Tag: art

Blockheads Hannah & Clint’s new art range: Women star

Post author By Amy Collins-Walker
Post date August 9, 2019
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It’s been two years since former Blockheads Hannah and Clint Amos debuted their first art print range in collaboration with Melbourne based artwork retailer Artist Lane. And the busy couple (who are now parents to three children since the arrival of their son Archie nine months ago) are back with a new range. It’s a great mix of art and on-trend photography that’s akin to the rooms the couple delivered on the show – sleek and modern with a feminine twist.

“We had such an overwhelming response with our first collection, and we can’t wait to share this beautiful collaboration. Our love for watercolour lives on and it’s no surprise that blush pink remains the dominant colour in the collection,” says Hannah. But the collections also features brighter, more playful works than the last, and the couple has added a few new artists to the entirely female stable too.

The couple with the ‘Peonies will keep us together’ print

“Funnily enough I wouldn’t say working with only female artists was intentional. We just naturally gravitated towards those artists and their creativity. That being said, working with female talent has always been important to me. When women support each other, incredible things happen!” says Hannah. Fern Siebler, Taylor Lee, Renee Tohl, Jenna Paige and Ani Ipradjian are just some of the artists with work in the range.

Hannah with the 'Oh My' print — Hannah with the ‘Oh Me’ and ‘Oh My’ prints

A diverse collection, there’s landscape photographs (both aerial and more traditional) as well as painterly watercolour works and bolder pieces. “It’s the right balance of feminine yet the moody hues and inky blues add that masculine feel. Modern, soft florals round out the collection and coastal vibes take us back to our Queensland roots,” says Hannah. Fittingly, Clint’s favourite piece ‘On The Beach’ is an aerial landscape shot that conjures a bright summer’s day on the sand.

You can catch a glint of Clint's favourite print 'On The Beach' on the left — You can catch a glimpse of Clint’s favourite print ‘On The Beach’ on the left

Hannah also drew on her travels in Morocco with the location featuring in a couple of pieces (‘Moorish’ and ‘Moorish 2’) – the terracotta hue is decidedly on-trend. “That piece features the Pantone Colour of the Year coral and my all-time favourite peachy hues of terracotta and dusty pink,” says Hannah.

'Moorish' and 'Moorish 2' prints — ‘Moorish 2’ and ‘Moorish’ prints

One of Hannah’s favourite pieces is Jenna Paige’s ‘Teal Love’ which is a fabulous and fail-safe mix of deep green and pink. “Jenna joins our team as one of our featured artists and her artwork is simply divine! Her artwork is highly inspired by the ocean and the other wonders that mother nature offers us,” says Hannah.

Clint and Hannah with their new baby and Paige — Clint and Hannah with their new son Archie and Jenna Paige’s ‘Teal Love’ print

Photography: Joe Vittorio

To celebrate the launch, until next Wednesday 14 August you can get 20% off the new Hannah & Clint Collection by using the code HC20 at check out.

Shop online | Discover artist Kezz Brett’s semi-abstract works

Tags affordable art, art, artist, artist lane, colour, Hannah Amos, hannah and clint, prints, styling

Art Interviews

Artist profile: Kezz Brett’s joyful semi-abstract works

Post author By Amy Collins-Walker
Post date July 31, 2019
2 Comments on Artist profile: Kezz Brett’s joyful semi-abstract works

Artist Kezz Brett has always painted but between raising two children and owning her own fashion boutique for 24 years, she never had the time. But all that changed upon retirement three years ago when Kezz started focussing seriously on creating her joyful, colourful semi-abstract works that are inspired by the landscape in Orange where she lives. The vibrant works also look right at home inside her exclusive stockist Jumbled; the award-winning homewares emporium owned by her daughter Pip.

“I have always had an interest in art and am a very creative person by nature. I did art for my HSC and then trained as a teacher before moving into fashion so I really only got back into painting before my retirement,” says Kezz who now paints as much as she used to work in between playing golf and travelling the globe.

Kezz painting outdoors — Kezz’s work is inspired by the Orange landscape

Vibrant, colourful, bold and unstructured, Kezz’s work combines abstraction with figurative elements and Dulux sample pots are her medium of choice. “Their colour book is like my bible with literally thousands of colours. I love that I can dunk my brush in and slap it on – its a really versatile medium. I also use acrylic tubes of paint too.”

Constantly creating, the artist finds that her best paintings are often the ones that are the quickest to create. “I like my art a bit abstract but so that you can still see what it is. Most times I pick up a brush and let it all flow out. Sometimes the faster and more furious I go, the more energy the painting has. I try not to overthink it too much!”

It’s an approach that is clearly working with most of her works selling within 24 hours of appearing on the Jumbled Instagram feed. And instead of creating collections, Kezz works on a constant basis with each piece making its way into the Jumbled online or bricks and mortar store.

“I try to do a bit of everything to appeal to everyone and I feed them into Jumbled a couple of times a week and don’t sell anywhere else,” says Kezz.

It’s the lack of deadlines and the ability to remain fairly anonymous that Kezz finds most appealing about her new life phase. “I have loved every part of my life, but retirement and being able to paint when I want to, is really the icing on the cake. I feel very lucky.”

Shop online | Emerging artist Tim Freeman’s minimalist seascapes

Tags art, artist, australian artist, colour, jumbled, kezz brett, orange

Art Interviews

New Kimmy Hogan art proves digital is hand drawn too

Post author By Amy Collins-Walker
Post date July 29, 2019
1 Comment on New Kimmy Hogan art proves digital is hand drawn too

Not straying too far from her usual subject matter, Kimmy Hogan’s latest collection is packed with trademark florals but this time the artist has embraced more abstract shapes and compositions for a decidedly freer feel. “This collection, for me, was about trying new techniques and really letting my lines go loose and messy. This collection also came from a place of pure joy,” says Kimmy.

For the first time, Kimmy has attempted to embrace imperfection in a bid to show people that digital art is in fact created by humans. “The most difficult thing about being a digital artist is the perception that an artwork is computer generated. For me it’s the complete opposite. Every line and curve in my artwork is drawn with hand motion digitally,” says Kimmy.

As such, Kimmy left the lines loose and added scribbles and texture in this range to show just how handmade it is. “It is the evidence of human touch that gives an artwork a soul,” says Kimmy.

