In a year that has so often felt incredibly overwhelming, the latest collection from Armadillo, ‘Nook’, shifts towards the mastery of the small space; finding beauty in the minute details. This artisanal range of area and accent rugs were designed to introduce everyday luxury into oft-forgotten areas of your home.
Handcrafted from natural fibres in earthy textures and grounded hues, this versatile suite of textiles are designed to last. Using materials such as jute and wool, this collection calls to mind the hardwearing beauty of nature – making them perfect for even the most high-traffic areas.
Area rugs can play a key role in styling a space, through their ability to imbue texture and warmth. They also have the added benefit of demarcating distinct aspects of a living area, while retaining the flow of an open plan design.
The entrance mats availableas part of this collection were designed to create a calming and welcoming aura at the threshold of your home, while the richly layered runners – perfect for hallways – can act as subtle, yet beautiful, anchor points in a space.
A kitchen mat can be a comfortable and stylish addition to the heart of any home. Additionally, areas such as laundries and mudrooms – which tend to prioritise function over fashion – can be elevated significantly through the considered addition of textiles.
In the bedroom, a small-scale rug can offer a stylish point of interest, without overpowering a space intended for relaxation and rejuvenation. An ensuite, too, can always benefit from a soft, fluffy mat underfoot!
The Nook collection is focused on the mantra that every recess and corner should count – even those designated for reading and reflection are deserving of an artisanal backdrop, however subtle. By foregrounding the finer details of a space, Armadillo encourages the careful consideration of the home and the way in which we interact with it.
This range includes seven different rug sizes, in a number of styles, colours, and patterns; all influenced by aspects of the natural world. Consequently, whether your style is contemporary, country or coastal, these textiles can elevate your space through the thoughtful addition of a tactile touch underfoot.
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As the Queensland borders have re-opened, a summer getaway in the sunshine state seems like the perfect way to celebrate reaching the end of a tough year! For those looking for a relaxing coastal retreat, Noa by the Beach – a contemporary redesign of a 1980s beach house – is a gorgeous holiday home located right in the heart of Noosa’s Little Cove.
Homeowners, Debbie and Wes, wanted a family holiday home that is reminiscent of their childhood growing up on the beach and spending memorable days outdoors. Collaborating with local building designer Georgina Price and interior designer and stylist, Bindy Ward, they set about creating their ideal getaway.
The design of Noa by the Beach was largely influenced by its stunning surrounding environment, as both Georgina and Bindy strongly believe that honouring location is a key part of creating a cohesive, harmonious home. This approach foregrounds the adjacent Noosa National Park and the nearby Little Cove Beach, and integrates the house into the beauty of its location.
The functionality of this holiday home was also carefully considered in the design process, boasting a fully equipped kitchen, spacious open plan living and dining with an indoor fireplace, a media room, a fully-equipped laundry, six thoughtfully designed bedrooms (sleeping twelve people in total), and four luxurious bathrooms. There is also air conditioning in all of the bedrooms and the media room.
Large windows, glass sliding doors, custom vertical battens, and skylights allow natural light to filter into the home, adding warmth to the sun-bleached colour palette that features shades of driftwood taupe, misty grey, and shell pink, punctuated by black. Earthy and textural material is used to soften the architecture of the home and draw focus to the leafy surrounds.
This connection with nature is encapsulated through the expansive deck that flows from the main living area and looks out over the lush, tree-lined backdrop of Noosa National Park.The deck has a fully covered alfresco area with outdoor kitchen, sitting area, BBQ, and outdoor heating. Downstairs, the backyard features a pool (which can be heated upon request), trampoline, board racks and plenty of beach and pool toys for guests to make use of.
Based in Singapore, Debbie and Wes wanted to create their dream beach house as a place for them and their young family to enjoy when back home in Australia, with it being rented out as a holiday home when they were abroad. With COVID-19 travel restrictions in place, Debbie and Wes have instead opened the house as full-time holiday accommodation for families and groups of friends to enjoy together.
