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Art Designers Homewares Interviews

Claire Falkiner of Merci Perci: the women behind the brightly coloured headdresses

When Claire Falkiner lost her job as a textile designer just days before the Christmas of 2013 (and two weeks after her husband lost his!), she decided to look at it as a blessing, not a curse.

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Claire

Seeing it as a time to get creative, she picked up her paints and started designing. And the end result was a large artwork of a colourful headdress. “I didn’t really like it and shoved it straight under my bed,” explains Claire. “But then my friend came over and saw it poking out and said: ‘That is awesome!’ I said: ‘You can have it if you want?’ So she framed it and I saw it in a different light. Then one of her girlfriends wanted one so I made one for her.” And as they say, the rest is history!

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Now working under her business Merci Perci (named after her too-cute rabbit!), Claire’s work is stocked in stores across Australia. Her headdresses are of particular success, with the brightly coloured, pattern crazy one-offs being made from paper. “They take me about four-to-five hours to complete, from marking out the design on watercolour paper, to painting it — I use acrylics and gouache depending on what I want and then I use Posca pens and watercolour – to cutting it all out and then mounting it. I mount them on foam core to make them three-dimensional.”

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Claire and Perci

Inspired by a photo she saw of a man from Papua New Guinea, Claire immediately fell in love with the colourful headdress he was wearing. “Papua New Guinea have some of the most incredible birds in the world and the tribes make these beautiful brightly coloured headdresses from their feathers. I wanted to buy one, but they’re hard to get yours hands on, so then I thought they’d be cool to be made out of paper.”

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Alongside her headdresses, Claire creates little angel and monster artworks, which are in the same style only smaller. However, it is her latest venture she is particularly excited about, with her artistic style being transferred to textiles in the form of a cushion range. “With my textile design background I thought I definitely needed to create some cushions. They’re all very brightly coloured and heavily patterned which is what I like to do. Most of them are made from 100% Russian linen, however there’s a limited edition range that are linen on the front and leather on the back. I have a gorgeous soft silver leather and a very small amount of gold.”

Yet Claire’s not stopping there, seeing more big things for Merci Perci in 2015. “It’s currently a bit of a pipe dream but the next thing I want to do is a collection of ceramic art plates. I thought how nice would it be to bring back those nana plates on the wall but in cool patterns, and also have them be functional.”

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With it not being all that long ago that Merci Perci was just a passion side project, Claire still cannot believe it is her full-time job! “I never thought it’d go anywhere, but rather saw it as a fun excuse to get my paints out again. But now it has actually become something. It still blows my mind!”

For more information visit Merci Perci and Greenhouse Interiors.

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Art

Artist’s sketch-a-day project inspires new wall hangings

After a particularly challenging few years, Melbourne artist Belinda Marshall decided to start 2014 afresh; setting herself the task of creating a new sketch as close to daily as possible.

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Giving her the freedom to experiment with form and colour in a way that large paintings don’t afford, she was able to come up with a variety of ideas that have now been transformed into larger works.

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A selection of these have been reproduced as both fine art reproduction prints and her first range of textile wall hangings, produced in collaboration with local digital textile printer Frankie & Swiss.

The combined collection has been titled Organised Freedom, inspired by one of Belinda’s favourite artists, Bjork. “The name comes from a quote from an early Bjork song: ‘I thought I could organise freedom, how Scandanavian of me!’, which I guess is what the daily project is, and all my strictly full on domestic schedule allows work-wise!”

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Being Belinda’s first major body of work following recovery from major illness and a separation from her husband, it was also significantly informed by her experience of travelling to Sweden to participate in Camilla Engman’s prolific ACE camp, which Belinda funded herself through a highly successful Pozible campaign.

“My work did change quite a bit after the big personal life events, but the change in style also coincided with my trip to Sweden and Berlin,” says Belinda. “These factors resulted in the change of style to a more free-flowing, more purely abstract way of working.”

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To view Belinda’s work and to find out more visit her website here.