Laden with on-trend hues of terracotta, blush pink and green (a rather fabulous trio when combined), this collection’s palette is based around Kimmy’s favourite colours of the moment. “Rich terracotta, orange and pinks contrast with soft cream, peach and cool greens. I feel there is a softness and warmth to these tones with pops of colour that add a touch of the exotic,” says Kimmy of the collection that featured standalone pieces that can all be mixed and matched.

With names such as ‘Splendour, ‘Dusk,’ ‘Goldie’ and ‘Flourish,’ the range has a pretty optimistic feel and, for the first time, Kimmy has also experimented with a smaller size. At 30cm x 30cm, the new format is the smallest limited edition artwork the artist has ever offered. “It’s available in ‘Dusk’ only on canvas or paper, framed or unframed!” says Kimmy. Cute and affordable, I predict this neutral design will sell out in no time!

‘Dusk’ is available in a brand new petite, affordable size

Photography: Cricket Studio | Styling: NC Interiors for Greenhouse Interiors, assisted by Rebecca Lever and Jessica Retallack

Shop online | Gorgeous Kimmy Hogan upholstered bedheads

Tags art, artist, colour, greenhouse interiors, kimmy hogan

Art

Photographic art online: Where to buy & how to choose

Post author By Amy Collins-Walker
Post date July 18, 2019
No Comments on Photographic art online: Where to buy & how to choose

Established in Sydney in 2013, blinq.art sells some of the world’s finest photographic art prints and after more than five years at Westfield Bondi Junction, the business has relocated its gallery to Paddington in an effort to better serve its customers. The business also has a busy online store that serves a dedicated fanbase across the globe.

Blinq.Art Paddington — blinq.art’s Paddington gallery

“Collecting art photography ought to be enjoyable, affordable and accessible. Whether in-store or online, we aim to provide a rich and cultural experience so that our customers can make an emotional connection with that special piece. In a way, we view ourselves as matchmakers for artworks and art appreciators,” says blinq.art director Laurent Rabot.

blinq.art challenges the traditional ways of art photography acquisition by curating an extensive and eclectic catalogue and making it available to the public at reasonable prices. Each artwork is printed on high-quality, archival grade photographic paper and custom-framed in Sydney. A choice of six signature frame finishes and up to seven sizes are available – all of which can be selected at the time of purchase.

California by Ludwig Favre available at Blinq.art

“We work with some of the most talented artists in the world and we take pride in producing superb quality prints,” says Laurent who works with more than 80 talents representing all walks of life. An artistic panel handpicks each photograph and ensures that the selection remains versatile and balanced.

The Long Horned Cow by Ian Thornberry available at Blinq.art

Online, blinq.art’s website is a great way of browsing through the entire collection. A live chat with an experienced gallerist is available also which significantly enhances the experience.

“Our fine art prints are the perfect addition to any private residence, luxurious office or cutting-edge hotel. They look elegant and trendy, and they can bring the finishing touch to any interior,” says Laurent.

Cuba III by Hélène Havard available at Blinq.art

Laurent’s top tips for choosing photographic art:

Consider forgoing the conveyor belt of cheaply-made wares and instead, opt for a couple of more timeless pieces to invest in – ones that really resonate with you and the character of your home.
Don’t follow trends. Get personal. Look for a piece that says something about you and it will outlast wavering fashions.
Choose a piece that suits the space you will hang it in. For example, if you have a large white wall, don’t hang a tiny little artwork as it will disappear in the background and seem out of place.

Interiors Addict readers are invited to visit the new gallery at 84 Oxford Street, Paddington NSW and to help celebrate the opening, blinq.art is offering a complimentary classic size artwork (valued at $118) with every purchased above $200. Just mention the promo code ‘arttoheart’. If you shop online, just call blinq.art with your reference number and preferred artwork and the complimentary classic size artwork will be added to your order.

Shop online

Tags art, blinq.art, fine art, fine art photography, photography

Design Interviews Shopping Styling

Jumbled: Ruling homewares retail on a global stage!

Post author By Amy Collins-Walker
Post date July 11, 2019
No Comments on Jumbled: Ruling homewares retail on a global stage!

With traditional retail a very challenging space to inhabit, much has been said about the need for retailers to innovate. Given online shopping is so temptingly easy, I believe you have to create something truly experiential and notably different to lure people out of their homes. And one such space is the glorious Jumbled in the regional NSW city of Orange.

The brainchild of Pip Brett, Jumbled is so much more than a retail store – the shop is housed alongside a clothing store and coffee shop inside a beautifully renovated old Masonic lodge, collectively referred to as The Sonic. “Our aim was to provide customers with a space to connect, be inspired and feel joy and I feel we’ve really achieved this over the years,” says Pip who opened the space in 2013 and offers workshops, events, styling and travel experiences to Morocco amongst many other things.

“Although the landscape is changing, there are still some really exciting things happening in retail, but you can no longer get away with just having a shopfront,” says Pip who explains that having a cafe within the space has turned it into a meeting place that encourages a feeling of community and delivers a special experience unlike anywhere else.

“We’re also trying to give back to our customers where we can, and our free e-book worked really well with brand interviews, travel features and inspiring images to enjoy. You also need to stay true to what you love and only sell products and brands that you personally believe in and that authenticity is what keeps the customers coming back,” says Pip.

And what a product line-up Jumbled has – some of the best Australian homewares and furniture rub shoulders with leading Australian art, and it’s all styled up to look like a series of heavenly domestic interiors that no doubt help customers envision the products in their own spaces.

Sage x Clare, Society of Wanderers, Langdon LTD, Kaz Morton, Marmoset Found, Globewest and Castle are just some of the brands to be found – all merchandised with a captivating, signature sense of abundance. Those brands sit alongside beautiful original art from Australian artists such as Annie Everingham, Spencer Shakespeare, Leah Bartholomew, Georgie Wilson and Elle Campbell.

The success of Jumbled continues online too where the store has built an enviable social media community of over 90,000 followers across multiple platforms. “Social media has been a total game changer! It’s really allowed us to connect with people well beyond the boundaries of our region as well as some amazing artists and brands. We love that we can share part of ourselves and our store with people all over the world,” says Pip who runs a successful online arm of Jumbled to cater to the brand’s many fans across the world.

