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Female ad exec becomes successful furniture maker

Like many women, it was motherhood that proved a turning point for Sydney furniture maker Katie Stafford. After a long career in advertising, where she made TV and radio commercials, it was the birth of her son that gave her pause. “Motherhood certainly puts life into perspective, and I stopped respecting what I was putting out into the world to be honest. I’ve always liked making things, but I wanted more than just a crafty side hustle,” says Katie who subsequently began exploring other options.

Katie Stafford
Katie Stafford in her Sydney workshop

After her husband suggested furniture making as a possible career path, Katie investigated studying and eventually settled on a three-year TAFE course that required a one day per week commitment. She was still working three days a week in advertising and looking after her son one day a week, so it was quite the juggle.

“I hadn’t ever picked up power tools, so it was daunting. Plus, at TAFE, it was a sea of 17-year-old boys and me wondering what on earth I was doing there. But I kept turning up and slowly it started to make sense, and slowly I started to love it.”

After finishing the course, she went on to work for the furniture company Mr & Mrs White and it was at this time that she decided to quit advertising all together. “Working for Mr & Mrs White was a really good training ground, but it was a lot of pressure too as their furniture isn’t cheap,” says Katie who lasted eight months before a company restructure encouraged her to go out on her own. After securing a workshop space in Brookvale, on Sydney’s Northern Beaches, Katie launched Girl & Grain and has been working on furniture commissions ever since.

A recent commission
A recent furniture commission

Creating only solid timber furniture, mostly in American Oak and American Walnut, Katie’s customers are drawn to her minimalist aesthetic. “I like very soft curves and I like the materials to speak for themselves. I guess I aim for beauty and simplicity but simple doesn’t mean easy – my designs are thoughtful and considered.”

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A beautiful stool crafted by Katie

An organic extension of the business, Katie recently launched workshops and “make and mingle” classes for women. “Furniture making is very male dominated and I don’t know any other women that do what I do so it’s nice to throw the doors open and welcome women into the space,” says Katie, who has found the experience to be very fulfilling in both a personal and business sense.

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One of Girl & Grain’s popular workshops

“With COVID, everyone is hungry for connection. Women think they’re coming to a woodworking class, but they leave with a connection to themselves and one other. I thought I was just offering woodworking classes too but I’m getting so much out of it.”

A recent workshop

For more on Girl & Grain

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Furniture Homewares

McMullin & co. grow up with latest curvy collection of timeless pieces

McMullin & co.’s largest ever collection, HESTIA, pays homage to the Grecian goddess of home and architecture. The series of furniture and objets d’art for the home is a curation of consciously designed pieces inspired by intrigue, diversity and warmth of the feminine form.

After a year of disruption, the constant that is a home and those close to designer Alice McMullin, made her re-evaluate how she saw the world, ultimately inspiring her to new art forms, mediums and history.

The collection represents the maturation of the four-year-old brand, where the aesthetic is wholly captured by creative director Alice’s vision to challenge and elevate her authentic approach to functional, deliberate yet charismatic designs. A sense of permanence can be felt throughout HESTIA, where each piece is created to outlast the human tendency to be distracted. Their diversity and intrigue of the feminine form are apparent, and encompass individual design elements that allow each piece to stand as its own.

The hero of the collection, the Ida chair, is the perfect representation of a new design process, combining a contemporary design with primary and sustainably focused raw materials to conjure a piece that is part sculpture, part furniture. 

Bismarck House, where the pieces were shot, was the perfect backdrop with its architectural curves and whitewashed walls.

“The past four years since we launched McMullin & co. have been a purposeful (and at times unexpected) journey as we navigated a growing process to determine who we are and our authentic approach to product design,” says Alice. “It is a new discovery of a design process which allowed ourselves the freedom and most importantly, the time, to immerse ourselves into a conceptual place unbounded by singular process – to be challenged and inspired.

“From there, I’m incredibly proud of our collective of product designers, ceramic artists and specialist furniture makers who helped develop these ideas from drawings, textile and raw cuts into a singular form.”

Alice McMullin and partner Matt Ogilvie who are moving away from the mass produced to the individual

For more on McMullin & co.

