Tag: art

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Art Renting

Hanging art in a rental & how to start your collection

As a young person on a limited budget, you could be forgiven for thinking art is something you need to wait years until you can afford (or are even allowed to hang due to owning your own home). But young art lover Alex Hocking is here to share how you can start an art collection on a budget and how you can display it, even if you’re renting.

Artwork is easily one of the cheapest, simplest and somewhat most overlooked ways of giving your space life and turning your house into a home… especially when it comes to renting. I’m here to give you some simple tips that I guarantee will have your home looking brighter and better than ever before!

Welcome to my place. You will notice that I love artwork, as one should. When I first moved into my house, it took me a good six months of staring at bare stark white walls before I finally had enough and decided to do something about it. Art is good for the soul but it’s also great for your home. As most decorators will tell you, art is always something you should invest not just your money, but also your time in. It will drastically change your home, and it could change your life.

Let’s clear up one of the biggest misconceptions right off the bat as I tell you art can be affordable. Sure, there are some incredible pieces of art that cost an unfathomable amount of money. There is also generic mass produced art from your local cheap chain department stores. And there is everything in between.

To start to dress your home with art, you first need to find what kind of art it is that you like. Are you a classic and traditional painting enthusiast, a contemporary pop art junkie (like me!), or possibly an appreciator of a wide variety of art in all of its wonderful forms?

I would first encourage you to look online, look in books, or even visit a local art gallery to find what kind of art tugs at your heartstrings and hits you in all of the right places. Good art will evoke a certain reaction or feeling when you see it. Perhaps it fills you with calmness or tranquility. Perhaps it fills you with passion and fire. Or perhaps it motivates and inspires you to go further and be better. Once you’ve found your preferred style – it’s time to get yourself some art!

Art is worth investing in, but I understand that everyone has a different budget, so I’m going to share some of my more thrifty tips for acquiring art that has personally helped me decorate my own rented home. Firstly, I would highly recommend trying to find and support local artists in your area. Local art will generally be more affordable, as well as being unique to your location and will give your home a beautiful cultivated look. I would encourage you to firstly head down to your local markets or search for art to your taste within your own community.

Secondly, it’s time to expand your outreach to look to bigger and broader artists. But remember, just because you might love a top artist’s most famous work, it doesn’t mean it has to cost a fortune. Unless you’re trying to acquire the original piece, you will simply be looking for a reproduction of that work, known as a print. There are many websites set up such as allposters.com that offer millions of quality posters and prints for sale at an extremely affordable price, with the option to purchase them with or without the frame. If you opt to go without the frame, a trip to IKEA will be on the cards to source some cheaper frames to finish them yourself. Now this sourcing method is all well and good for some pieces, however, I am a big fan of personal customisation when it comes to my own art collection.

A third great way to acquire personally customised art is to make some of your artwork yourself. There are various methods to doing this. You can opt to go get a giant blank canvas from your local art store and go to town on it with a brush (something I’ve definitely done before), or you can be a little more subtle and include things such as personal photographs or images that arouse a memory or feeling specific to you. Within my own home, I enjoy an equal mix of all three.

Now that you have your artwork sorted, it’s time to get it up! As a young renter myself, I know there are certain rules that one must follow for ensuring care is taken to ensure no damage comes to a rental property, as is your duty as a tenant. However all too often I see renters using this as an excuse to simply not invest in any art at all, leaving their home with big empty white walls just dying for some personality and love. But (providing you seek prior approval from your rental agent/landlord) there is a way around this and it comes in the form of Command 3M hooks and strips. These magical things, in my humble opinion, are far superior to alternatives of the hook variety, and are far more appropriate for putting up larger heavier artwork. I’ve used them for years in all my rentals and never encountered a single issue when it comes time to remove them.

However, even if your agent or landlord isn’t too keen on you hanging art on the walls, there is still another, rather on trend way of displaying your amazing artwork, and that is simply by leaning it against your walls. Larger prints can sit on the floor in hallways or grouped in with furniture, while smaller pieces can sit on top of cabinets or grouped in with shelves. I personally love the effortlessly chic look of this method and have used it frequently around my own home.

And that’s all there is to it. No longer will your home, or your soul, be deprived of being surrounded by the beautiful art it so deserves. Remember that art is exciting, engaging and endearing. Art will bring any room it enters to life and instantly give it an undeniable burst of personality – your personality! Now that you know where to start, it’s time to get out there and get yourself some art!

—Alex Hocking is a former interior decorator and visual merchandiser with a continued passion in interior design, based in Melbourne.

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Interiors Addict

Artist Joan Blond’s work filled with joie de vivre

Joan Blond

Yarra Valley artist Joan Blond raised three young children and worked in the corporate world for 21 years (as an executive PA for a partner of a law firm), before taking the plunge and pursuing a full-time art career.

“I have always loved painting and have dabbled for years. When my children grew up and left home I started painting seriously again, and people started asking if they could purchase my work,” says Joan who has since become something of a household name, no doubt in part because one of her works featured in the 2018 season of The Block.

Joan Blond

Self-taught, Joan paints intuitively, drawing from every life and memory, using acrylic and oil paints as well as inks. “Over the years I have attended quite a few workshops run by various artists and picked up some interesting tips,” says Joan who now runs her own workshops out of Geelong’s Artworx, when time permits.

Joan Blond

Describing her work as abstract expressionist in style, her latest collection is inspired by the rural milieu that surrounds her home. “It features abstract landscapes. I cover my canvas in semi-abstract plants, flowers and leaves in various colours and then use line work and dots to add texture and interest,” says Joan of her unique style. Multi-layered and colourful, the closer you get to each piece, the more detail you notice.

Joan Blond

“I get a lot of feedback from people who say that my paintings evoke feelings of happiness and that people find them very uplifting. I find great fulfilment in delivering work that brings happiness and excitement,” says Joan.

Joan Blond
Artist Joan Blond with one of her works

Bold colour and pattern aside, Joan’s works are often large in scale too; many of them are over two metres wide which can make for a logistical challenge when working inside her small studio. “Eventually I would like to find a larger space to work from, but I love where I live and appreciate the rolling hills and beautiful gum trees that I can view through floor to ceiling glass windows.”

