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Art Interviews Shopping

The New Zealand artist using colour to spark joy

Painting from a light-filled studio in the Waitakere ranges outside of Auckland, Jen Sievers is a New Zealand artist on a self-described mission to ‘paint joy.’ “I infuse my work with the joy I feel while I paint it and aim to make that viscerally experienced by the people who hang my work in their homes. If you’re not smiling when you’re looking at them, they’re not doing their job,” says Jen.

Jen Sievers
The artist Jen Sievers perfectly complements her work

After growing up in South Africa, Jen had a stint doing a fine art degree before attending a specialist school for advertising and design where she completed a three-year degree. This led to a 15-year career as a graphic designer and art director which formed the basis for her eventual art practice. “I honestly believe that my work as a designer was my best training – it taught me colour and composition, and I learned about the creative process,” she says.

Jen works with acrylics on canvas, thinning them out to create vibrant watercolours, and applying more impasto style layers on top. Her eye-catching style is largely abstract, and is often executed on large canvasses.

Jen Sievers
Jen with one of her beautiful works

But it was after becoming a mother that Jen was eventually lured back to the easel and brush. While her toddler was napping, she grabbed a paintbrush, her child’s craft paints and a piece of ply from the garage. “By the end of that two-hour session, I knew I’d found my purpose was to paint,” says Jen who also explains that a breast cancer diagnosis in 2019 really cemented her decision to give up a full-time graphic design career for a painting one. 

“Luckily, it was curable with minor surgery and radiotherapy, but my diagnosis offered me an unexpected gift. It gave me perspective and ‘permission’ to finally quit my day job to become a full-time artist,” says Jen who threw herself into the practice spending evenings and weekends experimenting with colour and painting everything from abstracts to portraits, landscapes and anything else she could imagine. 

'Phoebe' is one of Jen's latest works
‘Phoebe’ is one of Jen’s latest works

And while Jen has made a name for herself in New Zealand, her career has taken off in Australia since becoming a Greenhouse Interiors stablemate in 2018 – her use of colour making her a perfect fit for the brand. “My colours are contemporary and playful, and often have a peaceful, calming feel to them. I love using bold sweeping lines and plenty of textures and layers,” says Jen who has branched out recently and released a series of works of house plants.

Jen in her studio
Jen in her studio

“I’m surrounded by native bush in my home studio, and the studio itself is filled with house plants. I love thinking of each of them as having their own personality and distinct vibe, so I captured this idea in my work. The result is a fresh, colourful ode to the humble house plant all wrapped up in my signature feeling – joy.”

'Carmen'
‘Carmen’ is one of Jen’s latest works

Photography: Samantha Donaldson

For more on Jen Sievers

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Art

Photographic art online: Where to buy & how to choose

Established in Sydney in 2013, blinq.art sells some of the world’s finest photographic art prints and after more than five years at Westfield Bondi Junction, the business has relocated its gallery to Paddington in an effort to better serve its customers. The business also has a busy online store that serves a dedicated fanbase across the globe.

Blinq.Art Paddington
blinq.art’s Paddington gallery

“Collecting art photography ought to be enjoyable, affordable and accessible. Whether in-store or online, we aim to provide a rich and cultural experience so that our customers can make an emotional connection with that special piece. In a way, we view ourselves as matchmakers for artworks and art appreciators,” says blinq.art director Laurent Rabot.

blinq.art

blinq.art challenges the traditional ways of art photography acquisition by curating an extensive and eclectic catalogue and making it available to the public at reasonable prices. Each artwork is printed on high-quality, archival grade photographic paper and custom-framed in Sydney. A choice of six signature frame finishes and up to seven sizes are available – all of which can be selected at the time of purchase.

California by Ludwig Favre available at Blinq.art

“We work with some of the most talented artists in the world and we take pride in producing superb quality prints,” says Laurent who works with more than 80 talents representing all walks of life. An artistic panel handpicks each photograph and ensures that the selection remains versatile and balanced.

The Long Horned Cow by Ian Thornberry available at Blinq.art

Online, blinq.art’s website is a great way of browsing through the entire collection. A live chat with an experienced gallerist is available also which significantly enhances the experience.

“Our fine art prints are the perfect addition to any private residence, luxurious office or cutting-edge hotel. They look elegant and trendy, and they can bring the finishing touch to any interior,” says Laurent.

