a lot of heartache and a lot of money in the long run.”

Now with a successful business behind her, Natalee’s biggest achievements of late have been on the silver screen. Alongside cameos on a range of interior design shows, she will star in Channel 9’s upcoming program Ready, Set, Reno. “In two episodes we are going to go through the entire renovation, up until the reveal. It will allow clients to see the process and the end result in each episode, which is fantastic.”

With many other exciting television projects underway it’s fair to say we haven’t seen the last of Natalee. So stay tuned, we may have the next Shaynna Blaze in our midst!

For more on Indah Island | Other designer profiles

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Designers House Tours

Minimalist & monochrome: An extraordinary real home in Noosa

Mid-century inspired and with glazing for days, this incredible Noosa property is the work of its owner Sarah Waller, an English designer and licensed builder, who spent 20 years conceptualising her dream home before seeing it come to life. “A move from the UK to Australia offered me the opportunity to design and build something unique for my family and I – our own iconic home,” says Sarah of the home that is referred to as the Glass House.

Kitchen & dining

Nestled in the Noosa Valley, the home features clean lines, and sublime minimalist details such as a flat roof and large expanses of full-height glass. The abundance of glass was designed to take in the home’s gorgeous natural environment that features soaring coconut palm trees and frangipanis.

The lines between the inside and outside are blurred

Sarah worked across the entire process from the design and build to the home’s styling and final decorative touches. “To manage the entire process and bring it all together is incredibly satisfying and now we’re living and experiencing the home, you get a true appreciation that beyond its aesthetic qualities it has a wonderful feel. Sometimes I pinch myself that it’s ours,” says Sarah who heads up her own Noosa-based residential design studio, Sarah Waller Design.

Bedroom

The home’s award-winning kitchen is a standout space and features large swathes of black timber joinery and a generous island bench in fine matte black laminate and marble-look porcelain. Fibonacci Stone Arctic Ice terrazzo tiles extend from the interior floors to the outdoor patio for a seamless connection between outside and in and the kitchen also features a fully concealed butler’s pantry that houses open shelves, additional bench space and a second sink.

The bedrooms were also designed to capitalise on the expansive views. “I love that you have all the comforts of indoors, yet you really feel part of the landscape. We wake up with the sun and experience the subtle changes in weather throughout the day,” says Sarah.

Pool

The pool evokes 1950’s Palm Springs and features a cabana perfect for lazing around in the warmer months – the effect is utterly resort-like. We love!

Photography: Anastasia Kariofyllidis

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Designers Interviews

Designer profile: Seada Linardi of SLAB Architecture

Born in Bosnia and raised in Croatia, Seada Linardi migrated to Australia when she was eight years old and is now one of the rising stars of Melbourne’s architectural scene. “I always wanted to be a designer and I honestly believe it was in my blood. I know it’s a cliché but there wasn’t ever any doubt as to what I would become,” says Seada who is currently building a house with her husband (and fellow architect) Jesse Linardi in the Melbourne suburb of Collingwood.

Seada Linardi

Established in 2015, Seada views SLAB as an all-encompassing design studio. “The practice is a ‘studio’ where likeminded individuals work and collaborate. We don’t just specialise in architecture – we do everything. I’m even hoping to get a fashion designer on board! So, I don’t want SLAB to just be an architectural practice – for me SLAB is a creative studio which is open to any possibility,” says Seada.

One of Seada’s most recent projects (designed in collaboration with her husband Jesse) is a warehouse conversion in Collingwood called ‘The Workshop’ which is comprised of 11 stylish lofts. The industrial spaces, developed by Oz Property Group, span four levels and feature exposed concrete ceilings and floors plus perforated metal detailing.

‘The Workshop’ development

“At the moment, I am loving the interior direction SLAB is heading and would love to take on more interior work as I think it’s more personal and you get to interact with the client on a deeper level. So, in terms of career for me, it’s about establishing a creative team who really want to produce great work. I want to be a designer who can take on anything!”

A bathroom at ‘The Workshop’ – I love that copper tapware!

As for design inspiration, Seada draws it from all over the place. “As a designer, I think you have to have a bit of a crazy mind and a lot of storage in there! Inspiration is everywhere for me – sometimes I think my mind is like Pinterest!”

‘The Workshop’ interior

For more on Seada and SLAB Architecture

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Designers Homewares Styling

We love: The new hand-printed textiles from Aqua Door Designs

We love a fabulous original printed textile here at Interiors Addict which is why the latest tableware and cushion range from Aqua Door Designs has piqued our interest. Featuring an array of gorgeous patterns ranging from delicate broderie anglaise on linen to moth, ink splatter and tribal motifs, this collection has us suddenly wanting to dress up our dining table again!