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Design Designers Furniture Interviews Shopping

New Beeline Design range inspired by corrugated iron

The team from Melbourne’s Beeline Design are back with a gorgeous new collection that draws on an unlikely muse. Established by cabinet maker Adam Brislin and fashion designer Lucy Grant, the company is notable for its handcrafted timber furniture and its latest ‘Ridge Collection’ looks to, of all things, corrugated iron for inspiration.

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Bed and side table

“I had wanted to incorporate the use of corrugated metal into our designs for a long time but had not found the right execution,” says Adam of the range that was inspired by his childhood growing up in rural Western Australia surrounded by farming land dotted with traditional corrugated iron sheds.

Beeline Design Ridge Collection

But what struck me was how Adam had managed to turn something highly utilitarian into a thing of elegant beauty, the execution of which was no simple feat. “Finding a way to join the metal on our table bases seamlessly and without welding was definitely a hurdle we had to overcome – but we never shy away from a challenge!” says Adam.

Bench seat
Bench seat

The range features corrugated curves covered in soft Australian leather paired with solid sustainably sourced Tasmanian Oak or stone. “Our goal was to create a collection using what is regarded as quite a utilitarian material and elevate it to a new level of luxe by covering it in leather and pairing it with stone and timber,” says Lucy Grant, the other half of the talented duo.

Adam and Lucy
Adam and Lucy

“Our favourite piece would have to be the Ridge Buffet as it really is the show piece in the collection where every little detail has been considered. The leather is hand applied, the handles are hand shaped, the internal drawers are leather fronted. There is nothing like visualising a piece for so long and finally seeing it in a physical form,” says Lucy.

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The Ridge buffet is Adam and Lucy’s favourite piece from the new range.

To celebrate the launch of the collection, the brand teamed up with students from former Blockhead Jenna Densten’s Design School to style the pieces. “We collaborated with their students last year to style a shoot for us and found them so professional and creative making them an easy choice again this year. When I set them the task of shooting this collection in a ‘modern minimalist’ way I knew they would rise to the challenge,” says Lucy.

Side table
Side table

Adam and Lucy have just shown the range at Denfair (to an enthusiastic response), and they have exciting expansion plans too having just signed a deal that will see their furniture stocked in 23 stores across mainland China.

Coffee table
Coffee table

Photography:Lachlan Bourchier | Styling: Design School (Lauren Egan, Laura Stanley, Dijana Carpinteri, Sharna Kirkbride, Aneta Schultz, Annaliese Byrne, Kathy Giannakopolous, Rachel Portaro, Amber Bennett)

Shop online | Eco-conscious recycled timber furniture

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Designers Furniture

How to: Create a minimalist interior with Barnaby Lane

If you’re a fan of simple yet sophisticated design, you should check out the slick line-up of timber and leather furniture at Melbourne’s Barnaby Lane. Scandinavian influences aside, the collection’s simple lines are a glorious ode to minimalism – a design aesthetic dear to the heart of the brand.

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“I would definitely say that I’m firmly in the ‘love of all things minimalist’ camp. There is certainly enough clutter in my life without adding clutter to my home. I feel a minimalist aesthetic provides a calm and peaceful sanctuary, which is exactly what a home should be – but that’s just me!” says Barnaby Lane designer Rae Maxwell who believes her pieces are as timeless as they are versatile.

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One such timeless design is the brand’s best-selling ‘Smith’ chair – a minimal, mid-century and Scandinavian-inspired piece. “We are definitely influenced by Scandinavian and Nordic design, but this comes from our love of all things minimalist and I believe that this design aesthetic is the best at achieving this. Having said that we do try to design our product to outlast trends and blend with a multitude of interiors.”

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As for creating a minimalist look at home, the designer concedes that (like many things) it’s more difficult than it looks. “I always feel like it’s harder to achieve than you would think! To truly create a minimal interior, you should start with how the home is designed, as it’s much more to do with creating open spaces and good design features, like storage options, to hide the clutter,” says Rae.

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Barnaby Lane’s best-selling ‘Smith’ chair

The designer also believes that a simple colour palette is key to the aesthetic. “It doesn’t have to be black and white – that will give you a cooler minimalist aesthetic – but restrict it to two or three main colours and then choose the pieces of furniture you love and design the room around that. Once you’ve got everything in, stand back and take five to 10 things out!” says Rae, echoing the iconic words of Coco Chanel.

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Photography: Eve Wilson | Styling: Jacqui Moore

Shop the range online.

