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Architecture Shopping

New photo book reveals life inside notorious Sydney eyesore

Award-winning photographer Yasmin Mund has released Concrete Jungle, a retrospective of one of Sydney’s ugliest buildings, Glenview Court. She has explored and documented life in the iconic Tamarama apartment block where she herself resided for three years prior to its closure for a multimillion dollar redevelopment.

Glenview Court, Tamarama, was known for its stunning views from inside, and ugly facade

A building often loathed from the outside but adored from within, anyone who hadn’t lived in the building perhaps couldn’t understand its appeal. Outside was one of Sydney’s most beautiful beaches, and inside was a diverse and convivial community of retirees, backpackers, creatives, and even squatters. The juxtaposition of living in such a derelict building in one of Sydney’s most glamorous and expensive suburbs provided a truly unique experience. 

That view

A brutalist white concrete block perched on a clifftop overlooking Tamarama Beach, it has been nicknamed The Beast, the Tamarama Toaster, the Soviet Hospital, and the Housing Commission. Originally designed by Australia’s most celebrated architect, Harry Seidler, it was modified and corners were cut by the notorious Rene Rivkin’s developer father, Walter Rivkin. Over ensuing years, the 78 apartments rapidly descended into dilapidation and disrepair. It hit major trouble 10 years ago when it was served with numerous fire orders and was discovered to be riddled with concrete cancer. 

Photographer Yasmin Mund

As a documentary photographer residing in the building, Yasmin knew she had to try and capture what it was like to live there. “I was able to approach the project with a more intimate and integrated ‘this is my home too’ attitude, embracing a genuine curiosity and empathy for how my neighbours were living, and why they had also chosen this place as their home.”

Her photographic study looks across 15 apartments and their residents, bringing to light what living in Glenview Court was like for the first and last time. Subjects include Archibald Prize-winning artist Craig Ruddy, TV Director Adam Kiers, Karen Halabi, a freelance journalist and editor, as well as many other creatives.

Craig Ruddy & Roberto

“With all the new development in the world, especially in cities like Sydney, there seems to be at times a lack of reflection on the history of old buildings before they are leveled or redeveloped,” Yasmin continues. “I wanted to document not just this building, but the people who bring the building to life.” 

The now newly renamed Sky Tamarama is also making history as the largest redevelopment project on Sydney’s eastern seaboard. The way the development was maneuvered through the application process and funded is innovative and pioneering. It saw the body corporate taking out Australia’s biggest strata loan – originally $9 million – to fund the upgrade. Its unique model has since been replicated by other strata developments and has created a template for hundreds of similarly decrepit apartment blocks around the city. 

“This story of gentrification is universal,” says Yasmin. “This project is a time stamp of the past, which captures the residents before the upgrade, and before the building becomes shiny and new again. This is why the project is so valuable and universal, because our homes, or lack thereof, represent a huge part of our human existence.”

Buy the book, Concrete Jungle, for $85.

There’s an exhibition, with a limited number of prints available to buy, at Tamarama Surf Life Saving Club until this Sunday 18 April 2021. For more information.

Categories
Art

Win a stunning photographic artwork in time for Christmas

Sponsored by blinq.art

Seven years ago, blinq.art opened its doors and became one of the busiest galleries in Sydney. Very quickly, they built an ecosystem of connoisseurs, photographers, critics and collectors; a place where you could go to look, sometimes learn, but always walk away with an expanded appreciation for the art of photography. 

Cuba IV by Hélène Havard which I have hung in my own home, gets lot of compliments

For blinq.art, there is an important caveat however: the art has to be affordable. And this is why it’s been so popular with everyone from home renovators looking for a wall-sized flourish to complete their interior to gift-shoppers seeking an unforgettable and affordable present – the entry price is only $118! 

I’m sharing some of my own favourites of theirs here. I love the ability of photographs to transport us to places we’ve been or would love to travel to, and perhaps that wanderlust has never been so strong, with the restrictions placed on us all by the global Covid-19 pandemic. But there are many other subjects too, which have nothing to do with travel.

La Dolce Vita V by Elena Iv-Skaya is another favourite of mine: like instant summer on your wall!

After six years at Westfield Bondi Junction, they recently decided to join the myriad of businesses populating the thriving Paddington end of Oxford Street. But if you’re not local and can’t enjoy the unique, almost European boutique experience blinq.art offers, you can of course visit their website. There you’ll find the complete art collection which evolves literally on a weekly basis, short videos to explain and show their finishes as well as the quality of the artworks.

blinq.art have seven sizes and six sophisticated framing options to choose from and shipping is free Australia-wide!  

They just launched a free mock-up service to help you envisage how a piece will look in your home and to celebrate this new service, they are giving one Interiors Addict lucky reader the chance to win an artwork of their choice worth up to $1,500. If you wanted that special statement piece to get your home looking just so in time for Christmas, make sure you enter below by 17 December!

Positano by Akila Berjaoui

Whatever your taste, there’s a photographic artwork for you, from just over $100, also making them a great Christmas gift idea. The images throughout this post are my personal favourites and as you can see, there’s a great variety! The website lets you easily search hundreds of options by photographer, theme, size, orientation or even colours.

Arche I by Laurent Dequick is one of many beautiful architectural photographs Interiors Addicts may love.

Photographs are printed on high quality archival grade photographic paper, either glossy, matte or metallic paper, depending on the subject. They’re printed in accordance with the highest quality standards and under the supervision of the artist, delivered with an individually numbered certificate of authenticity. Once you’ve chosen the perfect piece, customise it with a wide choice of ways to present it; six signature wall mount formats as well as three acrylic ArtBlock sizes, perfect for your desk.

Oh my goodness, that little face: Fulczynski Neo by Christian Vieler

blinq.art are currently looking for stockists, so contact the team if you’re interested.