Photographer: Stephanie Rooney | Stylist: Alex Carter at Harlow + Willow | Stylist assistant: Erin Mellington

For more on Joan | The artist who saved a house deposit by drawing houses

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Art Interviews

Feliz Home co-founder launches painting career

If you’re a long-time reader, you’ll be familiar with the lovely homewares label Feliz Home as we’ve featured it many times. Specialising primarily in bedding, the boutique brand was co-founded by Geelong-based Janey Forbes who recently made the decision to sell the business to explore a full-time career as an artist.

“Designing, painting and drawing were always the most enjoyable parts of running a bedding business and I’ve always had a burning desire to paint and create. The time feels right to move a bunch of obstacles out of my way and see what happens if I have the chance,” says Janey, who recently joined the Greenhouse Interiors stable after Julia Green got in touch.

Jane Forbes
‘Pretty Young Thing’

Describing her career trajectory as ‘really curvy,’ the latest move doesn’t look that surprising when you consider Janey’s past which has included roles in event management, product development at Hallmark Cards and a stint in the not-for-profit sector inspired by a year spent in South America. “After all that, I had my first child, and while on maternity leave, I felt I had to do something!” says Janey who started Feliz Home with her friend and former work colleague Melissa Alessi in response.

Jane Forbes
‘Air Waves’ and ‘Wanderlust’

“We threw ourselves into Feliz with very little experience in bedding, screen printing, running a business and motherhood; we were both juggling it all!” says Janey who started the business by importing an array of organic cotton from India and simply taking the plunge. “Our dream was to be creative and in control, rather than world domination. We earned some amazing exposure early on and grew a loyal customer base. It was exciting and I’m so proud of the path that the brand took. It was the hardest thing I’ve ever done, but by far the most rewarding,” says Janey.

'The Florist'
‘The Florist’

Seven years on, Janey and Melissa decided to sell Feliz Home, rather than simply close it. “We felt that we had put so much work into this little baby of ours, we really wanted to see it live on with some new energy,” says Janey who advertised, and was thrilled to find new owners eager to inject more love into the business.

'Shapely' and 'The Diva'
‘Shapely’ and ‘The Diva’

As for her paintings (featured here), Janey is inspired by the way that children paint without inhibition and she’s a colour lover too. “My work is colourful, layered, a bit quirky and evolving. Whatever it is about the human brain, colour has so much power over us. I love colour and shapes that you want to wrap yourself in. Ultimately, my paintings are all trying to express some fun and beauty.”

Photography: Armelle Habib, assisted by Edwina Hollick | Styling: Jessica Retallack & Aisha Chaundhry for Greenhouse Interiors, assisted by Kendall Troon

Shop Janey’s work online | The artist who saved a house deposit by drawing houses

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Art Interviews

The artist who saved a house deposit by drawing houses

Georgia Draws A House

A qualified graphic designer, Sydney’s Georgia Norton Lodge was slogging it out at her branding agency day job when she began drawing houses. The impetus came when her sister, who was writing a book based in Sydney’s Annandale, needed an illustrated cover to embody the story.

“I started drawing all the neighbourhood buildings and houses, and when I finished, I realised they were pretty cute. I showed my friends and family and they all wanted theirs drawn,” says Georgia who consequently started an Instagram account ‘Georgia Draws A House’ which immediately grew a dedicated following.

“The account helped spread the word of my drawings between work hours whilst I couldn’t – it works full time for you, when you can’t!” says Georgia.

Georgia Draws A House
Georgia’s house illustrations have a nostalgic feel

What started as a side hustle now sees Georgia draw between 30 and 40 houses per week (50 in busy periods), and she has justifiably resigned from her desk job. “I gave myself a year to prove that the business could match my agency salary and I went to town in the evenings drawing,” says Georgia. And while Georgia is obviously talented, her branding background really helped spread the word.

“Before I took a leap of faith away from my full-time desk, I did a bit of guerrilla marketing. My parents live in Annandale, across the road from a park and the very popular Cornersmith café – the perfect spot to show off my work. One night, with the help of some amazing artists, I grabbed a ladder and a spray can and drew a large mural, the front of my parents’ house, on the side of their house,” says Georgia.

A social media frenzy ensued with the location now a popular selfie spot; the stunt also landing the artist a full page spread in the Sunday paper. “My phone blew up all day after I appeared in the paper. I went to work the next day and quit my job,” says Georgia.

Georgia in front of the mural she painted on the side of her parents' house
Georgia in front of the mural she painted on the side of her parents’ house

“Never in my wildest dreams would I think I could make a living drawing other people’s homes. Even after I had proved I could match my agency salary I was I was still terrified to leave my full-time desk,” says Georgia who is making the most of her success, for fear it will be short-lived.

“I feel very grateful to be able to call this my life but am also aware that it could disappear at any moment – hence my crazy working hours!” says Georgia whose prolific output means she works well beyond average hours, and has even saved enough for a house deposit.

Georgia Draws A House
Georgia draws for real estate agents too – her illustrations make unique settlement gifts for clients.

Georgia’s work is created with an Artline 200 Fineline 0.4 pen on Fabriano Watercolour Paper (Cold Press/25% Cotton), 300GSM), together with Google Maps. “My secret is that I use Google Maps, though some customers prefer me to work from photos, which is fine by me!” says Georgia who has drawn almost 600 houses to date.

“To order, you just visit my site, click ‘draw my house’, type your address in and voila! A little house portrait will be on its way to you in 4-5 weeks!”

Georgia Norton Lodge
Georgia Norton Lodge

Shop online | Follow Georgia Draws A House

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Art Interviews

Brisbane artist Beth Kennedy’s childhood calling

We’ve profiled many artists but it’s not often that we find one that was convinced of their career path as a child. “When I was about 16, I decided that I wanted to be a painter. I’d always loved to paint and draw and was loving my art classes in high school. I never wanted to do anything else,” says Brisbane artist Beth Kennedy who went on to study a Bachelor of Visual Arts at the Australian National University.

Beth Kennedy
‘Turning Tide’

After graduating, numerous group and solo exhibitions followed (Beth still exhibits at Anthea Polson Art Gallery on the Gold Coast), as did a number of magazine appearances. Beth’s work has appeared in Australian House & Garden and Belle magazine amongst others. For the last couple of years, she has been represented by Greenhouse Interiors who sell her original framed paintings and limited edition prints. “It’s been wonderful to be a part of such a dynamic, supportive and colour-loving group,” says Beth.

