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Home renovation features unique kitchen for family of foodies

Located in the inner north Melbourne suburb of Brunswick East, this double-fronted weatherboard house is home to a family of four who engaged Dan Gayfer Design to renovate it in a stylish yet understated way.

“The design brief was predominantly concerned with curating an arrangement of spaces and elements that reflected a distinct family lifestyle. As opposed to packing as much as possible into the space available, importance was placed upon facilitating the congregation of family and friends,” says Dan. 

Kitchen and dining
Kitchen and dining

The design focuses on this coming together of people in a comfortable and interactive manner, encouraging both verbal interaction and activities between one another such as games, drawing and cooking. And interestingly, reflecting the idea that big doesn’t always mean better, the family decided against adding a second-story addition. “Refreshingly, the owners were not concerned about spaces that were not relevant to their day-to-day lifestyle such as a TV room, home office, WIR or ensuite; another level simply wasn’t required nor warranted,” says Dan.

Bathroom

A key challenge of the project for Dan, and his colleagues, was ensuring that the renovation wasn’t ‘over-designed’ as the family desired a functional yet simple solution. And although requiring significant refurbishment, the existing front four rooms of the home were retained whilst a fifth room (a bathroom) was also left in its original location. The remaining structure of the building was then removed leaving significant area to play with. “In like situations, one is often inclined to pack everything they can into such a generous area – including a second storey. In response, the addition is single-storied and modest in size with a distinct sloping roof and generous verandah area at the rear; this humble structure embodies the characteristics of mid-century Australian bungalows,” says Dan.

Dining
Dining

Central to the design is the kitchen which is genuinely multi-purpose and acts as a family room, living room and dining counter. It’s a space where family and friends can gather at any time of the day, even outside mealtimes, but the design also reflects the habits of the home’s occupants who are bona fide foodies. “That this family’s lifestyle is so kitchen-centric is no surprise, they are passionate cooks who are happy to cook every meal of the day if time permits,” says Dan.

Kitchen
Kitchen

The kitchen cabinetry was finished in cost-effective laminate – a mix of Laminex ‘Raw Birchply’ and ‘French Cream’ which are integral in giving the home that soft Scandinavian inspired feel. “The faux timber colour, ‘Raw Birchply’, is realistic and is difficult to distinguish from real timber veneer. As such, it could somewhat be viewed as a bargain considering the cost of real timber veneer,” says Dan. In contrast, given their enthusiasm for cooking, the home’s owners splurged on the kitchen’s appliances; a commercial grade rangehood, commercial sized fridge/freezer and heavy-duty double sink with drainer round out the mix.

Kitchen
Kitchen

The kitchen island is an interesting design that promotes conversation – it’s more of a communal table and features a ceramic tile surface, steel edging and custom steel legs. “We are particularly pleased with the outcome for the kitchen, pantry and communal table. The kitchen design reflects not only how the family prepare, cook and serve food but also its tendency to gather and interact during these times.”

Backyard
Backyard

Photography: Dean Bradley

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80’s beach shack now an eclectic, retro-inspired holiday home

Located on the dunes at Blairgowrie in Victoria’s Mornington Peninsula, Camillo House is one of the most unusual and beautiful holiday homes we’ve seen. “The home is more than unique, luxury accommodation. Created with sensory pleasure in mind and an incredible attention to detail, it is a backdrop to live fully,” says the home’s founder Clare Hillier who explains that the home was borne from the depths of Melbourne’s arduous COVID lockdowns.

BEFORE kitchen
BEFORE kitchen
AFTER kitchen
AFTER kitchen

“The world felt smaller than it ever had in 2020 and I started dreaming of creating a true escape – in every sense of the word,” says Clare who spent hours online each day looking for the perfect property before stumbling upon this home. “I remember saying out loud ‘this is it’!” says Clare who inspected the home the day after finding it, promptly purchased it and then spent a summer camping in the house getting to know it better before commencing the renovation.

BEFORE dining
BEFORE dining
AFTER dining
AFTER dining

After much contemplation, two years of hard work ensued with Clare determined to create a home that remained true to its faded 1980’s beauty, while having an identity all of its own. “Our vision for Camillo was that it would be more than luxury accommodation. Rather than playing a supporting role in our guests’ holiday tale, we wanted to create an experience in and of itself,” says Clare.

BEFORE lounge
BEFORE lounge
AFTER lounge
AFTER lounge. The home boasts a beautiful art collection.

In collaboration with Blair Smith Architecture, the home’s layout was reconfigured to make the most of the ocean views while every room and surface was updated. “Pine lining boards running across the walls and ceiling combined with a rabbit-warren floor plan made the space feel like a Swedish sauna,” says Clare of the original abode.

Fireplace
AFTER fireplace

Many details were updated – the original exposed mission brown bricks were bagged and a ply ceiling was introduced (a quieter alternative to the hectic orange pine boards) and all of the windows were replaced. The original slate floor was resurfaced to remove the 1980’s high gloss and the material formed the inspiration for the home’s entire colour scheme. “With its purple, pink, red and brown tones, the slate was the starting point for our interior palette,” says Clare.

BEFORE bedroom
BEFORE bedroom
AFTER bedroom
AFTER A custom travertine and spotted gum bedhead features in one of the bedrooms

“We have decorated the home almost entirely with vintage furniture that we sourced from near and far and pieces we designed and made ourselves,” says Clare who also selected all the home’s materials and interior fixtures and fittings. Incredibly, while Clare has always had an interest in interiors she isn’t formally trained!

BEFORE bathroom
BEFORE bathroom
AFTER bathroom
AFTER bathroom

The kitchen features statement ‘Cosmopolitan’ quartzite which is repeated in the master ensuite shower shelf. Travertine and venetian plaster feature in the second bathroom and Verde Green marble tiles feature in the third bathroom – salvaged from Facebook Marketplace. “They were a steal from a lady who was renovating her bathroom and throwing them out,” says Clare. 