Jumbled’s success was recognised in Chicago recently when it went up against 30 other winners from across five continents to take home the Global Honoree Award for Excellence in Homewares Retailing.“When we arrived in Chicago, my first impression was ‘Oh my God, this is a huge deal!’ Seeing the other finalists from all over the world inspired me to do more and be better. The options are limitless, and retail is not dead, but you need to be more than just a store and you need to sell more than just products,” says Pip who celebrated the win with her team and loyal customer base upon returning from the US.

One such innovation, and a great example of offering more, is the recent launch of the Jumbled Art Superstar Competition, designed to unearth an amazing new artist. A long-held dream of Pip’s, she relished sifting through the work of the many hopeful artists that applied. “I originally hoped for maybe 20-to-30 entries, but in the end we had over 180 amazing artists apply which was beyond my wildest dreams! My team and I shortlisted and shortlisted again, but in the end the decision was unanimous,” says Pip who selected Newcastle artist Jackie Anderson as the inaugural winner. Jackie’s prize includes the opportunity to sell her art at Jumbled alongside a 12-month mentorship. “Her work makes my heart sing!” says Pip.

One of artist Jackie Anderson's works — One of artist Jackie Anderson’s works

And with such a great eye for interiors, I couldn’t help but ask Pip what her design ethos is. “I live by the mantra ‘more is more, less is a bore!’ and try to advise people to buy homewares that they absolutely love, not simply because they think it it’s on trend or because it might work with their colour scheme. I love colour and texture, which I definitely get from my mum and I truly believe you can make anything work together, it’s just about finding a key item or cushion to tie it all together.”

Photography: Jacqui Turk

Shop Jumbled online | Another Aussie homewares retail success story

Tags art, colour, cushions, furniture, homewares, interiors, jumbled, orange, pip brett, retail, retail innovation, retailer, shop, styling

Art Interviews

Working Mums Australia: artist Jasmine Mansbridge

Post author By Amy Collins-Walker
Post date July 9, 2019
No Comments on Working Mums Australia: artist Jasmine Mansbridge

Jasmine Mansbridge with some of her new pieces — Jasmine Mansbridge with some of her new works

With five children spanning from 22 to just four years of age and an art practice that regularly puts her in far-flung places, to say that artist Jasmine Mansbridge’s life sounds hectic would be an understatement. Full to the brim with commissions, exhibitions and plenty of travel, it sounds exhausting and amazing in equal measure and I suspect she wouldn’t have it any other way!

“I have found that not being at home 100 percent of the time, just makes me so happy and engaged when I am, and that I notice all the small parenting joys and am overwhelmed with love and gratitude for time with my children.” With a home studio in rural Victoria and one in Geelong, Jasmine regularly travels to paint her signature murals too, and is currently in London doing just that. “I paint my large scale works approximately one week per month. This requires me to travel and I have done some great trips over the last few years.”

When she’s away from her home studio and painting, Jasmine finds she can put in 14-hour days, separated from the mental load that is running a home life. “I am not sure that I will always have the energy to do what I am now, but I am making the most of the opportunities given to me at this point in my life,” says Jasmine, whose children are aged 22, 19, 10, seven and four. Just, wow!

As for the working mum juggle, she keeps her many balls in the air with an army of help that includes her older children, mother in-law, formal childcare and casual teenage babysitters. “I am well supported to do what I am doing. The truth is though that this has taken years and it shifted when my work went from being a ‘hobby’ to a business – that’s when the support came. I try to treat my work as a ‘real’ job and that way help with the kids is validated.”

Her older daughters at university in Geelong often come home to help or, for example, take their siblings to a park while Jasmine works or goes into Melbourne for a meeting. “My mother in law is a wonderful help to me and has had all of my children one day a week until they have gone off to school. One day a week doesn’t seem like a lot but it’s amazing what you can do in a day. My husband is a wonderful father as well and so I know the children are looked after well when I am away.” He works seasonally meaning he is away for most of the warmer months and around much more in winter. “The juggle really is week to week, day by day,” says Jasmine.

And when Jasmine is home with her children, she puts her mum hat on in the day and paints at night, starting at around 8.30pm when everyone is in bed. This time is also used to cook and sort things in anticipation for her next trip. “A good friend and mentor said to me some time back, when I was really pushing to make things happen that ‘to be successful you often have to defy convention’ and so I think of that quote often when I am planning how to get a project done. I also ask myself often ‘How would a male artist do this? How would they approach this, and would they feel guilty?’”

Latest works — Some of Jasmine’s latest works

And as for ‘having it all,’ Jasmine believes that given every mother has a different situation, support network, priorities and goals we should be very wary of comparison. “I don’t think you can ‘have it all’ but if you can figure out the one or two things you think you must have, then maybe you can have that. I certainly don’t ‘have it all’ and there have been lots of things I have sacrificed along the way to make my work. I don’t get enough sleep or spend enough time with my friends or my husband. But, what I have is what I have worked out makes me function at a high level and what makes me really engaged and happy as a person, which all filters down to my kids.”

“For me it’s about the big picture of work/life balance and making sure everyone is doing ok and changing things quickly when things are not. I love my children and hope that I inspire them to be their best selves and to always challenge how they are ‘doing’ life and not just accept what rolls their way.”

Conscious of never making it look like her life is easy, Jasmine says: “I think the worst thing woman can do is compare their success, or perceived lack of, with other women. The truth is it’s a ton of hard work and there are some stressful moments behind the scenes if there is a deadline looming. It has also taken years to build things to where they are now.”

Jasmine’s next exhibition opens on 24 August 2019 at 19 Karen Contemporary Artspace on Queensland’s Mermaid Beach.

This was the first in our new series called Working Mums Australia where we interview women in the interiors and design space and explore how they do the work/mum juggle.

For more on Jasmine | More inspiring working mums

Photography: Madi Whyte

Tags art, artist, jasmine mansbridge

Art

Affordable art: Studio Elwood’s abstract minimalism

Post author By Amy Collins-Walker
Post date June 26, 2019
1 Comment on Affordable art: Studio Elwood’s abstract minimalism

The creation of Australian fine artist Tory Burke, Melbourne based Australian art brand Studio Elwood creates limited-edition affordable art prints and its latest collection is nothing short of gorgeous. The abstract minimalist range is divided into two parts – The Arch and The Flow – but their similar colours mean they complement one another beautifully.