Beth with her painting 'Peachy'
Beth with her painting ‘Peachy’

When it comes to her practice, Beth loves working with acrylic paint, gouache, watercolour, liquid acrylic and ink. She always starts by drawing from life before enlarging the image onto canvas and ‘washing in’ the image. “My paintings do seem to have minds of their own, quite often taking directions that I hadn’t anticipated – the ‘happy accidents’ that occur when I’m painting are all part of it for me and quite often my favourite parts of the painting,” says Beth.

Beth Kennedy
‘Birdsong’

Beth’s latest body of work is about the light and shade in life; loss, betrayal, acceptance and love. “There’s always an emotional narrative driving the painting – my stories and the stories of those around me. My paintings are layered labours of love; opaque areas of paint, patterns and lines all dance in and around each other as the paintings come to life,” says Beth.

Beth Kennedy
‘Silver Lining’

Beth’s influences are a disparate bunch – she’s particularly inspired by Australian artists Del Kathryn Barton and Cressida Campell as well as Japanese woodblock prints. “The flattening of the image has intrigued me since I was a student,” says Beth who turns to interiors magazines, fabrics and wallpapers for inspiration too.

“Also, I love a pop of neon, usually hot pink! To this and other shades of pink, I add blues, greens, oranges and black.”

Photography: Mindi Cooke | Styling: Antler & Moss and Debbie Lymbery

Shop Beth’s work online | Aliki Kapoor: Melbourne artist who started in fashion

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Art Interviews

Artist profile: Alesandro Ljubicic’s uplifting florals

Known for his large scale, vibrant florals and impasto technique, we’ve long admired the work of Sydney artist Alesandro Ljubicic. One for colour lovers, Alesandro’s work centres around his passion for colour and a natural, gestural use of paint.

“My work has no demons or dark metaphors; it is simply full of positive energy, with flowers picked at their peak and recorded in paint. It’s about celebrating and prolonging the joy of the moment and life in its prime,” says Alesandro who explains that if there is a metaphor to be had, it’s “all is well.” How refreshing!

Alesandro in the studio
Alesandro in the studio

Born in central Bosnia and Herzegovina, Alesandro studied at Sydney’s National Art School and, since graduating, has exhibited with leading galleries in Sydney, Melbourne, Berlin and Montreal. His work can be found across the globe, housed in collections from New York to London, Berlin, LA, Hong Kong and Singapore. “Moving forward, I am in discussions with two galleries, both in New York and London,” says Alesandro.

One of Alesandro's recent works
One of Alesandro’s recent works

Alesandro uses pure oil paint, made from single pure pigment and linseed oil, to create his works. “I apply the paints with various tools of the trade such as large brushes and painting knives,” says Alesandro who had to switch to acrylic paint when creating his latest work – a large-scale installation inside the G.H. Mumm sponsored birdcage at this year’s Melbourne Cup. “It used acrylics over birch panel due to drying time and the scale of the work,” says Alesandro.

Alesandro with part of his Melbourne Cup installation
Alesandro with the bespoke work he created for this year’s Melbourne Cup

Working alongside fashion designer Dion Lee, interior stylist Nina Maya, presenter Kate Peck and surfboard entrepreneur Hayden Cox, the installation was designed to bring a boutique Parisian hotel feel to the heart of the birdcage. “We each contributed to the different experiences within the ‘Maison Mumm,’ from our respective fields. The bespoke piece of artwork I contributed draws on my signature style,” says Alesandro.

Alesandro
Alesandro’s corner of ‘Maison Mumm,’ found at this year’s Melbourne Cup

“G.H. Mumm’s cuvees have always been my champagnes of choice when celebrating my own successes, so when approached by the brand, the alignment felt organic,” says Alesandro.

Another of Alesandro's recent works
Another of Alesandro’s recent works

When not hard at work at the easel, Alesandro also runs The Sydney Art Store, a bricks and mortar Sydney retail outlet and online Australian art store. The store sells some of the world’s finest painting products including oil paints and acrylics from France, handmade paints from New York, and pastels and watercolours from Germany and America, as well as brushes and canvasses too.

Photography: Lucas Dawson and AKQA

For more on Alesandro | Artist profile: Grace Costa’s regal horse photography

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Art Interviews

Aliki Kapoor: Melbourne artist who started in fashion

Aliki Kapoor

It’s no surprise to hear that emerging Melbourne artist Aliki Kapoor has a background in fashion. Formally trained with a BA Fashion from RMIT Melbourne, her vibrant, colourful works could easily translate to textiles. “I have worked as a designer and product developer for many leading Australian apparel brands. I’m big on colour! I’m always looking at how to combine and complement different shades together,” says Aliki.

Aliki Kapoor

Always a keen drawer, Aliki has painted for years and it’s a practice she maintained outside of work, to keep her creativity flowing. But it was after the arrival of her first child that she really got serious about her art. “After stopping painting briefly, when my daughter was born, I decided to pick it up again and my art has grown organically since then,” says Aliki who works mainly with acrylic based paints and inks, plus a smattering of oils.

That organic, creative process has resulted in a distinct style that is abstract, free-flowing, intuitive, colour driven and spontaneous. “My work has lots of layers and a combination of bright and soft colour palettes, bold strokes, translucent drips and fine textural sketches,” says Aliki.

Aliki Kapoor

The artist also combines her love of architecture, nature, fashion, textiles and interiors into her works. “I love being influenced by the colour, shapes and silhouettes from nature, architecture, fashion and all things beautiful and feminine. I have a love of flowers and especially the way in which they are all individual,” says Aliki. Beautiful blooms form the basis of Aliki’s latest collection ‘Boho Gypsy,’ seen photographed here.

Aliki Kapoor

Aliki’s work can be purchased directly from her, or through a variety of homewares stores and galleries including Mynd Interiors, Crate Expectations and Arthouse Co.

Photography: Stephanie Roonie | Styling: Alex Carter from Harlow + Willow | Styling assistants: Aisha Chaundry & Nicola McFlinn

For more on Aliki | Artist profile: Farmer Kate Owen inspired by drought

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Art

Broadsheet launches unique Aussie photographic prints

Mark Roper's 'Flinder's Lane' print
Mark Roper's 'Flinder's Lane' print

Prominent Australian city guide Broadsheet is known for the sharp and stylish photography it uses to illustrate its stories and now, thanks to the launch of Broadsheet Editions, you can hang some of it on the wall at home.