Debbie says: “We both felt we wanted an anchor for our kids to build a stronger connection with Australia and somewhere they could call home – that’s why we designed so many features of the property with our three young children and our extended family in mind.”
Located only 90 minutes north of Brisbane, Noosa is well-known as a luxury holiday destination, and Noa by the Beach is perfectly situated to take full advantage of its ever-evolving foodie and bar scene, featuring refreshments that are also inspired by the natural surroundings; from ocean fresh seafood to tropical cocktails.
It’s a place where you’ll find high-end fashion, and pop-up markets that shine a spotlight on local produce. Plus, Noosa’s hinterland and coastline are a veritable playground for outdoor enthusiasts; hiking, surfing, sailing, cycling, horse riding, island hopping, cruises, treetop adventures, and much more!
A 10-minute walk to Main Beach and Hastings Street (and Little Cove Beach only a short stroll away), Noa by the Beachis the perfect holiday accomodation for those wanting to unwind and relax in coastal luxury.
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As this opulent, David Hicks-designed penthouse is launching to the local and international market in South Melbourne, we couldn’t resist sharing a little glimpse into how the other half lives! Featuring 360-degree views of the city, Albert Park Lake, and Port Phillip Bay, this breathtaking apartment is located in the exclusive 74 Eastern Road building by luxury developer, GURNER.
The 545sqm penthouse spans three bedrooms, three bathrooms, a powder room, a kitchen, multiple living zones, an office, and a separate retreat, along with a wrap-around balcony and private rooftop pool with stunning city views.
Completed in 2018, the space was designed by the well known interior designer David Hicks, whose work graces the interiors of some of Melbourne’s most expensive luxury private homes and apartments.
GURNER founder and director Tim Gurner says that this residence holds a special place in his heart. “74 Eastern Road, and the penthouse in particular, is one of my favourite collaborations with David Hicks. I remember many late nights working with David to fully customise every single element, down to every piece of furniture within the home,” Tim says.
“The building is unique in that it is surrounded by incredible Victorian terrace homes and tree-lined streets, with the most amazing city skyline views that will never be built out,” he continues.
“For me it is all about that incredible window line where you can stand at one end of the penthouse and see all the way down the 50m length to the other end of the penthouse; something that truly cannot be replicated.”
The penthouse is unquestionably the pinnacle of luxury, boasting a range of high-end features, such as a custom designed butler’s pantry, automated blinds and entertainment system, and electric and gas log fires.
The apartment also contains $100,000 of custom Italian marble used throughout; across every wet area, piece of joinery, and custom feature. The chevron-cut American Oak floorboards further emphasise this air of grandeur.In addition, an in-built hidden wine bar and wine fridge – behind feature glass mirrors – facilitates many a perfect evening spend unwinding with a drink, looking out over those unbelievable CBD views.
Of course, the no-expense-spared mindset means that this penthouse doesn’t exactly come cheap; it is being sold via expressions of interest with a $5.5m-to-$6m price guide, through GURNER and Michael Paproth from The Agency.
“This is a truly one of a kind penthouse – garden-side, lakeside, cityside and waterside; there is nothing left wanting from either the location or the immaculately designed interiors,” Michael says. “David Hicks has left an indelible mark on this penthouse – it’s a masterpiece of considered design.”
The penthouse is part of GURNER’s 74 Eastern Road development in South Melbourne, which was designed by a star-studded architectural line up of Elenberg Fraser, Jack Merlo, and David Hicks.
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The value of residential alterations and additions has risen to the highest level in more than four years, according to the Australian Bureau of Statistics (ABS).
The ABS Building Approvals for August found that the value of alterations and additions to residential buildings was strong in August, up seven percent to $784 million, to be the highest level recorded since April 2016.
The stellar result is likely partly due to the HomeBuilder scheme, but also to an increase in the number of people undertaking renovations during the lockdown, according to a NSW renovation expert.
The Happy Renovator author, Werine Erasmus, says many Australians are choosing to use the downtime to start or finish renovation projects on their homes or investment properties.