Cuba III by Hélène Havard available at Blinq.art

Laurent’s top tips for choosing photographic art:

  1. Consider forgoing the conveyor belt of cheaply-made wares and instead, opt for a couple of more timeless pieces to invest in – ones that really resonate with you and the character of your home.
  2. Don’t follow trends. Get personal. Look for a piece that says something about you and it will outlast wavering fashions.
  3. Choose a piece that suits the space you will hang it in. For example, if you have a large white wall, don’t hang a tiny little artwork as it will disappear in the background and seem out of place.

Interiors Addict readers are invited to visit the new gallery at 84 Oxford Street, Paddington NSW and to help celebrate the opening, blinq.art is offering a complimentary classic size artwork (valued at $118) with every purchased above $200. Just mention the promo code ‘arttoheart’.  If you shop online, just call blinq.art with your reference number and preferred artwork and the complimentary classic size artwork will be added to your order.

Shop online

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Art Designers Interviews

Large scale geometric art for the floor, wall and ceiling

For Claudia Damichi, pursuing something other than art was never an option. As a young girl she would spend hours immersed in paintings and drawings… and in many ways that hasn’t changed, except for the fact that her hobby is now her full-time job!

Claudia

With her practice encompassing several different mediums, from paintings on canvas and walls to a new series of adhesive prints, all of Claudia’s work is interested in colour, pattern and geometry. “I draw on a wide range of influences from Sonia Delaunay’s fabric designs through to the optical installations of Sol LeWitt,” explains Claudia. “I am essentially focused on the effects of colour and pattern and how they charge a space, be it real or imagined.”

Claudia’s art has been exhibited in galleries across the country and abroad, as well as on the walls of city laneways and celebrity homes. Borne out of an interest in architecture and the built environment, her Artwalls – as she names them – are large scale, colour filled, site specific murals. “I respond and create an original work that is specific to the space and environment,” says Claudia. “These works push art beyond the boundaries of a picture frame and propose the idea that every surface or wall is a blank canvas.”

Two Attachables

However Claudia’s most unique work – in our opinion – are her Attachables: adhesive fine art prints that can be attached to any flat surface. The initial design is entitled Round About, with two more launching next year. “These are created with the idea that art can go anywhere – wall, floor or ceiling! They work as an individual art pieces, but also have the potential to be applied in multiples.”

Shop online | Artists we love

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Art Expert Tips

How to: Buy original art as an investment

While it’s a luxury to be able to afford original art for the home, it’s even better if it increases in value. Most home items depreciate, but original art is one area in which you can see a return on investment, provided you carry out the appropriate research.

With a Bachelor of Visual Arts and two Masters degrees (Hons) from the University of Sydney and an extensive career in art education and the management of Australia’s leading investment art galleries and art and antique auction houses, Kerry-Anne Blanket of KAB Gallery is one of the country’s premium art consultants. We looked her up recently to get the inside skinny on how to buy original art that not only brings joy, but appreciates in value too.

Sam Michelle’s ‘Coral Peonies & Vessels’ Oil on Canvas (50x40cm) $895

“Investing in art can be daunting, and like all investments, there is risk. If only I had a crystal ball! Most investment markets experience rises and falls, and art is no different. However, I love investing in art because it is a beautiful and tangible investment. Like real estate, it will remain even when markets are low. It is an artefact that can be enjoyed until markets rise again, and for many generations,” says Kerry-Anne.

She also believes it’s vital to love the art you are buying. “That’s the best part about investing in a good art collection – you can enjoy the beauty of your investment every day. While you must of course approach the purchase of an investment dispassionately to enable you to properly weight up the pros and cons, at the end of the day, art is a creative medium designed to provoke emotion. When the time comes to sell, you will be hoping to tap into that same emotion in potential buyers to realise a return,” says Kerry-Anne.

Andy Collis’ ‘The Pathway to the Clearing’ Mixed Media on Canvas (75x100cm) $1,050

“When buying an artwork in the hope that you will receive an investment return it’s really important to consider a few simple points. You are looking for quality, versatility, broad appeal and a good sales history,” says Kerry-Anne, who explains that you should also get to know the local market before investing.

Proven sales history
“The most important golden rule is to always invest in a professional artist with a proven sales history. As part of your due diligence investigations, my advice is to consider how the artist’s popularity has grown over time, and whether this is reflected in their prices and demand. While many art investors have struck it lucky by investing in an emerging artist who goes on to become famous, the majority have not been so lucky.”