“Broadsheet Editions is a true collaboration with the photographers we’ve worked with over the past 10 years,” says Nick Shelton, publisher and founder of Broadsheet Media, of the launch of the affordable online photographic gallery.

Mark Roper's 'Tuckshop' print
Mark Roper’s ‘Tuckshop’ print

An evolving collection, the first 100 images come from 11 talented Australian photographers who have shot for Broadsheet over the past decade. The initial line-up includes Linsey Rendell, Gareth Sobey, Kate Shanasy, Michael Woods, Jessica Wyld, Peter Tarasiuk, Rebecca Mansell, Jake Roden, Nikki To, Pete Dillon and Mark Roper.

Jake Roden's 'Untitled (Flinders Cliffside), from $220
Jake Roden’s ‘Untitled (Flinders Cliffside)’ print

And as you would expect, the subject matter includes food and drink, art and design, entertainment, fashion and style and travel. “Broadsheet Editions is another way we can engage with our readers and enrich their lives in a tangible way – by allowing them to take a piece of their city home in the form of beautiful photography,” says Nick.

One of the more notable prints, ‘It’s a Yes,’ was created by Michael Woods who took it just moments after the Australian Bureau of Statistic announced the results of the Australian Marriage Law Postal Survey in November 2017. “I wasn’t sure if I’d be capturing a sad, sombre moment in Australia’s history, or if it would be a glorious milestone as Australia launches itself into the modern era. The State Library of Victoria erupted into a music festival filled with laughter and tears as rainbows roared above,” says Michael.

Michael Woods' 'It's a Yes' print
Michael Woods’ joyous ‘It’s a Yes’ print

Mark Roper’s ‘Flinders Lane’ print captures the iconic Melbourne restaurant Supernormal while his ‘Tuckshop’ print, taken in a suburban Melbourne tuck shop complete with an old radio, sparks memories of the past.

Mark Roper's 'Flinder's Lane' print
Mark Roper’s ‘Flinder’s Lane’ print

The photographs are printed onto 300gsm 100 per cent cotton rag stock, which is dry-mounted to an acid-free foam board before being framed using local sustainable Australian hardwood in a black, white or raw timber finish. Each print is protected by museum-grade plexiglass that shields against UV damage for up to 100 years before being sealed using framer’s wax tape and wired for easy mounting in your home or workplace.

Kate Shanasy's 'Rockpools at Monterosso #2' print is one of the overseas shots featured
Kate Shanasy’s ‘Rockpools at Monterosso #2’ print is one of the overseas shots featured in the collection

Each print is available in five sizes, is made to order and can be delivered Australia-wide in under two weeks. Prices range from an affordable $240 through to $2400.

Shop online | Photographic art online: Where to buy and how to choose

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Art

Drought relief: Buy Aussie art to help our farmers

A piece by James Lai
An artwork by James Lai

The Art For Bales charity art event is back this weekend (Saturday 19 and Sunday 20 October), with all proceeds going to the Aussie drought-relief organisation, Rural Aid.

200 Australian artists, from across the country, are donating original artworks to be sold via Instagram in what is a win-win for everyone. Buyers will procure a beautiful piece of original art, while helping out our rural communities, who are currently living through one of the worst droughts in Aussie history.

A piece by artist Joan Blond
This artwork, by Joan Blond, is one of the pieces up for grabs

“The whole concept has snowballed fantastically in a year, from co-founder Kate Pittas and I donating the sale price of a painting to buy a bale, to it becoming this collective effort that’s gone viral in the online art world,” says Art For Bales co-founder Andrea Hamann who launched the inaugural event last year which raised an impressive $77,000.

A piece by James Lai
This artwork, by James Lai, will be available for purchase

“With Art For Bales, our goal is threefold: raising the funds, raising awareness of just how badly the drought is affecting people outside the cities, and – from a mental health perspective – letting affected communities know that we haven’t forgotten about them,” says Andrea.

Artwork by Kate Pittas
This artwork, by Art for Bales co-founder Kate Pittas, will be for sale

Prices for the works start at a very affordable $30 and go right up to $4,500 for the more serious collector. Participating artists include Sulman Prize finalist and Hawkesbury Art Prize winner Ben Tankard, Paddington Art Prize winner Kiata Mason, along with Alexandra Plim, James Lai, Joan Blond, Thomas Bucich, Maggi McDonald, Tracy Dickason and Ana Young.

Artwork by co-founder Andrea Hamann
This artwork, by Art for Bales co-founder Andrea Hamann, will be for sale too

“From droughts to fires, the thought of having to deal with one natural disaster after another is difficult to contemplate but that’s what these farmers go through,” says Rural Aid chief executive officer, Charles Alder of the charity that supports our farmers in many ways, providing everything from bales of hay to mental health services. “The demand for mental health support is unprecedented right now,” says Charles.

A work by Alexandra Plim
This Alexandra Plim artwork will be up for grabs

How to participate:

  1. Head ​here and browse the page to see the artworks available for purchase.
  2. From 12:00am AEDT on Saturday 19 October, once you’ve decided which artwork you’d like to purchase, visit the Instagram page of the artist and comment ‘SOLD’ on their post. The first to comment ‘SOLD’ buys the artwork.
  3. Organise payment, receipt and shipping with the artist directly.
  4. The artist will then send Art For Bales a receipt of their donation to Rural Aid, to the amount of the sale.
  5. Share your artwork and spread awareness using the tags ​#artforbales2019​ and #artforbales​.

For more on Art for Bales | Contemporary Indigenous Australian artist Natalie Jade

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Art Interviews Shopping

Affordable art: Boho Art Styling’s dreamy, coastal vibes

A professional photographer and digital artist for 15 years, Boho Art Styling’s Brooke Taylor decided to set up her own online artwork boutique after being disappointed with what was already on offer. She was also encouraged by her mother who was looking to fill a brand new home with artwork, without breaking the bank.

“My mum didn’t want to pay nearly $1,000 for a piece of curated art so I sourced and created the artwork she needed, at a fraction of the prices advertised elsewhere, and the business grew from there,” says Brooke.