“The problem with many renovators who attempt to complete projects in their ‘spare time’ is that they often don’t have any time to spare!” Werine says. “However, the lockdown created the ideal conditions for many people to restart or finish their renovation projects.”
Werine believes renovations will continue to grow in popularity in the months ahead as more people work from home or perhaps move to part-time employment.
However, renovating property is something that can be a steep, and expensive, learning curve if people don’t understand all of the necessary ins and outs, she says.
“While I advocate a part-time work and part-time renovation strategy, it’s vital that you don’t attempt a renovation or upgrade without educating yourself about what’s really involved,” Werine says.
“The reason why we see so many half-finished renovation projects come up for sale is that people spend too much and run out of money, or they make costly mistakes that they can’t afford to fix.”
“Renovation projects are nothing like what you see on reality television, but by educating yourself on the process, there is no reason why anyone can’t complete a renovation that achieves their goals and, most importantly, makes them happy.”
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Nestled above Sydney’s Wynyard station, overlooking the CBD streets, DOMA Group enlisted award-winning architecture and interior design firm, Bates Smart to create a modern approach to accommodation at Little National Sydney.
The theme of natural light and efficiency of space is evident in every considered detail of the guest rooms. The floor to ceiling window draws guests toward the bespoke super king-sized bed, which cleverly incorporates charging ports, television and lighting.
These rooms – although small – don’t compromise on comfort or luxury, as their resourceful design and clever floor plan fit every feature of a high-end hotel into a compact space, without overwhelming or crowding the area. Additionally, the rooms are very reasonably priced considering their amazing location – right in the heart of Sydney.
This full use of the space continues with the joinery design – to minimise bulkiness, the joinery has been crafted to look at one with the furniture and welcome the natural light through the window.
“Little National Sydney’s design focuses on providing everything you need, but nothing that you don’t,” says Guy Lake, director at Bates Smart and the creative force behind the hotel’s architecture. “We wanted to ensure this hotel felt refined and understated, without compromising on quality and space.”
While the property draws inspiration from its inner-city location, the compact, urban site provided a new set of challenges for the Bates Smart design team. Placed directly on top of transport infrastructure, the building is supported via a steel frame structure; an innovative solution to the constraints of its location.
This exterior features a simple linear form with soft curved corners, creating a seamless connection with outside. Horizontal bands double as sunshades, a subtle nod to the previous transport house, harmonising with the heritage context of the building.
The hotel’s communal guest areas are the real hero of the property; light-filled and generous in size, the spaces have been designed as an experience in their own right. The spectacular open plan rooftop with double height ceilings features an expansive library work-space, exclusive bar, and custom-built fireplace with intimate lounge seating.
The indoor-outdoor setting foregrounds the natural world against the stunning Sydney skyline, creating the feel of a private oasis – while still within walking distance of the CBD.
“We are so pleased to have crafted the Little National Sydney for DOMA,” says designer Hayden Crawford, who led the Bates Smart interior design team. “It’s a fresh and exciting offer for Sydney – especially the rooftop, which will be a destination like no other in the city. It still feels like a Little National hotel, but it creates an oasis in Sydney’s dense urban landscape.”
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Wattyl has recently launched its Villa Carmelina colour palette – the result of a collaboration with architect Scott Weston that has spanned more than two years.
Villa Carmelina, a grand 1889 Victorian Italianate terrace, was bought by Scott in 2016. It was in a dilapidated state but, for Scott, it represented the opportunity to fulfil a long-held desire to invest his 25 years of architectural practice in his own home.
The main two-storey terrace was restored to its former grandeur, with a few minor adjustments to the interior to accentuate the building’s high ceilings and maximise the natural light. The result is a unique fusion of contemporary design and original Victorian architecture.
To the rear is a modernist two-storey addition in glass and steel containing expansive kitchen and living room plus bedrooms and bathing areas.
Wattyl’s new range takes inspiration from the remnants of Villa Carmelina’s original 1950s colour scheme – rose pink, acanthus green, lemon chiffon, studio mauve, and earl grey.
