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Art Interviews

Abstract artist Jo Carroll: creating from nothing

Abstract artist and Reiki Master Jo Carroll, previously had a successful career in advertising, and only became serious about painting in late 2016. Jo’s desire to become an artist is one of her earliest childhood memories. Despite being discouraged rather than encouraged, she finally gave into this powerful urge when she became attuned to Reiki (a Japanese relaxation technique based on the notion that an unseen life force energy flows through us) and her creative energy came bursting forth in a way she’d never experienced before.

Artist Jo Carroll with one of her works

Melbourne-based Jo describes art as one of the greatest forms of self-expression where she can allow herself to be guided by the energy within and create from nothing. The practice of Reiki enabled her to find her inner happiness and focus on what’s truly important: “For me, it’s a wonderful way to meditate and let go of the conscious side of the brain. It’s probably the only time that I’m able to switch off and just be.”

Peacefulness, limited edition canvas print

Her serene colourscapes are not made from conscious choices but from an absolute trust in her body and mind to connect with the paint and canvas to create something beautiful. This is a huge departure from Jo’s background in advertising, where a tight brief is essential to a successful campaign. Although it may seem like a daunting task to face a blank canvas with numerous colour choices, Jo says: “The moment I try to control things is usually when I lose control and nothing works harmoniously. It’s a good reminder to always trust my intuition. It never fails me.”

Emerge, limited edition print on canvas

Despite the short period of time, and initially juggling full-time work and a third pregnancy, Jo’s artistic career has taken off. It took her two to three years of painting most days of the week to define and redefine her style into where it is today.

“People really underestimate how long it takes to find a unique style that is authentic to you as an artist. I think my style has always been there, mixed up with a range of other styles that I’ve played with over the years.” She adds: “When you love doing something so much, it doesn’t feel like hard work at all.”

After finding her style and putting all her trust in her intuition, Jo hasn’t hit a creative block since. “I actually have two different styles that I paint in. One is definitely dominating at the moment and I seem to like blue more than any other colour (laughing), but I’m looking to give the other style some love again soon and see where that takes me.”

Rainy Parade, 2019 original artwork

As an abstract artist, Jo has a connection and dialogue with her work that lets her know when a piece is done. She describes this process as “a bit kooky” but when it’s time to step back and part ways, the artwork lets her know.

Jo believes in her own creativity and tends not to spend too much time studying art in detail. “I believe that our creativity can be heavily influenced by what we’re exposed to. Images are very powerful things, so I don’t want to be distracted from my own path.” However, there are many artists Jo greatly admires. “My dream is to move to a home with an abundance of walls and open spaces suitable for large scale paintings and sculptures by Australian artists.”

Jo is now selling prints of her original work for the very first time, making it more affordable and accessible to all. They are available as high quality, limited edition prints on canvas, framed in oak, exclusively through The Interiors Assembly. Prices start at $770 inclusive of framing and shipping within Australia.

Shop Jo’s work online | For more on Jo

The Drop Off, limited edition print on canvas

 

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Art Interviews

Artist profile: The ethereal paintings of Michael Bond

“My work has been described by observers as dream-like and ethereal,” says self-taught abstract artist Michael Bond who paints in rich, signature style out of his studio in Noosa. Opulent in colour and with plenty of dramatic, dark hues, Michael is adept at building abstract textures and layers and his latest collection Eden is a celebration of flowers.

'Laila night born'
‘Laila night born’ by Michael Bond

“It’s sometimes hard to describe my own work, it’s abstract and gestural by nature, but more and more and particularly with the more recent work, there are elements that suggest something familiar like a bloom,” says Michael.

Michael in front of his works
Michael in front of his work

Michael’s signature painting style uses layered acrylic, oil, pastel and graphite and he works on both large and small scale pieces. “I work mostly with acrylic as the faster drying times suit the way I work – different mediums allow different effects to be achieved such as wiping back and building texture,” says Michael.

'Charlotte'
‘Charlotte’

Michael Bond
Michael Bond

A hairdresser by trade, Michael has never received any formal art training. “I trained as a hairdresser from the time I left school and that career spanned 30 or so years, though art was always there in the background. It was only a few years back that I was able to focus fully on my artwork and call myself a ‘full time’ artist,” says Michael whose works now feature in private collections throughout Australia and overseas. His work also featured on The Block recently, in Bianca and Carla’s living room.

Michael's work featured on The Block
Michael’s work featured on The Block

“Inspiration comes to me in so many forms, I can be inspired purely by a colour or something I see on a morning walk with the dogs. I have to say living where we do at the moment has given me the most inspiration – we’re fortunate enough to live by the ocean and I’m always amazed by how the surrounding landscape is always changing,” says Michael of his Noosa home.