Boho Art Styling

Based on Victoria’s Mornington Peninsula, the pastel-hued coastal vibe of the region underpins the Boho Art Styling aesthetic. “Nature is the biggest inspiration for me. Growing up Bayside, I’ve always loved the ocean and surrounds. There is nothing better than that feeling that only nature can inspire! I like to translate those feelings into my artwork, and bring that feeling into people’s homes,” says Brooke.

Boho Art Styling

Comprised of both photography and design, Brooke’s range is derived from her own work as well as a curation of commercially licensed designs from local and international artists. Currently, Brooke offers prints, framed artworks, canvasses and removable wallpaper. The prints come in sizes that fit into frames from Officeworks, Kmart, BIG W, IKEA and Spotlight but Brooke offers custom sizing too. And with an A3 print costing $45 (including free delivery Australia-wide), the range is very reasonably priced.

Boho Art Styling

“I am also starting to offer more digital downloads, from under $10, that people can print off at home or at places like Officeworks. That said, for the time, effort and cost, it is much more affordable purchasing prints and having them delivered to your door!” says Brooke.

Boho Art Styling

A single mum to two young children, Brooke runs her business around the clock using a variety of self-taught marketing skills; social media being one of them. Though she saw the dark side of Instagram recently when, after having built her following to 17,000 people in 18 months, her account was disabled, after what she believes was a complaint from a competitor.

Boho Art Styling

“A competitor made false reports to Instagram, which resulted in my account being disabled, and it all but broke me. I had worked around the clock to build the business to that point, and to lose such a huge tool was devastating,” says Brooke who is currently in the process of rebuilding her Instagram following from scratch.

Boho Art Styling

“As rewarding running your own business can be, it has been a lot of hard work, especially in such a cutthroat industry,” says Brooke, who spends her nights packing orders, when her children are asleep. “I have never worked so hard with such long hours all my life! But I’d rather put in the hard yards for myself and my family to build something that is going to pay off in the long run.”

Shop Boho Art Styling online | Video tutorial: How to create a fabulous gallery wall

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Art Interviews

Contemporary Indigenous Australian art: Natalie Jade

Self-taught Gippsland based artist Natalie Jade caught our eye recently. While her paintings draw heavily on her Indigenous heritage, her vibrant palette extends beyond the more orthodox, earthy tones. “Traditionally, the colours were made from the earth but these days we have access to a lot more colours. These days, a lot of Aboriginal art is very colourful,” says Natalie.

'We are here for you' limited edition print, from $150
‘We are here for you’ limited edition print, from $150

Natalie’s high school art teacher was the first to recognise her talent and tried to encourage her to study art at university. “I decided against it because my sister went down that road and I didn’t want to copy her. I also saw how hard it can be to make it as artist, so I choose something more practical,” says Natalie.

Natalie Jade
Artist Natalie Jade

Beyond school, Natalie worked many jobs including retail, hospitality and childcare but none of them stuck. “I’ve tried many different jobs throughout my life but none of them felt right or worth the money and time taken from me. I never lasted long in any of them because I felt too trapped in the 9-5 world,” says Natalie.

'Between two worlds' limited edition print, from $150
‘Between two worlds’ limited edition print, from $150

But painting had always been there, and Natalie eventually started selling her artworks on Bluethumb and at local markets too. “But I often struggled with depression and a lack of money to keep my practice going. After my last baby was born, I was able to save enough to start up my own website,” says Natalie who began slowly adding to the site around the demands of her youngest child.

“I painted while she slept on me every day and basically, just didn’t give up. Somehow, I ended up where I am now,” says Natalie.

A pregnant Natalie with one of her works
A pregnant Natalie with one of her works

The artist’s Aboriginality comes from her mother’s side which has its roots in Tasmania. “My great grandmother grew up being told that she was Maori and it took my brother years of digging to find out who we really are. I always felt I was different and once I found that I was actually Aboriginal, white or not, it was like I had discovered a missing piece of myself,” says Natalie.

'My great grandmother's country' limited edition print, from $150
‘My great grandmother’s country’ limited edition print, from $150

Working primarily with acrylics on canvas, and sometimes paper, Natalie draws on her culture, life experiences, feelings and the colours in her surrounding environment. “I also call on my ancestors to help me paint and am often told to use this colour or that. I rarely start a painting with a pre-planned idea. I usually start with a colour then just go from there.”

'Apart' original painting, $650
‘Apart’ original painting 30cm x 30cm, $650

Shop online | Grace Costa’s regal horse photography

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Art Interviews

Currently coveting: Bibi Ana + Co’s latest artworks

Artist Marcia Priestley, of Bibi Ana + Co., has released a new collection that, while inspired by animals and plants, combines them in a uniquely abstract way. “I fell in love with the challenge of combining two antithetical subjects from our natural environment to create one compatible, organic, yet lively statement,” says Marcia.

'Tiger Plant'
‘Tiger Plant’

For example, ‘Tiger Plant’ (Marcia’s favourite from the new collection) looks almost like an animal print save for its green and blue hues. Similarly, ‘Palm Birds Pink Lake East’ is a line sketch that combines a palm tree and stork bird rendered in gorgeous peach, blush and green tones.

'Palm Birds Pink Lake East'
‘Palm Birds Pink Lake East’ features palm fronds and a stork

“Other pieces in this collection that are reminiscent of animal print include ‘Outbloom Night.’ I particularly love the way this piece has muted tones with a soft chalk-like finish that looks like plants at dusk,” says Marcia referring to one of two round pieces that feature in the range.

'Outbloom Night'
‘Outbloom Night’

‘Wild Wisteria’ is brimming with 1970’s inspired tones – mustard, terracotta, khaki and navy make for a vigorous mix. “It has a colossal amount of colour and texture and it’s such a fun piece. Interestingly, it works so well when combined with old pieces of furniture as it injects new life into them,” says Marcia who currently has the piece at home paired with an old Asian sideboard.

'Wild Wisteria'
‘Wild Wisteria’

Another round piece, ‘Posy & Posey’ is loaded with colour and texture – avocado and sage green jostle for attention alongside rust and blush tones. “It was an interesting piece to paint because each individual segment, or petal, of each flower has quite a lot of texture which was needed to give it depth,” says Marcia.