These colours appear in various guises throughout the home – some have been custom-matched by Wattyl and others taken directly from the Wattyl fandeck.
The architect
Scott Weston is regarded as one of Australia’s most inspiring architects, with a passion for colour, pattern, texture, art, light, functionality and beautifully crafted, artisanal materials and finishes.
In his meticulous reincarnation of Villa Carmelina, Scott has expressed a long-held philosophy of tailoring spaces to embrace and celebrate the interests and passions of the occupants – he has paid homage to the generations who lived in Villa Carmelina before him while creating a unique and deeply personal living space for he and his partner.
Entry hall
Serving as an introduction to the Villa Carmelina colour palette, this is the harmonious meeting point of eight of the project’s custom colours.
Lady Gray is seen on the timber dado while the wall above features the velvet grey-lilac of Studio Mauve. The Victorian ceiling is washed in the sorbet lemon hue of Lemon Chiffon, bordered with Ivory Grey piping in order to highlight the decorative cornice and ceiling rose.
Living room
This elegant room, flooded with indirect light from the over-sized doors either side of the fireplace, has as its focus the contemporary glitter artwork by Reuben Paterson.
The walls and decorative plaster moulds above the fireplace are washed in the understated, faded pink of Miss Havisham Rose. Timberwork, in the ivory tone of Marcasite, highlights the original architectural details, while the lathe and plaster ceiling provides a plane of light grey, using Ivory Grey.
Dining room
Referencing a 1950s Hong Kong tea house, the dining room walls are finished in a soft Matcha Tea shade that was custom-matched to the beautifully textural hemp wallpaper used on the feature doors of the joinery unit.
Having no direct light, the dining room ceiling was highlighted in Modernist, a darker grey. The antique Chinese moongate (seen above, pictured with Scott) is unquestionably the focal point of this room, framing views and showcasing a collection of beautiful treasures.
Kitchen
The living heart of Villa Carmelina, the kitchen is strategically placed within the expansive living room and features a black and white terrazzo floor and timber hemlock walls.
Two horizontal bands of custom architectural joinery have been hand-rolled in the saturated, deep blue of Curious Planet.
Studio
A grand room that looks out onto the main staircase whose walls are washed in the beautiful grey lilac of Studio Mauve – a hue that changes colour throughout the day, thanks to the northern glass roof.
The studio walls are finished in the sophisticated soft grey of Marcasite with a horizontal line of Jazz Age Coral applied to the perimeter above the tall doors, enveloping the cornice and ceiling in one dramatic gesture. The ornate Ivory Grey ceiling rose is crowned by a George Nelson 1950s pendant light.
Guest room
Highlighting a display of rare and beautiful objects, the grey-blue tones of the guest bedroom’s Celadon Blue walls provide a quiet background to the ensuite’s dramatic floral cascade in miniature glass mosaic tiles.
Scott chose Wattyl I.D Advanced Ultra Low VOC interior paint for Villa Carmelina, citing the fact that it far exceeds green-building requirements (with less than 1g of VOCs per litre) and can be custom-matched to any colour, as the reasoning behind his choice.
Wattyl I.D Advanced is available in water-based matt, low sheen and satin finishes, plus Ceiling White.
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For those who find that their need for additional living space is growing ever more acute, a studio apartment or granny flat can be a clever way in which to maximise the liveable area of an existing property. The idea of creating a haven separate from your house, which can act as both a functional and adaptable space, holds high appeal and could help with potential plans to sell your property.
Archiblox – Backyard Room
If you have a sizeable backyard, a studio can add space and value to your home without the disruption of building an addition, and in most cases you don’t need local council approval – you just need to meet your local council’s requirements as to the size of the studio and distance from boundaries.
Builder Matt Menichelli, owner of Elevate Building Group, says there are three key benefits of building a studio space:
It creates a detached space from the main dwelling
Offers a multi-functional area that can be easily changed as your needs evolve
When entertaining, it can be used as a function space, so guests aren’t coming in and out of your home
Harley Graham Architects – Marvell St Studio, Byron Bay – Photo: Andy MacPherson
In terms of adding value, Matt says, “When it comes to market appeal, the idea of having a separate space that can be tailored to suit the buyers needs is a huge advantage.”