AFTER ensuite
AFTER The third bedroom and bathroom

“As an antidote to the grind of modern life, we designed spaces and selected materials with sensory pleasure in mind and a devotion to attention to detail. There is something that is more playful about creating a space for people to escape to than when you are designing a home for everyday living,” says Clare.

Master bedroom
AFTER master bedroom and ensuite

Just 50 barefoot steps from the beach, the home has three bedrooms, three bathrooms, four living spaces, a cook’s kitchen, four decks and an outdoor bath. The bespoke designer space also enjoys stunning ocean views while showcasing 25 original artworks from Australian and international artists. 

AFTER games room
The view
AFTER one of the home’s four decks

“Totally at one with the landscape, Camillo is a hideaway that celebrates the raw beauty of our part of the world. Whether it’s a secluded bath outdoors, watching thunderstorms roll in over the dunes while lying in bed or nightcaps and card games around the firepit, Camillo frames the rituals of time away towards a deep connection with nature and each other.”

Photography: Kate Shanasy

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New Aussie original art collection inspired by our endless summer

The latest group art release from The Interiors Assembly, ‘Brighter Days’ is a curated collection of original artworks inspired by the Australian summer. “My brief to the artists involved was to create bright and uplifting works with a touch of summer,” says The Interiors Assembly founder Kelly Ferraro of the gorgeous range.

Joan Blond
‘Our Port Douglas Holiday’ by Joan Blond. 105cm x 105cm
'Dazed' by Lauren Nicolas
‘Dazed’ by Lauren Nicolas. 103cm x 113cm

The collection of original works starts at $500 and they range in size from 33 centimetres to 1.5 metres – the large ones are perfect for lofty spaces while the small ones would work well as part of a gallery wall or solo on a shelf.

There are plenty of celebrated artists in the show including Joan Blond, Aliki Kapoor and Tim Freeman to name just a few. “What I love about the collection is that our artists have a different interpretation of what summer means to them, and you can see this through their works,” says Kelly.

Tania Chanter
‘Where the Seaweed Swirls’ by Tania Chanter. 125cm x 94cm

The ever-popular Joan Blond is exhibiting a variety of new abstract styles including ‘Reflective Journey’ which is a riot of green offset by gold leaf. Tim Freeman has created two beautiful ‘hard lined’ originals for the show, both of which are mid-sized. ‘Main Beach Byron Bay’ features the location’s iconic lighthouse in the background. 

Joan Blond
‘Reflective Journey’ by Joan Blond. 95cm x 125cm
'Main Beach Byron Bay' by Tim Freeman. 83cm x 53cm
‘Main Beach Byron Bay’ by Tim Freeman. 83cm x 53cm

Aliki Kapoor’s ‘Bohemian Love,’ at 155cm x 155cm, is the largest piece in the collection. A stunning, abstract floral piece, textured pink flowers add tactility to the work. There’s some moodier pieces also including two gorgeous seascapes by Tania Chanter which are inspired by the deep tones of the ocean and the changing light throughout the day.

‘Bohemian Love’ by Aliki Kapoor. 155cm x 155cm

A new artist to The Interiors Assembly stable, Ros Gervay has created two beautiful floral mini works for this release including ‘Together they Grow’ which has some beautiful layering; some of its leaves almost look transparent.

‘Together they Grow’ by Ros Gervay. 33cm x 33cm

The exhibition is on now and will run until the end of January 2023 both online and at The Interiors Assembly’s gallery which is located in Victoria’s seaside Torquay. “We are looking forward to welcoming people to our space over the holiday period, where our coastline is busier than ever with those holidaying in our region and having fun!”

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Multi-residential interiors designed by the popular Bec Judd

Design-led developer and builder Lowe Living has unveiled the final interiors release of its in-demand Sera project in Brighton, which has been exclusively designed by Australian media personality and TV presenter, Bec Judd.

Located on the corner of Pine and Hampton Streets in Brighton, Sera is the first of two Bayside-based Lowe Living projects that Bec will collaborate on over the coming months, bringing her unique style and eye for interior design to what will be her first multi-residential interiors project, after completing a string of successful high-end residential home renovations in recent years.

Bec has selected a timeless Tundra natural stone that hails from Turkey as the feature throughout the interiors, accompanied by soft timber detailing and in-built feature joinery, such as the custom profiled doors in a premium 2pac finish. Curved timber lines intersect with the sharp mitred stone edges to create the perfect balance of crisp, clean lines, and curvilinear forms.

“I wanted to connect the striking external façade to the interior design to really give a sense of holistic design. The exterior arched detail is subtly repeated internally with the use of a curved leg on the kitchen island, curved joinery elements, a feature arch-like stone handle on the tv joinery and a gorgeous dome shaped wall light,” said Bec.

“Warm, neutral tones with a complementary mix of stones, timbers and tiles really elevate the spaces to feel luxe yet welcoming, sophisticated but unpretentious. The soft tonal palette gives the interiors a relaxed, calming ambience. I really wanted to design interiors that were warm, inviting, textural and of a sophisticated yet relaxed vibe.”

Bec’s top five trends from her Sera design collaboration are:

Curves: “ The striking façade of Sera lends itself to mirroring this iconic curve internally, seen through the arched kitchen island leg, dome wall sconces and bespoke curved joinery that provide a seamless transition from outside in.”

Warmth: “Inviting tones of warm greys and beige provide a luxurious yet welcoming palette, while also creating a spacious ambience throughout the project.”

Texture: “Layering timber, natural stone, wool and gloss tiles provides ample textural interest and accentuates exceptional luxury in every finish.”