David Boyd’s ‘The Promise Hand’ coloured etching (29cm x 19cm) $1355

Broad appeal & versatility
“You should also consider who you would expect to invest in the artwork when you decide to realise your return by selling in the future. For example, if you are investing in a quirky, on-trend piece, you need to ask yourself how this will be received in another one, five or even 50 years’ time? Who would be interested in buying it then? If sold it at auction, would there be lots of bidders fighting it out? Is the style of work still going to be fashionable when you go to sell? Is the work an awkward size for transport or finding a space to hang, potentially reducing your resale market substantially?” says Kerry-Anne.

Sally West’s ‘Copacabana Surf Study 2’ oil on canvas (25cm x 25cm) $440

Get to know the local market
“There are so many facets of the Australian art market which means it’s a full time job keeping up-to-date. I believe it’s important to follow what you love and look for positive market patterns. Look at important art prizes and consider both the judged winner and the people’s choice. This will give you clues to popular trends as well as technical proficiency. Also, when looking for investment purposes, try to concentrate on a handful of artists so you can become as familiar as possible with the market for their work,” says Kerry-Anne.

Sam Michelle’s ‘Grevillea Flannel & Magnolia’ Oil on Canvas (90x70cm) $1,995

Quality
“Above all else, it’s vital to ensure that your investment artwork is an original piece of art – leave the digital prints for sale in the two dollar shop! Even if the gallery is presenting you with a high quality giclée print that is identical to the original image, it’s important to remember that it is only a copy. At the end of the day it is the rarity and originality of an artwork which contributes substantially to its resale value,” says Kerry-Anne.

Shop KAB Gallery online

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Art Homewares

Sydney beach art and homewares by Jennifer Lia

Introducing LOCAL, a collection of vibrant fine art by Sydney-based artist Jennifer Lia.

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LOCAL celebrates iconic beaches of Sydney with an exploration of larger scale canvas, broad gestural strokes and lashings of cool aqua, deep teal and arctic whitewash.

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Jennifer’s range of fine art prints, natural linen cushions and silk scarves are an ode to the raw natural beauty of the water, sharp botanicals and nostalgic pool lanes that hug the coast and all that exists in the familiar and the imagination.

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All prints and homewares are made in Australia (most in Manly) using eco-friendly dyes and printing methods.

View the collection online.

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Homewares

Tassel + Gaine cushions combine Melbourne duo’s design talents

As individuals they both have very impressive resumes: Laine Fraser as head of design at Typo and Fleur Harris as the print designer behind the Lara Bingle for Cotton on Body swimwear range. But their newest venture, Tassel + Gaine, has seen the friends join forces to shows a completely new side to them.

Laine and Fleur
Laine and Fleur. Photo credit: Nikole Ramsay

Their fine art cushion brand was launched last year. “We’re all about providing affordable, easy products that people can buy and use instantly to style their homes in their own unique way,” says Laine. “Many interior pieces are a big financial investment — furniture, artwork etc — so we want to provide a range of products that make it easy to refresh your space. Cushions are the perfect solution to changing the look and feel of a room easily and affordably.”

Tassel&Gaine-39
Photo credit: Nikole Ramsay. Stylist: Emma O’Meara

Designing all the cushions themselves, the process is entirely collaborative, with the duo constantly bouncing ideas back and forth. “We work together, and then individually and we keep coming back together to continue refining our designs until we’re both 100 percent  happy with the end result,” explains Laine. “We’re both very critical of our own work first and foremost, and we balance each other out well by giving each other constant feedback. We are both on a mission to create the best art we possibly can for T+G, and we don’t stop refining our work until we get there.”

Having a combined total of almost 20 years in the design industry, the Melbourne creatives have worked as textile designers, graphic designers and illustrators. As a result of their diverse backgrounds, they use a variety of techniques to create the art for the cushions; anything from designing on their Macs to throwing paint on a giant canvas in the back yard!

Tassel&Gaine-42
Photo credit: Nikole Ramsay. Stylist: Emma O’Meara

Laine and Fleur are currently in the process of creating their second collection, an evolution and extension of their debut range, which Laine describes as having: “Lots of colour, fun artworks and good vibes all around!”

Set to be released in August, in the meantime you can purchase any of the looks from the first collection here.