'Posy & Posey'
‘Posy & Posey’

Rather amusingly, Marcia’s decision to create a couple of circular canvasses was borne out of a desire to avoid moving to a new house! “I love the aesthetic of a round window in a home as it feels so calming. But the problem was, I didn’t want to build a new house to get one, so I painted a picture on a round canvas to give me the closest effect I’m going to get to a round window!”

'Plant Room'
‘Plant Room’

The smallest piece in the collection, ‘Foliole’ is another of her most cherished pieces – in it, the artist has homed in on the structure of a leaf. “It’s got a thriving organic nature about it which, to look at, feels so gentle and easy on the eye.”

'Foliole'
‘Foliole’

Photography: Leon Schoots | Styling: Aisha Chaudhry for Greenhouse Interiors, assisted by Sophie Lennon | Furniture: Make Your House A Home

Shop prints and originals online | How to buy art like an experienced collector

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Art Interviews

Artist profile: Grace Costa’s regal horse photography

Grace Costa

“I would describe my work as contemporary, soulful character portraits of horses. These portraits are captured with such high definition you can experience every hair, almost feel the velvety texture of the nose, and feel the personality in the eyes of every horse,” says Canberra photographic artist Grace Costa who is uniquely poised to capture the majestic creatures given she has spent her life surrounded by them.

Grace Costa

Whether riding them to muster cattle, competing with them in local competitions or teaching horse riding at her father’s horse-riding school, Grace knows horses. So, when she decided to leave her government photographic job recently, the time was right to combine her two passions.

“I was based at the Royal Military College Duntroon in an all-male team for 12 years as a public affairs photographer. I had the opportunity to see and do amazing things in that role,” says Grace of her job working for the Department of Defence – a position that saw her photograph the Queen amongst many other subjects.

Grace Costa

“After I had achieved all I wanted to in that role, I made the move last November to go full-time in my photography business where I continue to work as a commercial photographer as well as teaching masterclasses and doing speaking engagements,” says Grace. The career change has also given Grace the time to build her career as a photographic artist, with a particular equine focus.

Grace Costa

“Horses are very challenging to photograph, yet predictable at the same time when you understand how they move. Understanding and mastering the art of the horse’s body language is something that compels me to keep working with them,” says Grace who learnt many horse handling skills from her father, a master horseman who has worked with the animals for over 50 years.

And Grace’s decision to photograph the creatures in an industrial setting (as opposed to the wild) is a deliberate one. “I’m not interested in photographing them running in the paddock, like we are used to seeing in equine pictures. I want to capture them like a statue, to focus on their form, character and presence,” says Grace who is always on the lookout for an unusual horse to add to her collection.

Grace Costa

And while photographing a horse in this way is as arduous as you can imagine, it’s something that Grace admits she can’t get enough of. “I think I’m addicted to the magic that happens when all things align; the pose, the eye contact, the composition, the lighting, and the expression. It takes so much patience but it’s worth it,” says Grace whose latest collection ‘Spotted’ is centred around the idea that being rare and different is beautiful. In the series, Grace has documented the Appaloosa horse which is known for its unique spots and colours.

Grace Costa

“These horses have very strong characters and surprise many people because often they have never seen a horse like them before. They make perfect art for a young child’s bedroom,” says Grace who is also working on another collection called ‘Blooming’ which sees a variety of horses wearing custom floral headdresses with fantastical results.

Grace Costa

From choosing the right style of flowers to making sure the headpiece fits on the horse’s head and the bridle, the process is tricky. “You then have to ensure the flowers don’t fall off when the horse shakes his head from the flies! I think the entire team holds their breath until the shoot is over. It’s a bit of a nightmare but the results are worth it, and we love creating them.”

A piece from Grace's 'Blooming' collection

Shop online | Where and how to buy photographic art online

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Art Interviews

Fleur Harris: woodland and whimsy is a full-time job!

Fleur Harris X Adairs Kids 'Springtime' range. Image courtesy of Adairs.
Fleur Harris X Adairs Kids 'Springtime' range. Image courtesy of Adairs.

You may already be familiar with Melbourne artist Fleur Harris via her stunning ‘Woodlands’ wallpaper available through Jimmy Cricket. In it, a whimsical menagerie of forest animals (deer, foxes, racoons, squirrels, owls and bunnies) all peer out from behind lush foliage in the design that is now hanging in hundreds of homes across the globe. “Those artworks have very intricate pattern repeats and they took a long time to make so it’s wonderful to see them putting smiles on children’s faces everywhere from America to Russia, Poland and the UK,” says Fleur.

Fleur Harris
This child’s room features Fleur’s ‘Woodlands’ wallpaper. Image by @cleverpoppy

Working with oil paints and digital software to create her artworks, Fleur’s subject matter centres largely around nature – especially flowers, foliage and animals. “My artworks are often highly detailed; I spend a huge amount of time on them. I always put a lot of time into each artwork, I come back to them to perfect them, I don’t let them go out into the world until they are just right. Each artwork is a true labour of love,” says Fleur.

And with gorgeous colour palettes another notable feature of the artist’s work, it doesn’t surprise me that a lot of work goes into their selection. “Colour plays a large role. I spend a lot of time refining my colour palettes and it’s a crucial detail,” says Fleur.

Fleur in her studio
Fleur in her studio. Image: Dave LePage

While formally trained in fine arts, interior design and illustration, Fleur isn’t that keen to define herself as one thing or another – she describes herself as an artist, product designer and creative thinker. “My work doesn’t fit neatly into one little box or category. I’ve worked with brands to create all sorts of wonderful things; wallpapers, children’s bedding, dinnerware – it’s a long list,” says Fleur who welcomed her son a couple of years ago and juggles her work commitments around him.

Perhaps one of her most high-profile collaborations, Fleur started working with Adairs last year – her first children’s range was a sell out and her fourth range has just been released in Australia and New Zealand. Titled ‘Springtime,’ it’s as fresh and pretty as its name suggests. “I adore this time of year, when nature awakens and begins to buzz with life,” says Fleur. The collection includes a quilt cover and sheet set (in sizes from cot to king), as well as wall art, a play tent and special separate unicorn themed pillowcase. The violet and green combination is glorious.

Fleur Harris X Adairs Kids 'Springtime' range. Image courtesy of Adairs.
Fleur Harris X Adairs Kids ‘Springtime’ range. Image courtesy of Adairs.