Integration: “A key element in all my designs is to ensure appliances are seamlessly integrated into joinery to allow for hidden functionality. There is nothing more distracting than appliance cords and boxes detracting from beautiful interiors.”

Profile: “I love playing with gorgeous joinery profiles, and the modern Shaker profile in the main ensuite and kitchen at Sera is a key focal point, elevating the luxury and functionality of the space. The contemporary yet classic profile is slim in its design and is the cherry on top for the gorgeous joinery throughout the project.”

The final Sera collection, designed by Bec Judd, features a limited number of two and three-bedroom residences starting from $1,295,000.

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Mirvac’s new stylish and sustainable display home in Melbourne

With sustainability a leading social issue, the pursuit of more environmentally building practices continues apace and can be seen in property developer Mirvac’s new ‘Future Ready Display Home’ in Melbourne’s Altona North. Nestled inside the developer’s $350 million community The Fabric, the display home explores how small choices in the home can have big impacts on the planet.

The Fabric
Mirvac’s Future Ready Display Home

Partnering with 16 Australian brands, Mirvac engaged interior designers Without Studio to curate and style the display home. Visitors to the home can learn more about sustainable furniture, appliances, cleaning, bedding and more with Mirvac’s sustainability collaborators that include Jardan, Koala, Harvey Norman, Smeg, The Plant Society and more.

“Our partnerships with this amazing group of Australia’s most innovative sustainable consumer brands will allow us to collectively connect with and educate our community on how sustainable products can positively impact their daily lives,” says Mirvac’s general manager of Residential Victoria, Elysa Anderson. 

Kitchen
Kitchen

Like all homes at The Fabric, the 7-star NatHERS rated Future Ready Display Home is designed to use 27% less energy annually to heat and cool compared to a standard 6-star rated home. With the additional inclusions of energy efficient, fully electric appliances and rooftop solar panels, the home is estimated to deliver substantial savings to customers on energy bills with the opportunity to choose renewable grid power and have a fossil fuel free home. 

Lounge room
Lounge room
Lounge and dining room
Lounge and dining room

“Mirvac is at the forefront of driving change in housing sustainability initiatives, and we understand that home efficiency is more important than ever to homeowners. The Future Ready Display Home is part of our long-term goal to improve our residents’ lifestyle by reducing their energy bills and environmental impact,” says Elysa.

Bedroom
Bedroom

Currently over 60 residents across 30 homes live at The Fabric and, upon completion, the development will be home to around 1500 residents across town homes and mid-rise apartments. The development has a strong focus on creating green, landscaped public and private garden spaces set within an urban village. The newly opened 4,000 square metre Patchwork Park is a highlight and features a spiral slide, climbing structures, musical elements, herb garden, barbecues and picnic shelters for everyone to enjoy.

Bathroom
Bathroom

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Sophisticated Melbourne home an ode to its owners’ Italian roots

While people often argue that dark houses feel small, Melbourne’s Splinter Society would beg to differ. “We use dark colours as a way of focussing attention and framing things. With light colours, everything is washed out and in your face. With dark colours you have more control over what is highlighted – it’s all about creating theatre, intimacy and atmosphere,” says director Chris Stanley. He adds that playing with natural and artificial light is key to the aesthetic which is demonstrated beautifully in this Brunswick East renovation and extension.

Lounge
A skylight floods the moody lounge room with light. A joinery unit separates it from the kitchen.

Home to a family of five, this small but perfectly formed abode sits on a narrow 4.5-metre-wide block inside a classic single fronted Victorian terrace. Affectionately named Villa Italia in reference to the owners’ Italian heritage, the designers attempted to distill classic Italian qualities into the home. “Our clients are classically Italian in every way. They love simple beautiful things, food, they are very hospitable, and the house is always immaculately clean and well presented,” says Chris.

Kitchen
Green marble features in the kitchen

“The house is very well put together and it’s designed to host people despite being on the smaller side. Australians don’t cope with living in such squishy spaces because we’re not used to it, but Europeans are much better at it. I’ve found that people can be very fulfilled in small spaces,” says Chris who explains that the family decided to sacrifice extra space to stay in the inner city.

Lounge
Lounge room

A carefully curated open plan space, the kitchen, dining and lounge areas are all designed to serve multiple functions – various seating and dining configurations have been composed to accommodate gatherings with the owners’ large Italian family. For instance, the banquette in the dining area doubles as soft seating for the living area.

“The family eat around the kitchen bench every night – it’s the centrepiece of the home and the ‘dining’ area is used when friends come over. The kids sit at the bar and the adults at the dining table when entertaining,” says Chris.

Kitchen and lounge
Kitchen and lounge. Adding another layer of texture, the ceiling features limewash paint applied with a horsehair brush.
Dining
Dining. Natural light filters through the central stair behind.

The sophisticated materials palette references the patina of an archetypal Italian village with layered fresco finishes on the walls, bespoke upholstery, textured stonework and parquet timber flooring. Moments of colour are incorporated through the interiors also with with emerald, aquamarine and lapis shades taking centre stage.

Master bedroom
Master bedroom
Ensuite
Ensuite

“Drawing on the clients’ heritage, the redesign is guided by qualities often associated with Italian brands: fine craftsmanship, sophistication, elegance, and a touch of luxury.”

The front of the home
Then front of the home

Photography: Sharyn Cairns

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Bohemian spirit infused in art-filled St Kilda apartment reno

“Moving from a sprawling modernist house to an apartment would normally be a difficult adjustment, but after a substantial cull, it was a surprisingly smooth transition,” says Kate Cowen of her charming beachfront mansion apartment that’s located inside an historic 1861 St Kilda building.

Lounge room

Kate made the decision to downsize due to the changing dynamics of her family – her two daughters are now adults, and she doesn’t need so many rooms. Having engaged Bower Architecture and Interiors on her previous home, Kate entrusted the practice again with the interior refurbishment of the apartment that had been home to the previous owners for the past 30 years.