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Designers Furniture

Beautiful, handmade wooden furniture from JD.Lee

Created by industrial designer Jeremy Lee, JD.Lee Furniture had its beginnings on Sydney’s northern beaches but is now based out of Mullumbimby. With a mantra of ‘from forest to floor,’ it’s pretty clear that environmental considerations are at the heart of the brand that uses mainly natural materials to construct its wares.  The overall feel is an easy, breezy aesthetic that is perfect for the modern Australian home.

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Finley sofa

Handmade, JD.Lee Furniture uses mainly natural materials and creates one-off pieces too. “We like to assess the lifecycle of each product in order to implement the most financially and environmentally viable approach to furniture making. Each step, from sourcing materials to recycling worn products, is carefully calculated to alight with the environmental consciousness that JD.Lee Furniture upholds,” says Jeremy.

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Jeremy Lee and his wife Hana Taninaka-Lee

One of the brand’s most popular designs, the Finley sofa is made from responsibly sourced American walnut timber and a cotton linen blend fabric from Italy. “It’s a strong and grounded design but has a soft, laid back appeal too,” says Jeremy. The soft, slouchy look of the cushions is a nice contrast with the solid square design of the timber frame.

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Tate dining table with Moki pendant light

The Tate dining table is another new piece for the brand – beautifully made and constructed, we’re coveting this one. “It’s a modern interpretation of the rustic, farmhouse banquette table. It’s soft and rounded design and attention to detail makes any meal a memorable experience,” says Jeremy.

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Tate dining table details

The new Moki timber pendant light is another standout. “We wanted to explore and accentuate the natural beauty of timber. Made entirely from sustainably sourced solid American oak, it’s complex construction adds to its style, beauty and sophistication.”

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Moki pendant light

Shop online

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Designers Furniture

Danish design master Kai Kristiansen reprises iconic designs

The work of Kai Kristiansen, a master of the mid-century Danish design movement, has been resurrected in Australia by Great Dane Furniture founder Anton Assaad – the result of a cross-continental collaboration between the pair.

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Entré large six-drawer cabinet in oak, $5500 (oak) $7250 (walnut)

“I am a great admirer of Kai’s work, it’s very math-based and very exact. I really wanted to work with him because he has been such a huge influence on design and he’s a part of Danish history and culture,” says Anton of the Danish designer who was born in Denmark in 1929 before training in cabinetry and pursuing a lifelong career in architecture and design.

The partnership came about after Anton met Kai for a coffee in Copenhagen back in 2012, before they set about sourcing the best manufacturers to reproduce Kai’s iconic #42 chair. “We didn’t stop until we were both happy with the result and our expectation was perfection,” says Kai of the designs that are manufactured by a skilled team of cabinet makers in Denmark.

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Entré medium three-drawer cabinet in walnut, $3950 – we’re loving the gorgeous interior details!

The range, which was first exhibited in Denmark in 1960,  features three cabinets in varying sizes (with plans for more pieces to come) all produced in walnut and oak, with an emphasis on clean, simple lines – the cabinet handles have been created with the human hand in mind but are entirely seamless. “I decided to bring the Entré range back to life with Kai because I have always loved it: the quality and proportions are perfect and I feel that it is very resolved,” says Anton.

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Entré small two-drawer cabinet, $2750 (oak) $2950 (walnut)

“I chose the range for a number of reasons – I love the perfect proportions, sense of balance, considered design and timeless appeal. I feel the designs have a strong harmonious element which greatly reflects the pared back nature of Kai’s Scandinavian design values. The Entré range is beautifully subtle, understated and as charming as Kai himself,” says Anton.

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Kai Kristiansen

To celebrate the launch, the Danish designer made his first trip to Australia this week. “Danish design has great history in the city with the Sydney Opera House, so I am delighted to be here to showcase my Entré collection,” says Kai.

Shop the range online.

 

 

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Furniture

Simple and chic: New marble and oak tables from Totem Road

Designed to last a lifetime, sustainable furniture brand Totem Road’s new range of white oak and Carrara marble tables have a timeless simplicity and more than a passing nod to Scandinavian and mid-century design principles. We think they’d complement just about any space which is no mean feat.