Inspired by historical Roman architectural and ceremonial arches, The Arch series was created using overlapping oil paints in rich shades of brown and ochre. “Earthy and rich colour combinations and overlapping oil paints were employed to give a regal and strong representation of the arch. And a ‘golden mean’, or horizon, was used to provide the arch its foundation and spatial context,” says Tory.

'Phthalo Blue' print — ‘Phthalo Blue’ print

The original artworks were created on mounted Italian linen – a texture that is visible in print form. “The warm undertone enhances the earthy neutral tones and allows for the execution of bold and definitive line work. This painting method was used so all the texture and nuances of the colours were present in the reproductions too,” says Tory.

The Arch collection — ‘Dark Arch’ and ‘Crimson Red Arch’ framed prints

By contrast, The Flow has a much more aquatic feel and was inspired by moving water, minerals and the other natural minerals required to nourish Australian flora and fauna. “The dots and single brush strokes represent the pitter-patter of raindrops on forest foliage, and the running lines depict flowing water after a rainstorm,” says Tory.

Artist Tory Burke with a piece from 'The Flow' series — Artist Tory Burke with a piece from ‘The Flow’ series

While more subdued than The Arch group of works, The Flow series features a similar rubbing technique that allows the texture and colour of the linen canvas to radiate through. “White is representative of ‘white heat’, like the high temperature that radiates off hot metal; yellow signifies the heat from the sun; blue alludes to the clear Australian sky and cool, fresh mornings; pink and orange embodies the dust and dirt of the outback; and green symbolises the growth and regeneration that water brings,” says Tory.

'Sienna Arch' — ‘Sienna Arch’ framed print

Available in editions of just 50, each art print comes signed, numbered and is available framed or unframed with prices starting from just $200. All of the artworks are printed on fade-resistant, archival and acid free products using the ‘Giclee’ process – the print type that best retains an original artwork’s integrity, colour and detail.

'Aqua Appia' framed print — ‘Aqua Appia’ framed print

Photography: James Geer | Stylist: Bree Leech

Shop online | More affordable art

Tags affordable art, art, artist, melbourne, studio elwood

Art Interviews

Emerging artist Tim Freeman’s minimalist seascapes

Post author By Amy Collins-Walker
Post date June 18, 2019
No Comments on Emerging artist Tim Freeman’s minimalist seascapes

It was a chance birthday gift of watercolour classes that inspired emerging artist Tim Freeman to rediscover a passion for painting that he had in his youth. And it’s the same spirit that drove a recent move to Warrnambool, at the end of Victoria’s Great Ocean Road, where Tim has left the big city hustle behind to concentrate on his art and family.

“It’s been an idyllic sea change where we get to spend more time together and live a relaxed seaside life. I split my time between painting in my home studio, working in the family business with my wife, and being a stay at home dad to two kids,” says Tim of the move that took place about 18 months ago.

“Before we moved, we were living in Melbourne. I was working full time in a management role in a big organisation and my wife was working part time and we were juggling childcare for a toddler, an infant and long commutes. We were stressed and felt like we didn’t have time to enjoy time as a family,” says Tim who now looks after his daughter a couple of days a week and does the school drop off and pick up a few days a week too.

“I would describe my work as hard-edged, minimalist seascapes,” says Tim who uses acrylic paint on hard edge board or canvas to create his pieces that are inspired by the beaches, cliffs and volcanic plains of the local Warrnambool landscape.

The artist’s approach uses old and new techniques – firstly he develops his concepts through computer design before transferring them to a hardboard or canvas and layering them with acrylic paint. The works combine angular lines with colour blocked pastels that bear a subtle nod to mid-century design and evoke family beachside holidays.

Currently starting at around $500 for originals, Tim’s work is available through Melissa Cahill of Madame Hunter and there’s a small selection available at Norsu Interiors’ Malvern store. He’s also working on a new body of work that will be available to purchase at the Madame Hunter winter show at the Malvern Artists’ Society on Tuesday July 30 from 6pm-to-9pm.

Photography: Stephanie Rooney | Styling: Janneke Coyle for Lenvie Collective assisted by Stella Quach and Melissa Strauch

For more on Tim | Artist Fleur Woods’ contemporary ‘stitched’ floral art

Tags affordable art, art, artist, colour, tim freeman

Art Interviews

Artist Fleur Woods’ contemporary ‘stitched’ floral art

Post author By Amy Collins-Walker
Post date June 6, 2019
No Comments on Artist Fleur Woods’ contemporary ‘stitched’ floral art

Working from her studio gallery in the heart of rural Upper Moutere on New Zealand’s South Island, the eye-catching work of artist Fleur Woods is created using many layers of mixed media including print, paint, thread, gold leaf and inks. Her latest collection ‘Bloom Revolution’ is a fabulous floral explosion and we caught up with the artist recently to get the skinny on the range.

“The artistic process for me is really special. Each work has been created from flora I have grown often from seed – I love noticing details and so forage in the garden and roadside often for elements then create a flat-lay that I photograph and digitally muck around with before having it printed on to linen,” says Fleur describing the beginning of her creative process.

'Clem & Pea' original, $2550 — ‘Clem & Pea’ original, $2550

“Once back in the studio I hand paint and stitch details of each work to create a series of seven originals. Each base image is identical but the work that goes back into each one is unique and has its own energy and allows me to bring touches of clients’ homes into the mix with added colours and personalisation – a connection that I love to make,” says Fleur referring to her commission process.

'Rosie' original, $2550 — ‘Rosie’ original, $2550

Mostly self-taught, Fleur’s New Zealand home is surrounded by nature that provides plenty of inspirational fodder for her collections. “My new collection is inspired by my passion for flora and my desire for others to connect with it and feel inspired by it. The pixelated images reference our use of technology to capture and experience nature, but they are contrasted with slow stitched and hand painted elements that bring about a beautiful pause for thought. I ideally want my works to inspire and remind people to take moments to really see and experience the magic of their natural surroundings,” says Fleur.