Kitchen
The kitchen cabinetry was designed to appear like beautifully crafted furniture pieces

“Kate’s brief to us was to transform the existing dark spaces into a refuge that she would love spending time in. It was to be unapologetically a space for her and the rich and joyful life she leads as a fabulously single woman,” says Anna Dutton, co-director at Bower Architecture and Interiors. A frequent entertainer, the home also gracefully adapts to host large and small groups of family and friends with the interiors providing a canvas for Kate’s large collection of artwork and sculptures.

The view to the ocean

“Kate is a collector of magical objects and art, frequently finding curios in auction houses, second hand store or even left by the side of the road, restoring them and giving them a second life. Artworks have been selected with passion over time with many of them reminiscent of different eras throughout Kate’s life,” says Anna. Rather than compete with the collection, the refurbishment features pared back, timeless lines and finishes that also celebrate the existing character of the Victorian interior.

Kate
Kate Cowen

The spaces were reconfigured to subtly conceal the more private areas of the home from the first floor living and entertainment zone. “There are few rooms, but the volumes are breathtaking. The four metre ceilings and living area overlooking the beach are gob-smacking – everyone who visits has the same reaction,” says Kate.

Living area
Living room

A refined steel staircase connects to the lower level of the apartment where the master bedroom, second bedroom, retreat/third bedroom and bathroom are now situated in what was originally two voluminous Victorian spaces complete with ornate cornices and fireplaces.

Staircase

“Rather than break the majesty of the original spaces, we carefully introduced walls which are separated from the ornate ceilings by fine steel framed windows which allow the lines of the original rooms to flow through them. In addition, they spread natural light throughout the spaces,” says Anna.

Bedroom
Bedroom

And while many of the finishes are on the neutral side, there’s an explosion of colour in the powder room and bathroom where saturated turquoise Moroccan Zellige tiles are combined with a curved tiled ceiling in a nod to St Kilda’s colourful bathhouse history.

Bathroom
Bathroom

Photography: Shannon McGrath | Styling: Kate Cowen

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A blend of old and new influences transform Edwardian-era home

Pop Architecture worked alongside Beatrix Rowe Interior Design to carefully transform the extension and renovation of South Yarra House. This spectacular renovation combines the original Edwardian-era features with striking contemporary design and materials that work together to maximise natural light. Located in the same-named area in Melbourne’s south, South Yarra House showcases how embracing simplicity and natural elements can breathe new life into a home. 

The client’s brief stipulated a focus on light and flow throughout new and existing areas, respect for the original Edwardian features, and a preference for curved edges and real materials. “This brief lead to a strong passive design philosophy and further exploration of the core idea via strategically placed glazing and the effect of light on curved forms and carefully selected materials,” says Justine Brennan, director at Pop Architecture. 

A sculptural corbelled brick form anchors the addition of the red brick Edwardian home. Drawing inspiration from its surroundings, the home is heavily centred on the majestic Eucalyptus tree towering over the north-facing backyard. The impressive tree is immediately visible upon entering the Edwardian portion of the house through the introduction of a clerestory window in the main entry corridor. The tree continues to reveal itself as you move through the house. 

In addition to the Eucalyptus tree, the design took inspiration from “the distinctive ornate brick chimneys punctuating the surrounding skyline” as well as the “dramatic effect of the northern sun hitting the otherwise nondescript corrugated iron fences in the back laneway. The ivory colour, curved parapet, and textured vertical corbel of the brick element, distills these influences into a simple yet striking focal point of the house,” describes Justine. 

The single-storey addition sits at the rear of the existing, renovated home, which opens to the garden and courtyard space. A rooftop terrace sits on top of the addition, as an extension of the outdoor area. Throughout the home, subtle curves and an amalgamation of textures add modern touches and a point of difference. The original central corridor at the front of the home, opens up to a shared living, dining and kitchen space. Its vaulted ceiling and architrave detailing emphasising the Edwardian-era characteristics of the home. Curved plaster and rounded smooth stone cultivate an element of sculptural design and contrast in the home. Highlighting this contrast is the difference between the strong solid materials, like brickwork, stone and hard plaster in contradistinction with gentle elements like timber fretwork in the existing portion of the home. This contrast is embodied in the bedrooms, bathrooms and kitchen.

A key standout in the home is the brick form. “We had always conceived the sculptural form as having a vertical striated effect to evoke the qualities of the light-play we loved in the existing back laneway. While we explored many materials and applications to achieve this, it was bricks laid in the corbelled method that finally allowed us to create this effect,” says Justine. Adbri Masonry’s sandhurst stone quarter height concrete block in ivory was the ideal choice to achieve this. “We wanted a solid, slim format brick but with beautiful texture and tone. The Sandhurst Stone concrete block worked perfectly and allowed us to meet our intention of laying bricks vertically in a stepped fashion,” added Justine. 

The sculptural brick form is featured in the addition of the home, creating a seamless flow between the indoor and outdoor spaces. The brick form wall stretches from the kitchen and laundry indoors, to the outdoor patio, including a woodfire pizza oven. “The construction of the feature brick form itself was one of the most satisfying parts of the project. Once the selected brick had been decided, it was a very collaborative process to resolve the final detailing which greatly enriched the design outcome. The bricklayer recalled learning the ‘corduroy’ method on one of his first ever jobs over 40 years ago, and was excited to revisit the technique in a contemporary way,” says Justine. 

“Now a fully functioning and reimagined brick home, the owner often remarks that they enjoy living with such an interactive brick element. They particularly love the way the brick form takes on the characteristics of the day, changing colour and contrast as the day unfolds,” remarks Justine. 