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Totem Road coffee table

“I love Carrara for its pale grey veins which bring a rich and fluid humanity to this fiercely dense material. We chose marble because we thought it would make a great accent to the white oak. We also chose it for its pure white neutrality that blends well the natural fibres, animal hides, natural crystals and organic shapes,” says Totem Road designer Elaine Bellew.

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Yet again marble proves the perfect complement to concrete, brass & wood.

Available in dining, coffee and side table sizes, the range is designed in Australia and manufactured in Vietnam and there is a clear intention behind its gorgeous, clean lines. “When we talk about visual sustainability, we are really talking about more than just the materiality of the product and the how long it lasts, we are talking about the overall design, the way it looks,” says Elaine who prides herself on creating enduring pieces – in both a design and durability sense.

Totem Road co-founder is at pains to point out the difference between ‘fast furniture’ (akin to ‘fast fashion’) and his ethically produced, high-quality wares. “Whilst the ticket price for this quality product might look high at first glance, both our marble topped dining tables, coffee table and side tables represent excellent value on a cost-per-wear or years-of-use basis,” says Totem Road co-founder Don Garvan.

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Sydneysiders, you can check out the Totem Road range at the brand’s new Bondi Beach pop-up store on Gould Street for the next five months.

Shop online.

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Furniture Interviews

This industrial via Art Deco furniture is made from rubbish!

Proving that one person’s trash is another’s treasure, the Melbourne carpenter-turned-furniture designer Luke Neil, of Old2New Designs, caught our eye recently with his ultra-unique designs.  With a self-described ‘Industrial Art Deco’ design aesthetic, Luke constructs his pieces from what is essentially rubbish and with amazing results.

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Mr Potato Head

“My furniture is made from rubbish – recycled metal and timber that would otherwise end up in landfill. With this rough raw material, I make furniture that I believe to be both practical and stylish,” says Luke of his designs that feature unusual shapes, circular drawers and curved corners. We love!

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Wall hung shelf

Luke’s design journey began when he was out of work and creativity took hold – he initially created some small pieces of furniture with recycled timber. “Then my hot water heater died and I was sitting in my yard so I started playing around with it and was amazed with the possibilities and fell in love with the amazing contrast between timber and metal and straight lines and curves and also completely repurposing something and giving it a new life,” says Luke who works with a variety of unlikely materials including scrap metal, hot water heaters, old fire extinguishers, plumbing pipes and plenty of timber too.

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The Dukebox

“The materials I use are mostly taken out of jobs that I have been on as a carpenter or from mates who are builders. If they are doing a demolition, I will drop by and take what they are throwing away before it ends up in landfill – old beams, studs, any sort of structural timbers and lots of flooring. If I have a large job I will go to a timber salvage yard,” says Luke.

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The Bone

“The recycling of materials is important to me. I believe there needs to be a change in the way we consume things as there is too much waste in the world. This is an ethos I try to live by and is one of the main drivers in my work,” says Luke.

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The Pyramid

Shop Luke’s designs here.

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Designers Furniture Interviews

Mark Tuckey’s latest range is designed for apartment living

In great news for apartment-dwelling Mark Tuckey fans, his latest range has been designed just for them. In response to myriad customer requests, the brand’s new range features plenty of covetable pieces for compact spaces and we’re loving it. “We’re striving to create more furniture that suits a broader market – apartments are a good example. We have so many people in the store who live in an apartment and simply can’t fit the larger pieces in their homes, but they want the look and feel of what we do. We’re creating more choice for them, as the apartment living trend continues to grow,” says creative director Louella Tuckey.

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Bistro table – beautiful and compact

The Bistro table is a new, neat design that certainly fulfills the apartment brief.  “The Bistro table is our answer to continuous requests for small cafe tables,” says Louella. We love the the central detail on the top where the legs pop through and finish flush with the table top. “That detail gives it a point of difference, and adds the love.”

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Classic Round dining table – we’re loving the grey-wash finish

The Classic Round dining table is another piece that is ideal for apartment living. “This design has gone back to the more traditional tapered leg but in a contemporary context. We’re loving this one as it’s a really friendly little table,” says Louella.