'Sia'
‘Sia’

Photography: Emma Bourne

For more | Another Australian abstract artist

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Art

See Gabrijela Iva Polic’s fantastical art in the flesh

When I first talked to Gabrijela Iva Polic just shy of two-year ago she was fresh out of art school and was ecstatic to be taking part in her very first exhibition. Since then Gabrijela’s achievements have snowballed, culminating in her biggest milestone yet, a solo exhibition at the Hughes Gallery, Sydney.

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Open now and entitled In the Land of Wonderfuls, Gabrijela pushes the boundaries of her craft; depicting fantastical natural scenes comprised of intricate detailing and patterning, resembling microcosms and ecological patterns. “I don’t like to draw or paint things as they are. I invent my own species. I suppose that is how the work can seem somewhat fantastical. One thing always grows from another, which is leaning on something else, that drips down and waters another thing giving it life and letting it grow.”

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GB-the jesters garden where wthings are merry

Not easy to categorise, nor do descriptions or images do Gabrijela’s work any justice, the magic of her art requires face to face contact. Combining the natural scenes and organisms we have seen in her previous work with equally intricate and mesmerising machines, in this body of work the two come together to form objects, suspended in the world of her paintings.

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Carefree and full of colour, Gabrijela was keen to move away from anything too heavy. “At art school it seemed as though your work had to be serious to be any good. For the show I shook myself out of that mentality, I wanted the work to be light-hearted and fun without too much concern on what things meant. I just let the work take it course.”

And we think she did a fantastic job! In the Land of Wonderfuls closes Sunday. For more information.

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Art Interviews

Brent Rosenberg’s digital artworks inspired by street culture

With a dream to start his own fashion line, Brent Rosenberg spent his early 20s learning how to create technical drawings and in turn, digitise them. And while the fashion dream didn’t reach fruition, it did lead to a new path of becoming a graphic designer and now, a full-time artist.

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[contextly_sidebar id=”hOAxl2OqiegCskAY8JCzW6nnvBTt482w”]Despite creating digital artworks, Brent often begins by hand sketching to get the formation and perspective, before spending hour upon hour designing on his computer. Ending with contemporary artworks that combine geometric shapes with contrasting colours, his latest collection is very visually impactful. “I like the impact artworks can make. It doesn’t have to be deep and meaningful, it can just be a reaction, a simple ‘oh that’s cool,’ would make me happy enough to put my work out there.”

brent rosenberg

Influenced by the world around us, indigenous and generational culture and nature, his work has an underlying street art edge. “I love street art, not so much hood rat graffiti but more creative street art, whether that be paste ups, installations or pieces on massive walls. That urban street world has really influenced my latest works and I hope I can evolve it more and more.”

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Having made art his career for the last three years, Brent is 100% self-taught, as he says: “You could say YouTube gave me my degree!” His proudest moment thus far was when Simon and Shannon Vos used his artwork in their Block Glasshouse apartment, an experience that was pretty darn cool and surprisingly unexpected. “The proudest moment was when I bumped into judge Darren Palmer and his praise was pretty flattering. I never take life too seriously but that moment I definitely felt like I found my place.”

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While Brent isn’t one to ever look too far into the future, he is hoping to spend many more years creating art. “I see myself still being me, doing what I love, surrounded by my family and friends. I’d love to travel lots more and just enjoy the experience which is life.”

To purchase Brent’s signed and numbered artworks you can visit his online shop or Greenhouse Interiors.

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Art Interviews

Louise de Weger: from struggling single mother to in-demand artist in just 8 months

Last year, struggling to pay her son’s school tuition, single mother Louise de Weger decided to take a leap of faith. Quitting her job in hospitality and purchasing some paint with the little money she had left, she embarked on a journey that would be stressful and exhausting, but extremely rewarding.

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“Nothing comes without hard work and this year has been tiring to say the least, but now I am about to take a well-earned holiday. I have featured on Reno Rumble, my business is thriving with ever-increasing collections around the world, I’ve been invited to display at the 2016 Architectural Digest Home Design Show in NYC, all in eight months. I’m so proud of myself, and I’m not ashamed to say that.”

Photo credit: Martina Gemmola for Adore Home Magazine
Photo credit: Martina Gemmola for Adore Home Magazine

Having always had a love of art, Louise studied visual arts and contemporary craft at Southbank Institute of Technology, in which time she was both the winner and runner-up of The St George Bank Contemporary Art Competition. “I was the winner and runner-up with the judges not realising that both works were by the same artist as they were vastly different. I love experimenting with different styles, so it was quite a pivotal moment of realising that one day this could actually be more than just something to occupy my time.”