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Apartment transformed with luxury finishes and space saving ideas

Located in Carlton, just north of the Melbourne CBD, this circa 1902 apartment was once home to a trio of university students before it underwent a gorgeous makeover courtesy of The Stylesmiths. “The owner had lent the apartment to their son and his uni mates and needless to say, the transformation from uni lodge to angelic home has been tremendous!” says The Stylesmiths interior designer Kristen Dahl-Feathers who worked on the project with fellow designer Carlie Ng.

Lounge and dining
Lounge and dining

“When we were first engaged, we weren’t sure if the owners wanted to renovate it and rent it out or move into it as a retirement pad. But we are thrilled that they fell in love with the design and decided to go ahead and live in it themselves,” says Kristen. 

Kitchen and mezzanine
Kitchen and mezzanine

With a design brief that focussed on contemporary classic design, with a pared back palette, The Stylesmiths team set about making the compact home feel open and airy. Downstairs, in the communal area, the kitchen is highly detailed yet simple and classic with panelled joinery and curved marble benchtops set on top of a custom designed fluted base.

Mezzanine
Once a makeshift bedroom, the mezzanine now functions as a library

Already part of the apartment, the mezzanine was made larger to create room for a library and its adjacent spiral staircase was replaced with a beautiful new timber design with concealed laundry below. “After a few proposals we landed on a built-in library with bookshelves and a large desk up on the mezzanine,” says Kristen.

Kitchen and lounge
Kitchen and lounge

Notable products feature throughout including Artedomus marble, Cromwell lighting fixtures, the Bell table from The Woodroom, Armadillo & Co rugs and Mokum fabrics. Bathroom and kitchen hardware was sourced from Perrin and Rowe, The English Tapware Company and Brodware. 

Dining
The Woodroom’s gorgeous Bell table features in the dining alcove

A standout feature of the home, large bay windows draw the eye in three of the rooms. In the main bedroom, soft roman blinds bring attention to a custom window seat, the living room features a custom tan leather banquette that forms seating for the dining table, and the second bedroom uses the alcove to house an antique desk. “The unique alcoves really make the project special, and each has been given individual purpose, successfully maximising every inch of the available space,” says Kristen.

Bedroom
Bedroom

Overall, the designers were thrilled with the end result. “We loved the aesthetic. The way the stone, fabrics, furniture and colours came together and are bathed in so much natural light makes the home feel at one with its environment.”

Bathroom
Bathroom

Photography: Nicole England

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The ‘homely’ office is the latest workplace interior design trend

The fifth office space for Melbourne co-working brand CreativeCubes.Co, this unique co-working space was designed by Corso Interior Architecture and is set over 3,500sqm in downtown Collingwood. Director Joey Corso recently picked up a design award in the 2022 Melbourne Design Awards and is fast becoming an expert in the office design sphere.

“For this site, we have focussed more on a refined luxury whereas the other buildings are more honest, fun and loud,” says Joey.

Creative Cubes

Reflecting the push for more residential-inspired office interiors designed to make workers feel at home, the space is imbued with warmth and is comprised of a variety of layered, interesting spaces. “We want members to feel like they are not in a sterile workplace, so we used warm lighting, handpicked furniture, signage and artworks to really bring it all together. We ensured that no matter where you are in the building, that something special can be seen,” says Joey.

CreativeCubesCo

The office has four levels that are interconnected via central stairs while full height windows ensure views and plenty of natural light on all sides of the building. The ground floor is filled with meeting rooms, an events space, concierge and café; all designed to encourage social interaction and networking. “There’s a real balance between work and play designed to make people enjoy coming to work,” says Joey.

Flamingo pink chairs add colour in the open-plan collaboration space while graphic black and white floor tiles feature in the kitchen and bathrooms. The meeting rooms combine wall panelling and wallpaper. 

Creative Cubes

Like the wall panelling, the furniture (provided by Baseline) was chosen to be comfy and practical; all the desks are electronic meaning you can choose to sit or stand while working. “Overall, the space strikes the perfect balance between a comfortable homely office and a corporate setting.”

Photography: Simon Shiff

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Before and after: a stunning kitchen refurb using existing layout

“This ol’ gal with her timber benchtops, exposed canopy rangehood, above bench microwave hood and glass fronted overheads was due for a facelift. She’d been the backbone of the family for many years, however it was now time for her to take a starring role again,” says interior designer Silvia Roldan, who recently transformed this kitchen for her clients without changing the layout.

Before
After

“Our client’s brief was simple: retain the layout, location of all appliances and the gloss white 2Pac joinery. Everything else was open game!”

With an elegant combination of colours and textures, Silvia set about transforming the kitchen. With natural stone benchtops, organic Moroccan tiles and antique brass finishes on the tapware and joinery handles, it was instantly updated.

“Materiality is paramount for us, so selecting the right stone for the benchtops meant the new design would have longevity and a timeless character,” said Silvia, owner of Studio Esar.

Before
After

The glass fronted overhead cupboards were given an overhaul with more contemporary 2Pac doors and the grey on grey of the overheads and natural stone benchtop in New Grey Tundra created a tonal harmony. The open wine rack underneath the island bench was concealed behind new door panels.

“To signify the end of the kitchen, we removed the hood where the microwave was housed (and relocated it to inside the pantry) and replaced this with new overhead joinery consisting of a cupboard and open shelves. This not only opened up the area but created a quaint end to the rear bench and allowed our client to display some of her collected ceramics,” said Silvia.

Before
After

“Each space we create is highly tailored and rather than following trends, our studio is led by emotion and mood as we understand the power an interior can evoke. We pride ourselves on having an eye for detail and with this precision, we create textural and colourful spaces that are contemporary and classic,” said Silvia.