“Kids’ bedrooms can be a sanctuary, a safe space of their own where they sleep and play and dream. These collections are forming a backdrop to the childhood memories they’re creating. I’m very mindful of this when designing these ranges,” says Fleur.

Fleur Harris X Adairs Kids 'Springtime' range. Image courtesy of Adairs.
Fleur Harris X Adairs Kids ‘Springtime’ range. Image courtesy of Adairs.

Collaborations aside, Fleur has also been very busy working on a series of oil paintings and illustrations, all of which are available as ready-to-hang framed prints on canvas. “I’ve been asked many times over if I will ever sell prints of my paintings so it’s great to be able to offer my artworks in that format now,” says Fleur.

framed, open edition print on canvas. Featuring a gorgeous section of one of Fleur's still life
‘Blue Posey’ framed, open edition print on canvas. From $420.

A series of still life images, the works feature flowers and foliage on dark backgrounds and Fleur is particularly excited about the range of sizes they are available in. “I worked with an incredible photographer in Melbourne to digitally capture all my paintings, so I could reproduce them in a range of sizes, some much bigger than the original. I love big statement artworks, so it was important to me to offer them in larger sizes.”

'Night Garden II' framed, open edition print on canvas. From $420.
‘Night Garden II’ framed, open edition print on canvas. From $420.

For more on Fleur Harris | Artist profile: Farmer Kate Owen inspired by drought

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Art Interviews

Amalfi coast immortalised in new Print Emporium range

If you’re lucky enough to have been to Italy’s Amalfi Coast you’ll know it has no shortage of photogenic vistas which is no doubt why The Print Emporium’s founder and creative director Zoe Bristow chose to capture it for her latest collection. Photographed on the Amalfi and the nearby island of Capri, Zoe had quite the adventure shooting the location’s iconic blue and white umbrellas, rocky outcrops and classic coastal Italian scenes for the print series that is priced from a very affordable $29.

Amalfi Summer print
Amalfi Summer print

“I had to bluff my way in as I didn’t realise we were supposed to have booked a month prior!” says Zoe of the process by which she captured La Fontelina Beach Club series – her favourite images from the new range. “The staff were amazing and let us spend the day there snapping photos, swimming and hiking up and down the hundreds of cliff steps,” says Zoe who also perched precariously over the cliff to capture the scene from an aerial perspective.

One of La Fontelina series
A print from La Fontelina Beach Club series, captured from on high

Another highlight of the range is the One Fire Club series – notable for the mass of orange umbrellas that characterise the photographs. “I hired a private boat and driver for half a day to take me along the Amalfi coastline and I jumped off bare-foot with my camera and took in the scene from all angles possible as it was so striking!” says Zoe.

One Fire Club
One Fire Club print

The Sorrento Bathers series was captured in another private hotel after some further smooth talking by Zoe while her partner waited in a car in the no-standing zone outside. “Let’s just say I went to great lengths to get many of the shots in the Amalfi series this season!” says Zoe.

Sorrento Bathers print
Sorrento Bathers print
Monterosso print
Monterosso print

Another part of the collection was photographed in the adjacent island of Capri, the Capri Boat image a particularly beautiful one. “I spotted this old vessel tied up and floating on the most beautiful blue green water I had ever seen, looking almost as if it was flying,” says Zoe of the alluring scene. If the image doesn’t make you want to book an Italy trip pronto I don’t know what would!

Capri Boat print
Capri Boat print

Italy wanderings aside, it’s been a very busy time for Zoe of late given she had a stand at the recent Décor + Design show and the Reed Gift Fair in Melbourne. “It was a little crazier than normal in terms of the prep time as I had literally just hopped back off the plane from Italy two weeks before, so I was busy prepping my images for production, painting walls until the wee hours, and then we were away with the shows,” says Zoe who showed the Amalfi photographs alongside the rest of her new range that features diverse imagery including washed out Australian coastal prints, dried palms and pampas grass, a Moroccan desert scene, Greek coastal theme, painted abstracts and a Parisian theme too.

Pink Umbrella print
Pink Umbrella print

And with no plans to slow down anytime soon Zoe will be running a pop-up shop in Melbourne from October until the end of December. “It will be in buzzing Lygon Street in Carlton so for any readers that are in Melbourne, I’d love you to pop in and see some pieces from the range!”

Capri Rocks
Capri Rocks print

READER DISCOUNT

Our readers can get 10% off their order for the month of September using the code INTERIORSADDICT10 at checkout.

Shop online | Artist Adele Naidoo’s unique digital & acrylic works

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Art Decorating 101 Expert Tips Interviews

How to buy art like an experienced collector

A previous Affordable Art Fair
A previous Affordable Art Fair

Historically, the art world has been a rather highfalutin, impermeable space that seemed open to just a select few. But I believe that is changing – the online world now easily connects artists with buyers and the amount of affordable art seems be increasing by the year – and it’s a sentiment shared by the creators of the upcoming Affordable Art Fair.

“Here, at Affordable Art Fair we’re firm believers that anyone can collect art. But, for those of us who aren’t au fait with the ways of the art world, dipping your toe into the market can feel like a daunting experience,” says the fair’s Australian-based director Stephanie Kelly. A global expert in art procurement, we caught up with her recently to help demystify the process.

Art by Jasmine Mansbridge, courtesy of The Gallery by Fenton & Fenton and The Affordable Art Fair
Art by Jasmine Mansbridge, courtesy of The Gallery by Fenton & Fenton and The Affordable Art Fair

Explore your options
“Take some time to research and try and define your taste. Get to know galleries on Instagram, get behind the scenes of an artist studio on Facebook and brush up on art terms online,” says Stephanie who believes that exposure is key. Like any matter of personal taste, the more art you see, the more you will know what art you like (and don’t!).

A previous Affordable Art Fair

Get to know the artist and their inspiration
“One of the most exciting parts of collecting contemporary art is learning about established artists or discovering rising stars,” says Stephanie. From their backgrounds to their inspirations, motivations, techniques and preferred materials it pays to do your research before you commit to purchasing a piece. Galleries should be able to provide all of this information and the upcoming Affordable Art Fair provides a unique opportunity to connect with a host of galleries and art advisors in the one place.