Aside from its pared back simplicity, Mark Tuckey’s furniture is notable for its gorgeous timber finishes and his latest collection is no exception. A lover of American Oak, Mark has branched out into the world of pine recently and is experimenting with different finishes too. “We’ve been trying to play with oil finishes for quite a while and we’re getting a greyed-off effect that we’re loving. The colour really permeates the timber and the finish is quite matte so we’re feeling pretty happy with the results. The new Refectory table is in the ‘grey oil finish’ so it has a soft soft grey tone instead of the usual honey colour of standard oiled oak,” says Louella, who explains that the brand is experimenting with white and charcoal black finishes too.

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Basic Bed – we’re loving the use of pine

A stand-out in the range, the Basic Bed uses pine to great effect and boasts a beautifully simple design. “The Basic bed is a grown up version of the Basic daybed and it’s ticking all the boxes for me. The headboard is a good, solid simple structure that you can pop a glass of water up on. The foot doesn’t pop too far up above the mattress but gives the bed a finishing point visually. The bed also has lovely, beachy, simple side rails,” says Louella.

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Plinth sideboard

With its Scandinavian influences, the Plinth sideboard and entertainment unit is another noteworthy piece. “It sits back with the Plinth sofa, and though super simple, I feel like the proportions are really working. The sideboard is very much inspired by the proportions of the classic Danish sideboard that we’d all recognise from 1950’s Danish design, which I’m quite partial to,” says Louella.

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Refectory table

The brand is continuing with their Cotton On collaboration too – a project they are really enjoying. “Our homewares partnership with Cotton On continues happily and we have new ranges lined up ready to go. Lots of new product has just gone online and instore at the larger Cotton On stores, and we’re all looking at growing the range and the essence of the brand,” says Louella.

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Quadpod table

See here for more.

 

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Designers Furniture Homewares

Hunting for George collaborate with Grazia & Co

Online homewares and furniture purveyor Hunting for George has collaborated with Melbourne design studio Grazia & Co to produce a great new range of wares.

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“We were thrilled to collaborate with Grazia as we’ve known each other for a few years now and we’ve always admired Grazia’s exceptional knowledge of materials and craftsmanship,” says Hunting for George co-founder Jo Harris.

www.renpidgeon.com

Rollo ottoman

A standout from the range is the Rollo solid cylindrical ottoman – available in a range of leather and textiles, it’s handmade in Melbourne. “I love the versatility of the ottoman – they’re great as side tables as they have a firm top and they can also be useful as an additional seat at the dinner table or desk,” says Grazia Materia of Grazia & Co.

www.renpidgeon.com

Oliver bed

The Hunting for George Oliver bed has also had a Grazia update, with the addition of wool upholstery. “It’s remarkable how much the upholstery changes the overall aesthetic of the Oliver bed. It adds an incredible tactile quality with the addition of fabric and the foam padded back also creates a new focal point and enticing rest area,” says Hunting for George co-founder Lucy Glade-Wright.

www.renpidgeon.com

Oliver bench

The simple and chic Oliver side table and bench seat have both been given an update too – now available in a gorgeous matt black.

www.renpidgeon.com

Shop here.

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Designers Furniture

Discover the lounge inspired by film director Wes Anderson

Named after the film director Wes Anderson, the Wes furniture range has all the whimsy and nostalgia of its namesake’s films.

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Designed by Tom Fereday for SD Element, the Aussie-made range merges traditional upholstery techniques with minimal, modern design.

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The range consists of an ottoman, armchair and lounge and we are particularly impressed by its completely seamless upholstery, slick contrast piping and modular capabilities.

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We love the gorgeous sorbet-toned upholstery fabrics too — no doubt inspired by the film director’s dreamy, retro aesthetic.

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With eco credentials also, the Wes range is constructed entirely from eco plywood and finished with solid Ash legs and natural fabrics.

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Click here for more.

Photography by Haydn Cattach

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Furniture

TV’s Jamie Durie moves into interiors with furniture range for Riva 1920

Jamie Durie’s more known for his work outdoors than indoors, but all that’s about to change with his first furniture range for Riva 1920. I had the pleasure of interviewing the TV personality at Sydney InDesign last weekend.

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As if Jamie, who lives between LA and Sydney, didn’t already have enough TV shows, books, successful businesses and garden design awards to his name, he now has a luxury furniture range, and a very good looking, sustainable one at that. He’s being going to the Milan Furniture Fair for 7 years now, so when Italian brand Riva 1920 approached him, he arranged to meet them on home turf, tour their studio and factory and meet members of the family. “I was over the moon to be asked. It’s very exciting.”