'Lucky' original, $2550 — ‘Lucky’ original, $2550

And as for her favourite piece from the new range, Fleur admits that choosing one is akin to selecting a favourite child though she has a penchant for ‘Lucky.’ “It feels like a special one for me – the pinks and greens are such a beautiful combination and I feel a lot of gratitude for my life as a full-time artist so this piece speaks to me on lots of levels.”

Photography: Armelle Habib | Styling: Julia Green for Greenhouse Interiors assisted by Aisha Chaudhry, Jess Retallack and Kendall Troon

Shop online | Styling art: What comes first, artwork or accessories?

Tags art, artist, colour, fleur woods, greenhouse interiors

Art

Travel photography: art for your home by Moona + Co.

Post author By Amy Collins-Walker
Post date May 30, 2019
No Comments on Travel photography: art for your home by Moona + Co.

While known for her skill in capturing interiors and architecture, Melbourne based interior photographer Stephanie Rooney has just released a collection of limited edition travel photography prints. Launched under the brand Moona + Co. the series includes beautiful images of the Turkish desert, the Greek Islands, urban Japan and the Australian coastline.

'Rent a car, Greek Islands #4' print — ‘Rent a car, Greek Islands #4’ print, from $75

“When I’m travelling I tend to seek out quieter landscapes. I try to avoid crowds and find a high vantage point. I love capturing the illusion that people have just left a scene,” says Stephanie who is enamoured with Turkey’s Cappadocia where she took photos from one of the famous hot air balloons that have become a hallmark of the region.

'Cappadocia, Turkey — ‘Cappadocia, Turkey #4’ print, from $250

“Turkey was an amazing country, the landscapes of the desert are mind blowing. The Cappadocia series was captured from a hot air balloon on my digital Canon camera and photographing from up there was so much fun! Nothing compares. I was captivated by the layers of archeological history of the area. You can see in the photographs the cave homes and rock cut buildings as well as the geologically formed fairy chimneys,” says Stephanie.

Another trip involved a week sailing through the Greek Islands (specifically Eos, Amorgos and Santorini) which gave Stephanie another opportunity to capture some magical shots. “The colours there were spectacular. The contrast of the red cliffs against the turquoise sea, and the famous white and blue painted buildings of Santorini were a photographer’s dream,” says Stephanie though she admits the crowds often made the task a little challenging.

Stephanie’s prints are sold unframed with the option of a white border and they are printed on high-grade Fuji lustre paper which is safe to transport rolled. “At this stage framed options are available to Melbourne, Geelong and the Mornington Peninsula customers, with prices available upon request,” says Stephanie who has certainly been bitten by the travel bug. “Keep an eye out for the next series after I visit Portugal in July!”

'Kyoto, Old Town, Japan #1 — ‘Kyoto, Old Town, Japan #1’ print from $75

Photography: Stephanie Rooney | Styling: Janneke Coyle | Location: Seville Estate Yarra Valley

Shop online

Beautiful botanical photography

Tags affordable art, art, melbourne, photographer, photographic art, stephanie rooney, travel photography

Bathrooms Expert Tips Styling

Styling art: what comes first: artwork or accessories?

Post author By Jen Bishop
Post date May 27, 2019
No Comments on Styling art: what comes first: artwork or accessories?

By Alex Carter

What comes first, the art or the surrounding styling? It’s a bit of a chicken and egg situation but it doesn’t have to be hard! Picking art can be a daunting task, let alone figuring out how to tie it into a space.

The simplest way to do this is to start with a blank room and choose a piece of art that you love. From there, pull the colours out of the paintings with furniture, rugs, florals, ceramics, cushions, throws and any other accessories to create a visual journey linking colours in different mediums.

My favourite thing to do is to pay special attention to the least represented colours to really make the space exciting. In the living area pictured here I’ve used ‘Be mine forever and ever’ by Kirsten Jackson which only has one patch of green but I have emphasised this by including a shag rug with a bright green pattern, green velvet cushion on the rattan sofa and hints of green on other cushions and in florals.

By doing this, it makes the green in the painting stand out in a way it wouldn’t if there was no other green in the space.

If you’re adding a piece of art to an existing space, consider the existing furniture, wall colours and decorative pieces that will be staying and let this inform the colour palette of your selections. Like everything with colour, art can be complementary to the space or contrasting.

For example, in the dining room, the art is a huge ‘Happy Face’ painting by Kirsten Jackson. This piece is extremely vibrant, large and bold so I have made this the focus and kept the rest of the styling pared back with a few pops of colour to link the painting to the room.

Whereas, in the bedroom the painting is softer so I have amped up the colour and went all out with the bedding, repeating all the colours in bright and cheerful hues!

At the end of the day, art and colour are extremely personal and subjective. Whatever way you choose to go, having art in your house that you love will always work. It’s a fantastic way to show your personality and to change the vibe of a space by either making it exciting or relaxing. Trust your gut and have fun with it!

–Alex Carter is an interior and photoshoot stylist at harlow + willow

CREDITS

Tags art, artwork, choosing art, Harlow and willow, Kirsten Jackson, styling, styling art, stylist

Art Design Designers Homewares Interviews Shopping

Lumiere Art + Co’s latest textural, artistic collection

Post author By Amy Collins-Walker
Post date May 20, 2019
No Comments on Lumiere Art + Co’s latest textural, artistic collection

Whether painting an original, designing a fabulous bedding range or creating jewellery, Lumiere Art + Co’s Emma Cleine brings her signature sense of eclectic style. A true creative, Emma’s latest collection ‘Windows’ is a fabulous mix of texture and colour and features plenty of the designer’s recognisable artisanal flourishes.

“The collection is called ‘Windows’ as I wanted the title to be a metaphor which is easy to relate to. We all need a little window of beauty and hope, we need something to look forward to, to colour our lives and bring meaning to our day. This collection offers that relief. It’s an offering of accessories and accents, curated and designed to be a window of personalised joy,” says Emma.

A collection highlight, the new range features two oversized wall hangings that are a gorgeous textural alternative to Emma’s artworks. “I love the wall hangings, ‘Lyrical’ and ‘Rue’. They offer an interesting look that is a contrast to a canvas or framed artwork. They are a true extension of my artworks at an affordable price and I’m excited to design more,” says Emma of the statement pieces that retail for $249 and measure 90cm x 70cm.

