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Passion and integrity are Barbara Hermon’s secrets to longevity with Hermon&Hermon

The last 46 years have seen Barbara Hermon become a household name synonymous with style, quality and the best of interior design.

John and Barbara Hermon of Hermon&Hermon
Husband and wife John and Barbara Hermon, of Hermon&Hermon

This year, Melbourne institution Hermon&Hermon celebrates 23 years on top, but inside the fickle and often foreboding world of retail, perhaps Barbara’s most impressive accomplishment is the mere fact that she is still an ever-present force among her fellow design enthusiasts, pushing the boundaries to create trends whilst simultaneously avoiding them.

Last week, I had the pleasure of sitting with Barbara to discuss the logistics behind her longevity. “Passion, resilience and determination are the most important things,” she told me.

After moving to Melbourne, she  began working for Trade Action and, in 1972, became the homewares and jewellery buyer for Handicrafts of Asia. “I travelled to developing countries; Pakistan, Ethiopia and India, and discovered many incredible handmade, one-off pieces. My experience being a buyer was invaluable and gave birth to my passion for quality handmade products and natural fibres.’’

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Interiors Addict

“I’ve been putting sticks, stones and shells on cushions for years,” says Bandhini’s Tai Schaffler

Maybe it’s the fact that she was once a journalist that makes Bandhini Homewear Design’s Tai Schaffler such a good interviewee. Or maybe it’s as simple as her passion for her business and the dying crafts of the people who hand make her products.

As an 18 year old, “small town Kiwi girl” Tai got a scholarship to study in Thailand, and her love affair with textiles began. “I would drive the other students nuts, fossiking through the Jim Thompson Silk stores. God I loved that silk! Still do,” she tells me. Her writing life started as a Christchurch correspondent for More Magazine.

She left journalism when Geraldine Sethi offered her a job in Perth to re-market and refurb her fashion business, Asaan. With a toddler and her husband in tow, Tai relocated to Perth and started traveling to India with her new boss. “I was hooked on textiles,” says Tai. “Not clothes but cloth for homes.” It wasn’t long before she saw the potential to open her own home textiles label.

These days she heads up Bandhini, now in its 20th year. Key to its success has been the longstanding relationship between the Schafflers and another family, in India. “I met Sangetta and Yuvraj Narain when I worked for Asaan and they were doing a stunning clothing collection called KALAKARI,” says Tai. “We were totally on the same wavelength of quality, cultural and handmade soft furnishings. That was it, I wasn’t going anywhere else! I adore them.”

Both families’ children have now have joined the business, with Tai’s son Sharm and the Narains’ sons Sharan and Karan, heading up the team in the USA. “They have finally got our gusto!” says Tai. “I think they are more business orientated than us. The next generation take it to the next level. They want to keep it on the same page ethically though, that’s important.”

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Interiors Addict

Designer brings antique collection up to date in stylish Richmond home

A collection of beautiful yet dominating antique furniture was working against this Melbourne home. Interior designer Christopher Elliott was called in to create a more stylish and modern space, successfully blending old and new.

They had some gorgeous pieces to work with but there were too many of them,” says Christopher, who prides himself on being able to harmonise eras, styles, materials and colours to create unique liveable spaces. “Most of their collection consisted of antique timber pieces that although beautifully crafted, all together were too sombre and unwelcoming.”

Space was tight in the main room, which needed to fit both a sitting and dining space. He was keen to highlight the picturesque view onto a sundrenched private courtyard, so began by paring back the antique collection to a few key pieces that would accommodate the new look. A new paint scheme brought warmth to the space and grass cloth wallpaper added texture.

“The fireplace was remodeled by covering over the exposed brick with a beautiful polished plaster finish and painting the internal out black,” he adds. “I designed some discrete joinery either side of the fireplace to accommodate a TV and additional storage. A fabulous new rug, which occupies most of the space, was very important because I didn’t want to see separation between the dining and living space, otherwise it would appear restrictive.”

The rug’s large scale design gives the illusion of space and some much needed impact. A modern classic sofa covered in a durable linen/cotton fabric, paired with some existing armchairs that were reupholstered, creates a comfortable living space. Christopher, who was once responsible for introducing Hermon & Hermon’s interior design service, wanted to bring in fabric as much as possible to offset the hard finishes of the antique furniture. This led to upholstered dining chairs using a linen fabric with a metallic geometric print to modernise the look.

Christopher designed the modern octagonal ottoman in a sumptuous polished leather which can be used as either a footrest, coffee table or additional seating. Classic modern table and floor lights create a bridge between the old and new.

The study space is semi open onto a hallway and needed to be anchored. Christopher designed some very functional joinery to give the client storage and a place to display all their books and objects. A beautiful antique armchair was reupholstered in a Ralph Lauren floral print fabric.

“Playing on the layering of prints and bold design I used a geometric grass cloth wallpaper to give a contemporary flair to the space and a fluid rug design to balance it,” he says. “The floor lamp is a graphic element that visually pops against the wallpaper and highlights the fabric of the armchair. All this combined with a very contemporary coffee table made of smoked glass, chrome and marble, which adds a sense of luxury to the space.”

I absolutely love this home and the clever way the look has been pulled together. What do you think?

Christopher has had his own practice, Christopher Elliott Design, since 2005. See more of his work on his website.

Photography by Sharyn Cairns