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Tribal tablecloth – one of our faves!

Originally from country NSW, Aqua Door Designs designer Angela Richardson has drawn on her rural childhood to create the new range. “Following my previous range which featured neon accents and tonal brights, my rural-NSW school friends informed me that I had turned all Queenslander on them!” says Angela, who now resides in the sunshine state.

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‘Algarve’ tablecloth

“I’ve created a warmer palette for the new range with tones that capture the serene country landscape I grew up with,” says Angela of the collection that includes tablecloths, table runners, napkins, tea towel and cushion covers that are individually screenprinted by hand using non-toxic water-based inks. All of Angela’s designs are original and originate from either a drawing or painting.

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‘Moth’ table runner

Unlike her previous work, this range features more subdued colours including plenty of blue. “I always include blue in some format because it’s everyone’s favourite. I’ve gone with cornflower which works beautifully with the lace and linen, and the indigo tablecloth is an absolute standout. But I’m also loving the introduction of charcoal to the range. It’s versatile like black, without the harshness,” says Angela.

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‘Broderie anglaise’ tablecloth and napkin

When asked whether this new subdued aesthetic is a permanent design departure, the designer is non-committal. “Who knows, next year I might get my bright Queensland vibe on again!”

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‘Splatter’ table runner

Photography: Amanda Prior | Styling: Danielle Selig

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Designers

Melbourne lighting designers illuminate the scene

As design scenes go, Melbourne is a rich and varied one and this certainly holds true for the latest crop of lighting designers to emerge from the city. From the minimal yet luxe creations of Ben-Tovim Design to Volker Haug’s colourful/industrial aesthetic and Studio Ilanel’s large scale commercial commissions, it seems Melbourne is the place to be if you’re into illumination.

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Jonathan Ben-Tovim’s Rough Diamond range

Zimbabwean born, Adelaide raised, Jonathan Ben-Tovim combines minimal design principles with luxe finishes to great effect. We love both his ‘Rough Diamond’ range, which is made using 3D printing technology, and his new ‘Perf Pendant’ range for its perforated metal detailing.

2 BTD_PerfBrass_Scene1Jonathan Ben-Tovim’s Perf Pendant range

After obtaining a master’s degree in design at the highly regarded Design Academy in Eindhoven, the Netherlands, Jonathan completed a stint working at a London industrial design studio which paved the way for setting up his own company.

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Studio Ilanel’s Ripple pendants

Architect Ilan El graduated from RMIT’s Industrial Design Masters program in 2008, after which he became interested in lighting design. Whimsical and engaging, his work uses a large variety of materials and he creates bespoke lighting for high-end residential projects and large scale commercial installations too. We love his use of neon.

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Studio Ilanel’s Ora design

German born lighting designer Volker Haug’s work is colourful, industrial, playful and minimalist too. From pendants to lamps and wall lights, his work can be found in commercial and residential spaces and he creates one-off, bespoke pieces too.

120314_Volker_Studio_Cable_jewellery_wall-15cm Volker Haug’s Cable Jewellery pendants

Volker’s newest range combines metallic finishes with the latest in LED technology – all handcrafted by his small team of artisans in their East Brunswick studio.

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Volker Haug pendant lights

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Volker Haug pendant lights

See Volker Haug, Studio Ilanel and Ben-Tovim Design for more.

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Interiors Addict

Ceiling fans: what you need to know!

Sponsored by Beacon Lighting

Ceiling fans: they’ve not always had  reputation for being the coolest design statement. They’re sometimes the first thing renovators look to rip out during a renovation. But did you know ceiling fan design has come a really long way? We have been really surprised by some of the options on the market now. So, the first thing you need to know is that ceiling fans have become cool (pardon the pun) again!

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Today’s designer ceiling fans (Beacon Lighting have an excellent range) are also super energy and cost efficient with most using only as much power as a 60 watt light globe and costing as little as 2 cents per hour to run. It’s not a case of either/or with air con either. On a hot summer’s day, a ceiling fan working alongside an air conditioner reduces your running costs by up to 40%.

I bet you never knew they were useful in winter too? A ceiling fan with reverse mode circulates warm air downwards, lowering heating costs by up to 10%.

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The latest ceiling fans are also much much quieter, making them ideal living, bedroom and kitchen areas. Add a remote control to make them even easier and more convenient.

There are so many options these days. As well as being infinitely better looking (we’re a fan of the timber ceiling fans in particular) and with designs to suit every interior, they also come with and without lights. So, for example, if you have spotlights, you could choose a simple fan without an integrated light.

Some fans are suitable for indoors, some outdoor and some for both. Visit Beacon Lighting to check out their wide variety of options. Buy online with free delivery on orders over $100.

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