One of the collection's gorgeous wall hangings — One of the collection’s gorgeous wall hangings

A painter and print maker too, it’s obvious that art lies at the centre of Emma’s aesthetic and creative process. “I believe that art should be the star of every room and other furniture pieces and soft furnishings all should complement the art and the meaning of it. I don’t think you should buy an artwork to match your couch. It should be the other way around!”

With much of the range produced in India, Emma found herself inspired by the colours found there and on a trip to Morocco also – terracotta, blue and mustard feature throughout. “I was very well travelled last year, visiting Morocco and India twice. The rich blue is definitely a reference to Morocco and blue and terracotta is a stand out colour combination that I love. It’s warm and cool, and works wth every colour in the palette. I’m also leaning towards mustard at the moment as I feel the warmth of autumnal tones work so well with natural materials,” says Emma.

And of the Indian artisans that produce her wares, they have been crucial to Emma’s recent decision to completely outsource production. “I visited each supplier late last year as I wanted to see the looms and the people making my collection. My trip to India was enlightening and important to my business. I have shifted from manufacturing every item myself to allowing international studios to make my work because I couldn’t handle the work load!”

Photography: Stephanie Rooney | Styling: Janneke Coyle

‘Windows’ launches today (20 May) Shop online

The terracotta trend

Tags art, bedding, cushions, homewares, interiors, lumiere + Co

Art Interviews

Artist profile: Marcia Priestley of Bibi Ana + Co.

Post author By Amy Collins-Walker
Post date May 7, 2019
No Comments on Artist profile: Marcia Priestley of Bibi Ana + Co.

While Bendigo based artist Marcia Priestley (of Bibi Ana + Co) lives far from the ocean, it’s a major source of inspiration for her work and particularly her latest collection titled Coast. “I describe Coast as being a littoral experience of original art. Unfortunately, I’m not lucky enough to enjoy the ocean every day like I would love to so instead I often catch myself reminiscing about the places I have relished visiting,” says Marcia of the colourful, abstract works that she markets under the Bibi Ana + Co. brand. Both words are Indian – bibi means ‘woman’ or ‘man’s wife’ while ana translates to ‘anecdote’ or a short story about a person.

'Cocomo' original painting — ‘Cocomo’ original painting

“Coast is based on the foreshores of the sea. It’s about the tropical escapes I captured in my memory across the Pacific to the Atlantic Ocean and what unifies them is my love for the palms, hot sand and the clear, pristine water,” says Marcia who paints from her Bendigo studio immersed in a very different landscape.

'Ravello' original painting — ‘Ravello’ original painting

“I paint surrounded by the rugged Australian bush, listening to whatever is on the radio. When I painted ‘Cocomo’ over the summer, I bet you can you guess the song I was listening to at the time! It’s one of the happiest paintings I have ever painted!” says Marcia who uses acrylic and oil paints and pastels to create her works.

'Byron' original painting — ‘Byron’ original painting

With professional artistic training, Marcia has spent a lifetime honing her skills which includes line drawing also – a passion that began after her two daughters were born and she wanted to capture every moment. “I loved sketching my girls when they were little. Every second I could I would draw them, which they loved,” says Marcia whose sketches of the female silhouette are beautiful in their simplicity

'Cer Mien' (colour) limited edition print — ‘Cer Mien’ (colour) limited edition print

“I eventually fell in love with sketching women in general. Every woman has a story to tell and that’s where my line art came from. I’ve really tried to capture an emotion we all feel behind each drawing I have created. I try my hardest to be completely original with my art. I enjoy other artists’ work, but I don’t study it because I try my hardest to stay true to myself,” says Marcia who used to produce a greeting card range also that was stocked Australia wide in retail outlets such as David Jones, Card & Caboodle and Dymocks book stores.

Marcia Priestly of Bibi Ana + Co. Image: Leon Schoots — Marcia Priestley of Bibi Ana + Co. Image: Leon Schoots

“I loved creating the greeting card range but I soon realised it was a lot of effort for my family to pack cards on their weekends! You can say illustrating, painting and designing is my life. Without it I would feel completely lost.”

Photography: Armelle Habib | Styling: Julia Green for Greenhouse Interiors, assisted by Aisha Chaudhry, Janneke Coyle and Sara Huckett

Shop online | Artist profile: Michael Bond

Tags art, artist, bibi ana and co, colour, painting

Art Interviews

Affordable art: Blacklist’s new limited edition prints

Post author By Amy Collins-Walker
Post date March 11, 2019
No Comments on Affordable art: Blacklist’s new limited edition prints

More artful and less graphic than we’ve come to expect from them, Blacklist return with a new limited edition collection of art prints this month titled Sometimes I Always Think Of You, with prices starting from a very affordable $120.

“The collection represents the bond between nature and romance – the visible form of an invisible connection. It talks about the energy of the sea, the ocean, the waves and how we feel connected to the world around us. We always talk about love in our work too and how love is the constant force surrounding us as people,” says Blacklist’s creative director Nathan Johnson.

Less typographic and slightly less monochrome than previous work, Nathan reveals the new collection was conceived through a fairly organic process. “I have always created for the sake of creating. The foray into more original artwork is just the expression of what I have in my hand to fulfil what’s in my heart. It’s like I can’t escape or control what my output looks like – I just need to be completely honest with myself and do what comes naturally.”

‘The Restless Waves’ and ‘White Wash’ art printsWhile abstract in style, the colour palette underscores the collection’s coastal theme, which is perhaps typified by the work ‘Bondi Pacific.’ “I love that work because I feel it summarises the energy and beautiful imperfections of the ocean throughout all of the east coast of Australia, not necessarily just Bondi. I’ve used some new materials in this work including charcoal, oil pastels and some different paint pens which help to create this new identity in the work too,” says Nathan.

Blacklist prints — ‘In Her Eyes’ and ‘Bondi Pacific’ art prints

Available in editions of just 50, each art print comes signed, numbered and is available unframed, framed or as a canvas print. “We love the fact that you can have a piece of work in your home that is different to everyone else. This aspect is so important to us when creating our work, and helps us stay creative and constantly evolving in what we do,” says Nathan.