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Minimalist makeover gives dark Melbourne terrace a light new look

Another project by the talented Melbourne architect Bonnie Mills, this Richmond home was renovated recently with a clean, minimalist design aesthetic. “The meticulous detailing and soft, cool hues, create a sense of belonging and peace within the space,” says Bonnie Mills of the once dark and enclosed terrace house that houses a family of three. Northern light has been maximised and the colour scheme lightened up; both aspects make the home feel much more spacious.

Lounge room

Hidden behind an attached miner’s cottage in Richmond, the renovation has also increased the connection to the common areas of the home. “Being an attached terrace house means there are only windows on one side of the house so we needed to get as much north light into the space as possible, as well as maximising access to any possible east light,” says Bonnie.

Dining room
Dining room

Bonnie was tasked with levelling out the multi-level kitchen, dining and living area to allow for maximum flow between the spaces. “We increased the light and perception of space by elevating the kitchen to be on the same floor level as the living and dining area,” says Bonnie. The stylish and tranquil new kitchen features Phoenix tapware and Artedomus benchtops.

AFTER kitchen
Kitchen
Kitchen, lounge and dining

Central to the renovation, the home’s colour palette was changed from warm, earthy and dark tones to a fresh, cool and light scheme featuring soft timbers and natural stone. “Harmony was further bought to the space by linking the aesthetic of the soft furnishings to the colours within the fixed architectural elements,” says Bonnie.

Mezzanine
Mezzanine
Bedroom
Bedroom

The diminutive bathroom was overhauled too with the bathtub and shower combined to form a unified wet room and allow for the vanity and toilet to remain within the same space. “The laundry was separated from the bathroom by cleverly creating a nook within the hallway for ease of access and subtlety,” says Bonnie.

AFTER bathroom
Bathroom
Bathroom details
Textured bathroom details

Photography: Elise Scott Studio | Styling: Studio George

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Statement brick ‘lacework’ features in Melbourne new build

Located in Melbourne’s Mount Waverley, this expansive 600 square metre home was designed by architect Michael Ong, of MODO. Tasked with creating a ‘visually dynamic’ house to accommodate its owners (a retired couple and their two young-adult children) as well as family and friends who often visit from overseas, the abode boasts a variety of communal and private spaces. Overall, the unique, multi-generational home is tranquil yet striking.

MODO
Nestled into the landscape, the home is striking from the street

The exterior is divided into two halves; the bottom half consists of ivory-coloured concrete block, while the second storey is clad in thermally modified timber. The desire was to make the home feel as if it was grounded and embedded into the earth and had a sense of ‘mass’ and ‘weight.’ “From the street, the homeowner wanted something that was a bit dynamic and had a point of difference,” says Michael.

Kitchen
Kitchen

“We naturally investigated concrete bricks and blocks and moved away from the grey and darker tones, as we wanted a house that felt welcoming and homely. The light-coloured ivory architectural brick, from Adbri Masonry, worked wonderfully to give us a smooth yet subtly textured finish, which paired beautifully with the timber cladding and the landscape design,” says Michael.

Rear
Backyard

Downstairs, the home features two linear wings – one containing the guest zone and the other for the kids with its sweeping curved glass corridor link. The second floor houses the bedrooms, kitchen, living, dining, pool, sauna and gym.

Glass corridor

An abundance of timber interior details give the spaces an intimate feel – there’s wood walls, wooden cabinets, timber ceilings and floors as well as dark details on the fireplaces and bookshelves. The overall effect is one of restrained minimalism.

Lounge room
Lounge room

The lower floor features a gorgeous private courtyard which creates a focal point for the home. “I wanted the house to feel like it’s connected with the courtyard as the central area, so you always know where you are,” says Michael of the space that features a series of silver birch trees and a curved, insitu concrete bench. The floor above provides shade. “I like to let the building work in a way that actually provides a cover for the outdoor space instead of having to add a cover such as an awning,” says Michael.

Courtyard
Courtyard

To offset the heaviness of the home’s extensive use of brick, lace-like brickwork features throughout. “The architects did a lot of work with the bricklayer and the engineer to get the concrete brick lacework to curve. The result of the lace detailing allows more light in and draws the eye to the sculptural element within the build,” says Michael.

Lace brickwork is also used downstairs as a screen, in a smaller pebbled courtyard, accessed via the guest bedroom – the design lets light in while adding a beautiful visual element too.

Guest room
Guest room
Bedroom
Bedroom

Photography: Derek Swalwell

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Design Designers Interiors Addict Interviews Kitchens Real Renos RENO ADDICT

Kitchen reno extends to whole ground floor with great results

Located in Melbourne’s Malvern East, this stately Arts and Crafts era home had been extensively renovated in the past but was desperately in need of a contemporary update. “The home had the right quantity of rooms but it lacked the aesthetic finesse and the functional flow that the new owners required,” says interior designer Penny del Castillo who was tasked with updating the home with a touch of Parisian flair.

Kitchen
Kitchen

With five family members who all have a penchant for cooking, the kitchen was the obvious place to begin the overhaul. “We created a larger working kitchen for all five family member chefs in the household,” says Penny of the space that was once so pokey that only one person could cook in it. The redesign also brought in direct natural light, created more storage and also saw the creation of a proper walk-in butler’s pantry.

Kitchen
Kitchen
Butler's pantry
Butler’s pantry

And while the renovation was only originally only going to include the kitchen, Penny and her team ended up overhauling the entire ground floor of the home. This included the entry, hallway, powder room, guest bedroom, laundry, family room, dining room and master bedroom including ensuite and walk-in-robe. “The overall inspiration for our design was to celebrate the Arts and Crafts era of the original home with a slight Parisian twist,” says Penny.

Dining room
Dining room

The master bedroom, ensuite and walk-in-robe received a complete refurbishment. Of note, the master bedroom lacked storage but that has been remedied with a large piece of built-in joinery that houses the owners’ extensive book collection.