Competition

Peruse the website and tell us which is your favourite blinq.art artwork and why, in 50 words or less, for your chance to win it.

Entries close at 8pm Sydney time on Thursday 17 December 2020. The winner will be contacted via email within 7 days. The winner will be chosen by Jen Bishop and the blinq.art team based on the 50-word answer judged to be the best. The prize is not transferable, redeemable for cash or able to be swapped for a different item. The prize will be delivered to the winner’s home by blinq.art within 30 days of being notified of their prize. Open to Australian residents, aged 18 or over, who are not employees or associates of the promoters.

Full terms & conditions.

Categories
Art Interviews

Artist profile: Grace Costa’s regal horse photography

“I would describe my work as contemporary, soulful character portraits of horses. These portraits are captured with such high definition you can experience every hair, almost feel the velvety texture of the nose, and feel the personality in the eyes of every horse,” says Canberra photographic artist Grace Costa who is uniquely poised to capture the majestic creatures given she has spent her life surrounded by them.

Grace Costa

Whether riding them to muster cattle, competing with them in local competitions or teaching horse riding at her father’s horse-riding school, Grace knows horses. So, when she decided to leave her government photographic job recently, the time was right to combine her two passions.

“I was based at the Royal Military College Duntroon in an all-male team for 12 years as a public affairs photographer. I had the opportunity to see and do amazing things in that role,” says Grace of her job working for the Department of Defence – a position that saw her photograph the Queen amongst many other subjects.

Grace Costa

“After I had achieved all I wanted to in that role, I made the move last November to go full-time in my photography business where I continue to work as a commercial photographer as well as teaching masterclasses and doing speaking engagements,” says Grace. The career change has also given Grace the time to build her career as a photographic artist, with a particular equine focus.

Grace Costa

“Horses are very challenging to photograph, yet predictable at the same time when you understand how they move. Understanding and mastering the art of the horse’s body language is something that compels me to keep working with them,” says Grace who learnt many horse handling skills from her father, a master horseman who has worked with the animals for over 50 years.

And Grace’s decision to photograph the creatures in an industrial setting (as opposed to the wild) is a deliberate one. “I’m not interested in photographing them running in the paddock, like we are used to seeing in equine pictures. I want to capture them like a statue, to focus on their form, character and presence,” says Grace who is always on the lookout for an unusual horse to add to her collection.

Grace Costa

And while photographing a horse in this way is as arduous as you can imagine, it’s something that Grace admits she can’t get enough of. “I think I’m addicted to the magic that happens when all things align; the pose, the eye contact, the composition, the lighting, and the expression. It takes so much patience but it’s worth it,” says Grace whose latest collection ‘Spotted’ is centred around the idea that being rare and different is beautiful. In the series, Grace has documented the Appaloosa horse which is known for its unique spots and colours.

Grace Costa

“These horses have very strong characters and surprise many people because often they have never seen a horse like them before. They make perfect art for a young child’s bedroom,” says Grace who is also working on another collection called ‘Blooming’ which sees a variety of horses wearing custom floral headdresses with fantastical results.

Grace Costa

From choosing the right style of flowers to making sure the headpiece fits on the horse’s head and the bridle, the process is tricky. “You then have to ensure the flowers don’t fall off when the horse shakes his head from the flies! I think the entire team holds their breath until the shoot is over. It’s a bit of a nightmare but the results are worth it, and we love creating them.”

A piece from Grace's 'Blooming' collection

Shop online | Where and how to buy photographic art online

Categories
Art

Travel photography: art for your home by Moona + Co.

While known for her skill in capturing interiors and architecture, Melbourne based interior photographer Stephanie Rooney has just released a collection of limited edition travel photography prints. Launched under the brand Moona + Co. the series includes beautiful images of the Turkish desert, the Greek Islands, urban Japan and the Australian coastline.

'Rent a car, Greek Islands #4' print
‘Rent a car, Greek Islands #4’ print, from $75

“When I’m travelling I tend to seek out quieter landscapes. I try to avoid crowds and find a high vantage point. I love capturing the illusion that people have just left a scene,” says Stephanie who is enamoured with Turkey’s Cappadocia where she took photos from one of the famous hot air balloons that have become a hallmark of the region.

'Cappadocia, Turkey
‘Cappadocia, Turkey #4’ print, from $250

“Turkey was an amazing country, the landscapes of the desert are mind blowing. The Cappadocia series was captured from a hot air balloon on my digital Canon camera and photographing from up there was so much fun! Nothing compares. I was captivated by the layers of archeological history of the area. You can see in the photographs the cave homes and rock cut buildings as well as the geologically formed fairy chimneys,” says Stephanie.

Another trip involved a week sailing through the Greek Islands (specifically Eos, Amorgos and Santorini) which gave Stephanie another opportunity to capture some magical shots. “The colours there were spectacular. The contrast of the red cliffs against the turquoise sea, and the famous white and blue painted buildings of Santorini were a photographer’s dream,” says Stephanie though she admits the crowds often made the task a little challenging.

'Greek Islands #3' print
‘Greek Islands #3’ print, from $250

Stephanie’s prints are sold unframed with the option of a white border and they are printed on high-grade Fuji lustre paper which is safe to transport rolled. “At this stage framed options are available to Melbourne, Geelong and the Mornington Peninsula customers, with prices available upon request,” says Stephanie who has certainly been bitten by the travel bug. “Keep an eye out for the next series after I visit Portugal in July!”

'Kyoto, Old Town, Japan #1
‘Kyoto, Old Town, Japan #1’ print from $75

Photography: Stephanie Rooney | Styling: Janneke Coyle | Location: Seville Estate Yarra Valley

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Beautiful botanical photography