'Sometimes I always' and 'Wategoes Dream' art prints — ‘Sometimes I always’ and ‘Wategoes Dream’ art prints

And the limited edition Blacklist phase looks set to stick if Nathan’s current enthusiasm is any indication. “We can’t wait to keep releasing artwork in limited collections and keep creating things we love ourselves. It’s the purest form of creating which is why we love it so much.”

Shop online | Check out Blacklist’s coffee table styling

Tags affordable art, art, artist, blacklist, blacklist studio, interviews

Art Decorating 101 Interviews Styling

Stylist & art curator Julia Green shares top art tips

Post author By Amy Collins-Walker
Post date February 28, 2019
No Comments on Stylist & art curator Julia Green shares top art tips

Many of you will be familiar with the formidable interior styling talents of Julia Green but few realise her glittering career has evolved to encompass art curation too. It’s a journey that was a little accidental but Julia’s savvy move to make original art accessible through her colourful and eclectic online store has certainly paid off.

“I found that when I started shooting, I was often asked to source artwork for empty walls to fill homes, and realised there was a gap. I started Greenhouse Interiors as a result, and have carved out a niche now for picking up emerging talent, and helping artists build their brands with solid marketing and PR assistance. Their work and my work is widely published, and a strong social media presence helps get the word out on the street,” says Julia who started with a select few and now represents over 40 brands.

And with over 100 submissions coming in every week, Julia has worked hard to cut through the noise and curate a spectacular line-up of Australian artists and homewares brands. “I look for a lot of different things. The first thing is I have to love the work myself, and see it as being on brand for my colour loving audience. The next thing is to talk to them, and understand them and what they want, and make sure our goals are aligned,” says Julia whose no-nonsense approach is refreshing in what can be a pretentious space.

“I think attitude is everything, and I don’t wear egos too well, so as long as they sound like they are on the same page, we make plans for the next steps. We are like a family and I am always keen to ensure that our collective brand name is held in high esteem,” says Julia whose commitment to demystifying the art buying scene is no doubt integral to her success.

“Many of our clients have told us that they are intimidated to shop in gallery spaces, or don’t feel like they will have budget to afford ‘original’ works, so we have tipped that on its head, and offer a broad range of work at different price points, and are very welcoming and non-intimidating to deal with,” says Julia.

“But the most important thing of course, is to have credibility with what you do, and with Greenhouse Interiors now powering into its tenth year, we have developed a very loyal clientele that love us almost as much as we love them!”

“The art world is always evolving, but I have noticed more artists moving away from galleries with the spread of online exposure. Sites like ours are highly credible, have excellent imagery and the work can be seen in every state of the country, rather than in one place alone,” says Julia who shares her top tips for buying and styling art below.

1. Where to begin?
“Just look for a pure love. Art is so subjective, and personal. It matters little what anyone else thinks – it just matters that you love it. Art should evoke emotion, make you feel something, and that’s when you know it has found the right home. There’s nothing high brow about that. It’s a simple connection,” says Julia.

1. There are no styling rules!
“The great thing about it is there are no rules! You can do as you please. I personally like to use the art to dictate the palette and inform other styling decisions in the house. For example, I have used a new Katie Wyatt piece in my home and pulled out lilacs and chartreuse colours in accessories for a considered look. I equally love a pattern clash or bold colour clash,” says Julia.

2. Hanging
“When it comes to hanging, just think about the height at which it hang – not too high! Also, play around with configurations on the floor before taking hammer and nail to wall. I also love a gallery hang that shares a horizon line, where they all hang at the same height from the top,” says Julia who recommends her site’s free 3D art app to really get a sense of how a piece will look in situ.

“It allows you to try the art on your own walls, to scale and with depth. Lots of people offer the ‘Photoshop it in’ thing but it’s only one dimensional. Our app makes it feel real, and really instils confidence to buy. We have had so many fab stories of purchases that have come as a result of our app,” says Julia.

3. Colour
If you had to describe the Greenhouse Interiors aesthetic, ‘colour’ is the first word that comes to mind and there’s no doubt its presence is fundamental to Julia’s styling. But just how important is colour when choosing art for the home?

“Colour is a language. You turn the volume up or down. So if you want bright bold colour, and it makes you feel happy, do it! On the contrary, if you want a quiet, peaceful space, you could dial it back and have a more softly hued space. Think about how you want to feel in each room of the house and choose the right colour for the mood.”

Photography: Armelle Habib | Styling: Julia Green for Greenhouse Interiors assisted by Aisha Chaudhry and Jessica Retallack

Shop online | Julia’s flower arranging tips

Tags affordable art, art, colour, expert advice, expert tips, greenhouse interiors, interiors, julia green, melbourne, styling

Art

Artist Kirsten Jackson’s new prints & 20% discount code

Post author By Amy Collins-Walker
Post date February 26, 2019
1 Comment on Artist Kirsten Jackson’s new prints & 20% discount code

Regularly exhibiting on the international circuit, Melbourne artist Kirsten Jackson’s 20-year professional artistic career continues to thrive and this month her work becomes even more accessible with the release of five gorgeous new prints starting from a very affordable $390.

“Three of the new prints are very bright and the other two feature more monochrome, rustic colours,” says Kirsten of the limited edition run that is printed with archival inks. “They’re very close to the original but the quality is amazing. I get so many stylists come to my studio with clients and they think the prints are original,” says Kirsten. Available printed on canvas (to look like the original) or on archival paper behind glass, the sizing runs from small to extra-large but Kirsten can create custom made ones too.

'Forever Love' print — ‘Forever Love’ print

Working with watercolours, inks, acrylics, oil pastels and house paints, Kirsten describes her style as happy and contemporary. “I love colour and I’m really drawn to colour. I’m not very good at drawing but I’m good at colours and putting compositions together,” says Kirsten who takes a visceral approach to her work. “I don’t think when I’m working – if I think then I usually wreck it!”

‘A love that lasts forever’ printBut ironically, Kirsten’s ‘happy’ aesthetic was borne out of childhood grief with her dad passing away when she was just three years old and her mum when she was 14. “The only thing that made me happy was running and painting so I initially painted just for me but then began painting for other people. I still have people telling me that my works made them very happy,” says Kirsten.