Master bedroom
Master bedroom

The master bedroom is now a much more functional and aesthetically pleasing space too. “In the bathroom, we created more light and separated the shower from the bath,” says Penny who also upgraded the interior of the walk-in-robe to make for more efficient use of space.

Ensuite
Ensuite
Ensuite
Ensuite

The living room was renovated with the cosy space now the perfect spot for a chat or some time alone. “We updated the fireplace and created a bookshelf display area. Also, the owners didn’t want the television to be the centre of attention in the room and we left space for a wall of collected art,” says Penny.

Lounge room

Overall, the owners are thrilled with their ‘new’ home – the way that it flows and functions. “Overall, there has been a massive improvement in spatial planning, without increasing the existing footprint of the property.”

Powder room
Powder room

Photography: Tatjana Plitt

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Before & Afters Design Interiors Addict Interviews Kitchens Living Room Real Renos RENO ADDICT

Integrated meals table makes the most of the kitchen island bench

Last updated in the 90’s, this grand Edwardian-era Melbourne home has just been renovated again with interior designer Jessica Viscarde, of Eclectic Creative, at the helm. “The home had undergone an extension in the late 90’s and the existing conditions of the kitchen, living and dining, as well as the laundry room, did not fit the style of the home, nor meet the needs of the family,” says Jessica, who set about updating the circa 1914 abode with clever space planning, lovely new design features and a neutral yet textured materials palette.

BEFORE
BEFORE kitchen
AFTER kitchen
AFTER kitchen

While Jessica updated the entire living, dining and kitchen, perhaps the most striking aspect of overhaul is the integrated meals table that is nestled into the kitchen island bench. “We proposed this layout as our ‘wild card’ option and were thrilled our clients chose it as their favourite. Our clients preferred the ability to sit down comfortably in chairs rather than having an oversized, and perhaps under-utilised, island bench with bar stools.” says Jessica of the unique design that is a natural gathering space in the room.

AFTER kitchen
AFTER kitchen. The integrated meals area is a unique feature.

The kitchen’s beautiful original window area is now complemented by a ceramic double farmhouse sink, Brodware mixer and integrated dishwasher and bins. The cabinetry was extended to frame the original windows and Spanish hand-cut tiles imbue the space with gorgeous texture. Nearby, the fridge was repositioned to free up space that now houses a substantial oven, cooktop and upper cabinetry. As for materials, the kitchen combines natural stone, porcelain and timber with VJ panelling and slimline shaker cabinet profiles.

AFTER kitchen
AFTER kitchen

“We decided to zone designated areas within the expansive open space to incorporate both living and dining, whilst creating an additional sitting area encased by those lovely bay windows,” says Jessica. The living area features custom joinery that was designed to complement the kitchen and neatly store tech away. Powder-coated perforated metal allows for the use of remotes and open timber shelves are the perfect spot to house personal touches.

BEFORE lounge and dining
BEFORE lounge
AFTER lounge
AFTER lounge

“A custom sofa was designed especially for the space and made locally in Melbourne. It’s paired with a stunning green wool area rug to add a soft layer and zone the living area in the open space,” says Jessica.

AFTER dining
AFTER dining

The bay window area off the kitchen now houses a lovely reading and relaxing zone to take in the established gardens and sun. UV-friendly fabric was specified for the armchairs and a hand-knotted custom rug from Hali Rugs completes the scene. A David Trubridge pendant light complements another version of the light in the dining area, while working to link the two spaces.

AFTER sunroom
AFTER sunroom

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Styling assistance: Studio Georg | Photography: Elise Scott

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Worker’s cottage dramatically transformed by architect couple

We’ve featured the work of Melbourne’s Splinter Society before and today’s home has many of the same details that we’ve come to associate with the architectural practice – black timber, rough-cut stone and a real sense of drama. Set on a corner in East Brunswick, the original worker’s cottage has been coined Host House given its has many fabulous entertaining spaces.

Spectacular indoor/outdoor living
The home offers spectacular indoor/outdoor living

Purchased by the owners of Splinter Society, Asha Nicholas and Chris Stanley, when they were fresh out of university, Host House has evolved over the many years since. The house has expanded to accommodate a growing family with the original white cottage extruded to accommodate a pitched roof that runs from the front to the back of the site behind the original façade.

Lounge room
Lounge room

The home’s existing white structures and new black elements are emphasised by the vertical repetition that features across the project. Outside, asymmetrical application of the exterior timber makes for a super interesting elevation.

The home’s dramatic exterior elevation

Moody and luxe, the rich material palette includes sustainable rough sawn timbers, textured plasters, formed concrete and rough-cut stone. These textures are paired with natural and artificial light that are designed to wash the surfaces, capture the light and create dynamic and changing effects throughout the day.

Kitchen
Kitchen
Living
Living room

Downstairs, one of the home’s bedrooms sits adjacent to the open plan living spaces that flow through to a pergola in the back garden. Drawing on travel influences, the living spaces are designed for the couple to host friends and family – the large kitchen has a distinct restaurant feel with its reflective surfaces, stone bench top and illuminated bar.

Bathroom
Downstairs bathroom

Nearby, the primary bathroom on the ground floor has a unique soaker bath recessed into the floor and surrounded by indoor and outdoor gardens.

Bedroom
Master bedroom

Upstairs, a loft-style master bedroom (with ensuite) and additional bedroom complete the series of spaces.

Bathroom
Ensuite

Photography: Sharyn Cairns

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An architect’s Melbourne apartment reno & expert advice

Nestled inside a mid-century Melbourne apartment block, this home was given a sensitive restoration recently with architect Bonnie Mills at the helm. Home to Bonnie, her partner Ashley Raggett, toddler Sonny Raggett and the family dog Teddy, the home combines natural stone, terrazzo and walnut timber in a nod to the apartment’s heritage.