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[contextly_sidebar id=”DrLBsZ4Rh8yNTfluQIOnCuv6RMPWxRiX”]Now creating modern abstract artworks — with a touch of retro and art deco — Louise’s works are very structured, with geometric forms and lush pops of colour. Made using acrylics and inks, her art making process is completely intuitive and as she confesses, quite frantic. “There are never any sketches or design processes involved. It’s a great reflection on how I tend to live my life also. I just go into it headstrong, without over analysing and without fear. I have a background colour in mind to set the overall tone and mood of the work but apart from that it’s a very organic, natural process.”

Photo credit: Martina Gemmola for Adore Home Magazine
Photo credit: Martina Gemmola for Adore Home Magazine

Now a full-time artist, with commissions booked up until the end of the year, Louise is constantly creating. However, out of the many artworks she’s made there’s still one that stands out: her commission for Reno Rumble. Which standing at 1.8×1.2 metres was remarkably painted in just two days! “That experience physically shattered me. I did not sleep for two whole days and I was shaking with hot flushes and sweats, but nonetheless it was completed in time with an hour to spare before it was flown direct to Melbourne from my home in Brisbane.”

Carly & Leighton's dining room on Reno Rumble
Carly & Leighton’s dining room on Reno Rumble

Concerned the tight timeframe would see her painting not be up to her usual standard, it turned out Louise had nothing to worry about, with the experience becoming her proudest career moment. “When the episode came time to air, myself and my family were all anxiously waiting to see how it was received. There wasn’t much feedback and it was all a bit of an anti-climax, but then they cut to the judges’ comments where they labeled my artwork ‘the hero’ of the room. We all screamed, it was just a huge relief! It was a proud, proud moment. It’s also the gift that keeps on giving, everyday a new amazing opportunity arises from it and I never stop getting excited over it. ”

For more information and to shop online.

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Art

Belynda Henry’s upcoming Sydney art exhibition

Abstract artist Belynda Henry will be opening her latest exhibition on 14 March, at Sydney’s popular Koskela store.

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Higher, 198 x 152 cm, acrylic and pastel on canvas

Entitled Higher, after her showstopping 198 x 152cm painting of the same name, the collection is in keeping with her style of acrylic and abstract landscapes.

OPEN SPACE belynda henry interiors addict.
Open space, 152 x 198 cm, acrylic and pastel on canvas

Inspired by her home in Dooralong Valley, NSW, the artworks are created using Cezanne-like blocks of colour to construct the rolling forms of the countryside.

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High to the mountain sky, 122 x 122 cm, acrylic and pastel on canvas

Belynda has been a finalist in the prestigious Wynne Prize for landscape twice, and held over 20 solo shows.

Until 26 April. For more information.

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Art Interviews

Kerry Armstrong on the first year of being a full-time artist

It was only 12 months ago that Kerry Armstrong decided to walk away from the comfort of her lucrative career and give her hobby, painting, the attention it deserved. “I had a very full on corporate life that kept me extremely tied up, so painting was my dirty little secret,” says Kerry. “Whilst I had always painted, it was purely recreational, stress relieving and I was quite guarded about sharing it. But I just felt if I didn’t give my art the time and energy it warranted I would have suffered huge regrets and always wondered if it was in me.”

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Kerry Armstrong

Thankfully Kerry’s gut instinct proved correct, with her vibrant and abstract artworks already receiving international acclaim. “Recently, I have been signed to exhibit in a stunning art space in Boston, which has been my biggest moment thus far,” explains Kerry. “I travel back to Boston for the launch event on 7 October. My excitement and relief to have sent such a huge body of work so far has been amazing!”

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Painting on very heavy Italian linen, for Kerry, using the best materials is pivotal: “I’m pretty full on with my distressing techniques so quality products are a must!” Paint wise, she primarily uses acrylics and inks, which create a style that is energetic and colourful with a strong sense of movement.

Interestingly, this is the aesthetic that Kerry has always loved, calling herself an Early Impressionist junkie. “Whenever we travel, I take the opportunity to visit the major galleries, just to stand near and take in the amazing energy of the Abstract Impressionist pieces. My absolute favourite is artist Robert Motherwell, so I am always striving to bring simplicity to my work.”