'Forever love series' print — ‘Forever love series’ print

Based out of a studio in the Melbourne bayside suburb of Sandringham, Kirsten has a ‘by appointment’ shop front and workshop at the back. And it’s there that she paints her works before they’re shipped across the world with many of her clients finding her through Instagram. “Instagram is unbelievable for business. I think it’s really amazing that people can find you and it’s been huge for me. Last week I had paintings shipped to Canada, the UK and France,” says Kirsten.

And March is looking like a huge month for Kirsten too with her work being exhibited in London, New York, Brussels and Sydney. “My work has been shown overseas many times and every show is a sell-out – there’s always people waiting. Sometimes the pieces are sold before they even get there. I imagine this time will be no different!”

Until midnight this Saturday 2 March, Interiors Addict readers are able to get 20 percent off Kirsten’s new range by using the discount code THANKYOU20.

Shop online | Discover artist Prue Clay

Tags affordable art, art, art prints, artist, colour, Kirsten Jackson, melbourne, prints

Art Interviews

Artist Prue Clay’s beautiful perspective on nature

Post author By Amy Collins-Walker
Post date February 25, 2019
No Comments on Artist Prue Clay’s beautiful perspective on nature

After an idyllic childhood spent in rural New South Wales, artist Prue Clay moved to Melbourne and her latest collection, a series of expressive abstract landscapes titled the ‘Mountain Series,’ is an attempt to recapture that bucolic way of life. “I grew up on a large vegetable farm on the Murray River. It was a very free and wild childhood that I am very grateful for,” says Prue who studied fine art at RMIT and predominantly works with oil on canvas or linen.

“I now live in Brunswick West and although it is a very creative area I deeply crave nature and space. The lack of a view makes me want to paint my own,” says Prue who regularly travels to her husband’s home town of Hobart where natural inspiration abounds.

“I derive inspiration from landscapes that I have a strong emotional connection to. I like to immerse myself in the chosen surrounding and observe the weather changes. My husband is from Hobart and we like to stay at the bottom of Mount Wellington during winter. I get my inspiration from watching the fog roll over the mountain,” says Prue.

Prue Clay group shot — The ‘Mountain Series’ recalls the work of Turner in my mind

Prue’s latest works were conceived when she was in Hobart for the Dark Mofo festival last year. “The weather was extremely wintry. We spent at least half the day staring at the rain and mist rolling through the wilderness. It was so beautiful. I noticed or imagined that you could see the heat or energy expelled from the trees like they had a glow about them,” says Prue.

But it’s not just the landscapes that shape Prue’s work, but the very specific way that she sees them. After contracting a rare virus in her early twenties, Prue suffered retinal degeneration which has left her visional permanently altered. “I was seen by lots of doctors although they were unsure if I was going to recover and there was not much they could do. It was definitely a life changing moment. My eyes are still scarred. The central vision is missing from left eye and I have three blind spots in my right. The blind spots are not black but blurred colour. Both eyes together thankfully give me a full picture,” says Prue.

“Having vision at all makes me appreciate the beauty in nature. The way I see depth and colour definitely comes through in my style.”

Photograpy: Armelle Habib | Styling: Julia Green for Greenhouse Interiors assisted by @interiordesignstein & @jessretallak

Shop online | Artist Kimmy Hogan’s latest collection

Tags affordable art, art, artist, interview, melbourne, prue clay

Art Interviews

Aboriginal art: Purchase it ethically through ART ARK

Post author By Amy Collins-Walker
Post date February 14, 2019
No Comments on Aboriginal art: Purchase it ethically through ART ARK

Aboriginal art in situ — An Art Ark piece looking fabulous in a contemporary context. Photography by Dylan Lark for Aspect11 and styling by Justine Murphy for BuildHer Collective

After a number of years working in the high-end commercial art scene, Guy Hayes found himself working for an Aboriginal owned art centre in Fitzroy Crossing, a remote town in WA’s Kimberley region. The experience sparked an interest in the Aboriginal art community that culminated in the establishment of ART ARK – a social enterprise that supports and promotes the ethical trading of Aboriginal art. “It was an introduction into a beautiful and fulfilling world I never knew existed where purpose trumps profit,” says Guy.

“Honestly, I never had ambitions of founding an enterprise like ART ARK. Working for so long with community-run organisations and with so many beautiful artists I was content and happy. I always assumed that over time more would change in an industry known for exploitation. But it didn’t so I put my hand up,” says Guy who now represents a host of Aboriginal artists from across Australia’s Central Desert and Arnhem Land.

“Sadly, exploitation operates in plain sight without legal ramifications everywhere you can find Aboriginal art. It is prolific throughout Australia and the world and it is often difficult to discern,” says Guy who has plenty of advice for potential buyers looking to make an ethical purchase. “When buying Aboriginal art try not to be blindsided by rubber stamps professing best practice, government included. Try to ensure either provenance from an Aboriginal art centre or proof of fair payment to the artist prior to purchasing,” says Guy.

“To avoid any confusion as to best practice and ethical trading, ART ARK only represents artists that work through Aboriginal owned and run art centres. These organisations, governed by the artists themselves, are listed corporations which have serious government reporting requirements and financial transparencies,” says Guy who promotes his stable of artists primarily through social media.

A piece by the Aboriginal artist Pauline Singleton — Artwork by Pauline Singleton

“If you wander into a gallery to ask about a work and they tell you it has been authenticated by the gallery or another third party, then it requires further investigation. If there’s a token picture of the artist holding up the work, I’d bet my last dollar they haven’t been paid properly. Authentication goes beyond proving the artist has painted the work – authentication also needs to define fair payment and rule out exploitation,” says Guy.

And having spent so many years involved in the industry, Guy has made friends with many of the artists, one of whom produces some of his favourite work. “Of the artists we continually represent, I have a very soft spot for Murdie Nampijinpa Morris, a friend and incredible artist. Murdie’s art, against the tide of dot paintings in her community, has led to beautiful and bold artworks, defined by her fluid brush-strokes and use of colour,” says Guy.

Guy with Murdie Morris and one of her works

And despite his many warnings, Guy remains optimistic about the Aboriginal art scene. “Supporting our first Nations Peoples by buying art is pretty cool! Not to mention the paintings will look incredible in your home and are a great talking piece too.”

Shop online | Discover artist Kate Mayes

Tags aboriginal art, art, art ark, ethical aboriginal art, ethical art, guy hayes, interiors