“The whole aesthetic is a link back to the mid-century origins of the apartment – certainly the walnut timber, terrazzo and the square tiles in the kitchen,” says Bonnie, who has furnished the home with a mix of modern and vintage furniture finds as well as mid-century inspired lighting.

BEFORE Lounge and dining
AFTER Lounge, dining and kitchen

Completed over a two-year period, (while Bonnie was pregnant and nursing a newborn no less!) the process started in the bathroom where there was originally a freestanding washing machine sitting beside the vanity. Conveniently, Bonnie’s partner Ashley is a plumber (The Peoples’ Plumber) and thus was able to undertake this work himself. “Ashley did all the plumbing work and we now have a European laundry inside the bathroom space,” says Bonnie of the bathroom that features square tiles from Artedomus as well as terrazzo sourced from Signorino. A highlight of the home, a skylight completes the sanctuary-like space.

BEFORE bathroom and laundry
Bathroom
AFTER bathroom and laundry

“We were priced into an apartment and don’t have a garden, so we wanted to bring the outside in in any way possible and to make it feel as house-like as possible. The skylight creates a space for solitary bliss. I like to look up at the stars and have that quiet space in the home,” says Bonnie. 

Skylight
Bathroom skylight

The kitchen renovation began after the bathroom was finished, with the removal of a wall requiring engineering and building permits. “It was worth it though as the old kitchen was completely cut off and there was a lot of disconnect between the spaces,” says Bonnie. Zellige-style tiles from Tiento Tiles as well as natural stone from Signorino are paired with walnut timber accents in the kitchen. “The stone is Venato Forte and it reminds me of the dappled light and reflection on the wall that we get through the kitchen window,” says Bonnie.

BEFORE kitchen
Kitchen
AFTER kitchen

Nearby, the dining room features corner bench seating which is full to the brim with Sonny’s toys. “The bench seating was one of the best buys as it helps to conceal all of his things,” says Bonnie. It’s also a lovely, light-filled spot to enjoy breakfast in the mornings.

BEFORE dining
Dining room
AFTER The dining room bench seat provides much needed storage in the apartment
BEFORE bedroom
Bedroom
AFTER bedroom. Bonnie sourced the mid-century bed from Facebook Marketplace.

Bonnie’s top tips for renovating

  • If you can help it, don’t live in the home while renovating. “In hindsight I should have waited for everything to be done before moving in. There are efficiencies in doing it all at once rather than calling trades back several times,” says Bonnie.
  • Find good quality trades. “When we went cheap, we paid twice as you end up getting people back to fix things if they aren’t done properly the first time,” says Bonnie.
  • Spend as much time as possible in the planning phase so that you have fewer decisions to make on site. 
  • Try to renovate to a building’s context or architecture rather than to what you have seen online. “Design to the context. This creates something timeless with purpose rather than just following trends,” says Bonnie who warns against getting stuck in a Pinterest loop during the design phase.
  • When it comes to materials, think about sustainability and the lifespan of a product. “Products like natural stone and terrazzo are often overlooked due to cost. But a lot of the time they are a more efficient choice in the long run. For example, if you chip or burn natural stone you can sand it back and reseal it, so it’s got a much longer life expectancy,” says Bonnie.
Sonny's room
AFTER Sonny’s room

Photography: Elise Scott: Styling: Studio George

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Art Interiors Addict Interviews

Self-taught artist celebrates thirty years in the biz!

“Because I never learnt formally, I have no rules. I taught myself and each work leads to the next; I have a loose plan when I start a new canvas but I don’t draw it out first. It’s like an adventure!” says Melbourne artist Anna Blatman who did stints as a receptionist, manicurist and waitress as well as a year in a kibbutz before pursuing her art career full-time some 30 years ago.

Artist Anna Blatman
Artist Anna Blatman with one of her works

Initially selling from a market stall in the Melbourne CBD, Anna would sell up to 40 small paintings a week and was the primary earner for her family, taking only six weeks off when each of her two children were born. “I like to say I was one of the first mum artists where I was a mum and a painter. I wasn’t one of those artists up drinking red wine into the early hours!” says Anna who eventually purchased a studio in Elsternwick where she still works today.

Anna Blatman

Not far from her home, Anna paints at the studio almost daily and views the practice like meditation. “When you’re painting, you can’t think of anything else apart from mixing colours and applying them,” says Anna who begins each work without a specific plan and enjoys the unexpected outcomes that often arise. The works are sold through her gallery as well as through various homewares stores and galleries throughout Australia. Anna also undertakes regular commissions.

Anna Blatman prints
Anna Blatman prints for Artist Lane

About 12 years ago, Anna was approached by the print company Artist Lane who transferred her originals to print and it was through this relationship that Anna’s work can now be found on Temple and Webster and The Block Shop. “I had always wanted to sell prints but was just waiting for the right person to come along,” says Anna. The artist’s work is also licensed to several companies that use it on a variety of homewares products sold throughout Australia.

Anna Blatman suitcase
Anna’s work has featured on many different homewares products

“I love to play with colour and I try and keep the subject matter close to my heart. I love flowers and I’m very nostalgic. For instance, I love vintage pots of flowers, but I like to make them modern,” says Anna who, aside from regular painting, also runs small group painting workshops at her Melbourne studio. “They are fun for me as I usually work by myself,” says Anna who has also found popularity with art teachers across the globe – connections that were made through Instagram.

“Art teachers are always looking for different things to do with their students and a lot of art teachers around the world are now teaching kids how to do my birds and snails,” says Anna who presumes they are drawn to her aesthetic because it’s happy, colourful and bold. “I’m a bit of a big kid I guess but the kids’ works are bloody good!”

Students at one of Anna's workshops
Students at one of Anna’s workshops
Anna Blatman
Anna’s birds are used regularly as inspiration in art classes across the globe

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