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Normally having a few paintings on the go at the same time – so layers can dry – Kerry likes to “spend time” with each piece, allowing for new ideas to grow, as well as giving herself some breathing space should creativity be at a standstill. Yet if Kerry ever needs to get that vital bit of inspiration, she actually finds it somewhere quite far away from the world of art: in her dreams. “I have often woken myself with hand (painting) movements and vivid memories of the textures and palette!”

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For a full list of galleries, exhibitions and stockists visit Kerry’s website here.

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Art Homewares

Muhammad Ali’s poem inspires Michelle Atzemis to set up homewares business

When Michelle Atzemis stumbled upon Muhammad Ali’s poem, Me We, she saw it as a wake-up call to change her life’s direction. With the poem in mind, she decided to set up her own homewares business and Me We felt like exactly the right name.

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“Me We is one of the shortest poems ever written and I came across it many years ago at the point of my life when I decided to make a change and do what makes me happy,” explains Michelle. “I could not have done that without the support of my husband and family; my tribe. So Me We felt fitting in what I wanted to do.”

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Ring Stands

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Coming from a graphic design background, Michelle had always liked making things with her hands; but it wasn’t until she became a mother and started spending more time at home, that she decided to launch Me We. Featuring screen-printed bags, cases and cushion, hand cut artworks and hand carved ring stands, every item is one-off. “I make small runs of each design, as I like the idea of everyone not having the same,” says Michelle. “Having a market stall at Eveleigh Artisan Markets once a month gave me the opportunity to keep creating each month, so when customers came to visit there would always be something new and also I didn’t get bored making the same thing!”

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Happy Blocks

With Michelle always coming up with new ideas, it’s one of her latest offerings, painted artworks entitled Happy Blocks, which are getting the most attention. A lover of painting, it was a skill Michelle had mostly kept to herself, until friends and customers would visit her studio and be drawn to the artworks, the one thing that wasn’t for sale!

“My Happy Block paintings are painted on off-cuts of oak and red gum, which a carpenter friend of mine has no use for,” explains Michelle. “As soon as I laid my eyes on them I had other plans: to turn them into colourful artworks to be displayed and be cherished. They are not too large and can be easily moved around for a spot of colour.”

Priding herself on creating bespoke items, many if not all of Michelle’s creations have the possibility of being customised, so that everyone can have that special one-off piece for their home.

Shop online.

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Art The Block

Block favourite Andrew O’Brien opens his own gallery

Andrew O’Brien has had his fair share of exciting milestones lately. He’s completed a work for the Danish Royal Family, had his oil paintings featured twice on The Block (for couples Dan and Dani and Mike and Andrew), been on the cover of Real Living magazine and just last month opened his own gallery in Collingwood.

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For Andrew, opening a gallery was a natural progression, a way to connect with his clients, so they could see not just his finished artworks, but also his studio. “I found an amazing old warehouse that had heaps of room for a studio to paint, a product room for works on paper and of course a gallery space to display work. Primarily, my reason for having my own space is to connect directly with people who want to engage with my work. I love talking about what drives and inspires me and I think it adds lots of value to my clients who invest in an artwork.”

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An abstract painter, Andrew has spent a lifetime painting but has only gone full-time in the last three years. Inspired by the landscape, all his works aim to create a brief but intimate moment with the viewer, where he hopes they will: “feel a sense of calm and an ability to cancel out the pressures of the everyday.”

With a range of new oils on display, alongside some limited edition paper prints and a series of works from his recent Brisbane exhibition, the gallery also offers you the opportunity to chat with Andrew about commissions.

The studio is open Monday to Saturday from 10am-to-5pm. More information here.

 

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Art

Beautiful art by artists whose average age is 3!

Unless your child is the next Monet, I think it’s fair to say that it’s not too often that other people want to buy your child’s art.

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Harry, 2 years

However, online art gallery Jellybeanstreet is turning that notion on its head and the best part? It’s for charity.

All parents have to do is send through their child’s finger painting, then, thanks to Jellybeanstreet’s team of talented graphic artists, it will be transformed into a high quality abstract art piece.

Custom designed to match with the decor of your home or to a specific colour and style, you will then be given five designs to choose from before the final artwork is prepared, printed and delivered to your door.

Harry, 2 years
Harry, 2 years

Then the truly unique part starts! Your child’s completed design is added to the Jellybeanstreet online art gallery for others to view and purchase. Every time your print is sold, Jellybeanstreet will share the profits with your child and also contribute important funds to your chosen children’s charity.

A selection of the Jellybeanstreet artworks are currently showing at the Women’s and Children’s Hospital in Adelaide, the exhibition is set to tour other children’s hospitals in Australia later in the year.

For more information.