A previous Affordable Art Fair
A previous Affordable Art Fair

Buy for love
While research and due diligence should form the backdrop for a purchase, it’s best to proceed with a visceral approach when it comes to finally choosing a piece. “Buying art should be led by your heart, with your head taking care of the detail. It is good to have ideas of space, size, medium and concept in your mind but on many occasions, people arrive looking for something quite specific and leave with something completely different,” says Stephanie.

And when it comes to art, there’s nothing wrong with making an emotional purchase. Often kept forever, artworks can be some of the most meaningful purchases people make and often come to represent a significant time in a person’s life.

Art by Jasmine Mansbridge, courtesy of The Gallery by Fenton & Fenton and The Affordable Art Fair
Art by Jasmine Mansbridge, courtesy of The Gallery by Fenton & Fenton and The Affordable Art Fair

Styling your piece at home
From which room to specific location details, it pays to think about exactly where you will house a new art acquisition. From available light (natural or lit), to the size of the room, there are lots of practical things to consider before making a purchase and that’s before you even consider your specific interior style.

“When it comes to styling, are you hoping your piece will contrast with your existing furniture, or complement it? Remember that opposites attract. A bold, bright abstract work can look amazing in a clean, white space while similarly, a busy room can really benefit from a monochrome or minimal piece that oozes calm,” says Stephanie.

Jasmine Mansbridge
Art by Jasmine Mansbridge, courtesy of The Gallery by Fenton & Fenton and The Affordable Art Fair

Free tickets to the Affordable Art Fair

The Affordable Art Fair will be held at Melbourne’s Royal Exhibition Building from 5-to-8 September. Over 50 galleries, from Australia and abroad, will be exhibiting works ranging in price from $100 to $12,000. Many participating galleries will offer a ‘try before you buy’ scheme and the fair also partners with Art Money which allows art buyers to buy art with 10 payments over 10 months with no interest. 

Register here for a free general admission ticket (limited numbers)

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Art Interviews

Artist Adele Naidoo’s unique digital & acrylic works

Combining digital drawings with acrylic paint, Adele Naidoo’s works caught our eye recently. Her large-scale florals are created with thick, textured brush strokes and dripping paint for a unique take on the still-life genre. “I would describe my work as colourful, bold, feminine, fresh and fun,” says the self-taught artist who is based in Perth.

Adele Naidoo

Adele’s childhood provides a good bit of insight into her creative journey – she grew up immersed in nature in South Africa, raised by her artist father. “Growing up in South Africa, art and nature surrounded me. I learnt to see the beauty found in nature and I always admired my dad’s still lives of birds and flowers which has been interpreted throughout my works,” says Adele who holds a diploma in interior design and juggles her art practice with a full-time job as an art teacher.

Adele Naidoo

“I have been creating and experimenting with art for many years. Art has always been a passion of mine, but only in recent years have I endeavoured to find my style,” says Adele whose first collection was comprised of 12 large-scale, digitally drawn bird portraits. Having moved on from pure digital art of late, Adele has combined her stylus with acrylic paint in this latest collection.

“I digitally hand draw my flowers using a stylus pen, experimenting with composition and colours before printing onto canvas,” says Adele. Layers of texture are then added by way of acrylic paint that is overlaid on the drawings – thick brush strokes and paint drips add key final touches.

Adele Naidoo

“My latest collection with Greenhouse Interiors allowed me to push myself, my style and my skill set. It is my first original series and also features my first still life. It has pushed me out of my comfort zone, and I had so much fun experimenting and creating it. My only hope is that it brightens someone’s day.”

Adele Naidoo

In a coup for Adele, one of her prints was seen in Deb and Andy’s Block formal lounge room on Sunday night and the judges loved it.

Photography: Armelle Habib | Styling: Aisha Chaudhry for Greenhouse Interiors, assisted by Jessica Retallack, Justine Lanigan and Sophie Barratt

Shop online | Artist & farmer Kate Owen’s work is inspired by drought

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Art Interviews

Artist profile: Farmer Kate Owen inspired by drought

Based in northern New South Wales, self-taught artist and farmer Kate Owen didn’t have to look far for inspiration when working on her latest collection Rose Coloured Glasses. “As farmers, when we look at our surroundings at the moment, it is easy to have a heavy heart because of the extreme drought situation. But by looking through rose-coloured glasses we interpret what we see into visions of lush colour, growth and prosperity in our mind’s eye,” says Kate.

And it’s this glass half full approach that has resulted in a gorgeous series of colourful abstract works that are available to purchase through online art purveyor The Interiors Assembly. “I think a lot of my work is a form of positive manifestation of what I would like to see,” adds Kate.

Kate's work 'Daisy'
‘Daisy’

While interested in art as a child, Kate has no formal art training beyond the occasional workshop (where she experimented with oils, acrylics and clay sculpture) but has found her formal fashion training to be integral to her work. “The work I have done in fashion and homewares has definitely had an influence on the type of work I like to produce and also the colours I favour,” says Kate who has been painting full-time for the last two and a half years, since her youngest child left home for boarding school.

Kate in her studio
Artist Kate Owen in her home studio
'Playing in the tulips'
‘Playing in the tulips’

“With the kids having gone away it has freed up my time enough to devote myself to a regular practice. It’s been a huge relief to finally be able to paint all the time instead of storing away the ideas and impulses in my head,” says Kate who has a keen interest in colour and loves to experiment with different combinations, working mainly with acrylic paint.

'The Beehive'
‘The Beehive’

“I like working with acrylics because they dry quickly which allows me to capture spontaneous gestural marks and not have too much time to think about what I’m doing,” says Kate. Although most of her work is done on canvas she uses paper to collage at times as well as graphic sticks and oil pastels. As a final touch, Kate will often scratch back through her finished works to reveal layers of paint underneath.

Kate with her dog Bella
Kate outside her studio with her dog Bella

And though it’s been a tough time of late, the artist’s daily view (beautiful, undulating farm country) provides constant inspiration – as does her time spent on the road. “I’m constantly on the lookout for inspiration when driving and make frequent stops on my trips, to capture those moments. At the moment I have a particular affinity with the cactus, and you’ll see those organic shapes appear abstractly in my work often. To me the cactus represents resilience which is a value I hold in high esteem.”

'Daisy rebel'
‘Daisy rebel’

Photography: Grace Cobb

Purchase Kate’s work at The Interiors Assembly | Blockheads Hannah & Clint’s new art range