There are a variety of ways you can utilise a studio space, whether it’s as a guest room, home office, man cave or teenage hangout area. Before building, consider what you want the main function of the space to be. “Having a bathroom and kitchenette in a studio is a huge drawcard, although they’re not the cheapest spaces to create. The return on investment, however, is definitely worth it,” says Matt.
BAAHOUSE & BAAHOUSE STUDIO – Lincoln 2B-80
In terms of the space required, Matt advises that you need at least 40m2. “It’s because of this size requirement that studios are often located above garages. It’s the perfect area to capitalise on, without compromising on yard space,” he adds.
If you are considering a studio build and have the space, you’ll need to ensure you have enough budget. Matt says, “Depending on the extent of the build you’d be looking at anywhere between $60,000 and $100,000.”
Wishbone Constructions – Gale Rd Granny Flat, Maroubra
Before building a studio in your backyard, hipages recommend:
Checking with your local council to ensure your block of land is sizeable enough for a studio. Also ask if there are any regulations you’ll need to factor in regarding the height of the building and distance from your property boundary.
Hiring a local builder from hipages to check your backyard size and recommend the best placement for your studio. Your builder can determine what footings and other site preparations you’ll need for utilities.
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The winners of this year’s Eat Drink Design Awards have been revealed, and – in a year that has been incredibly turbulent and uncertain for the hospitality industry – the celebration of these spaces seems more important than ever. In addition, the challenges of this period have themselves greatly affected the emerging designs of restaurants, bars, cafes, hotels, temporary venues, and retail spaces. These awards have therefore focused on recognising the spaces that bring comfort, delight, a sense of place, community, and communion.
Osteria Tedesca, Image: Tommy Miller
Cassie Hansen, editor of Artichoke and Eat Drink Design Award jury chair, says; “From a natural wine room in Adelaide, reminiscent of a classic European bar, to an Art Deco style hotel exuding old-world elegance, this year’s award winners evoked a nostalgia for the past. Pining for the days when we could visit our favourite restaurants, cafes, and bars, the jury was drawn to venues with sentimentality and tradition at their core, but executed in a contemporary way.”
Leigh Street Wine Room, Adelaide, Image: Josie Withers
This push for spaces that are comforting and familiar has resulted in many of the winning designs featuring historic venues that have been reimagined to suit contemporary dining needs. Some of the most successful entries also focused on bold colour, playful touches, and unique materiality. In addition, the shift away from spaces with views and expansive vistas allowed for the prioritisation of an “inward focus”, and brought the jury’s attention to the food and overall dining experience.
Best Bar Design: Leigh Street Wine Room by Studio Gram (Adelaide, SA)
Image: Josie Withers
With its timeless European style, Leigh Street Wine Room on Adelaide’s most happening eat street feels like a classic already, according to the jury. Built on the site of a former dry cleaning business (the original signage remains intact), the ultra-narrow footprint has been artfully overhauled by local firm Studio Gram on an impressively compact budget.
Image: Josie Withers
The jury admire the clever design for creating a cosy room that has an immediately welcoming vibe, and cocoons its customers with feelings of warmth and intimacy. A dazzling vaulted archway integrates a mezzanine level over the terrazzo bar, while a library of more than 400 bottles of minimal-intervention wine fills an entire wall, showcasing what this place does best.
Best Restaurant Design: (Joint Winner) Poly by Anthony Gill Architects (Surry Hills, NSW)
Image: Clinton Weaver
Hotel restaurants can sometimes be an afterthought, but Mat Lindsay’s austerely chic Poly, in the basement of the Paramount House Hotel in Sydney’s Surry Hills, stands apart as a destination in its own right. Located on a semi-subterranean inner-city corner, the fitout responds intelligently to a difficult site. Featuring a sweeping bar and a daringly exposed open kitchen, the jury appreciate the restraint and timelessness of this design.
Image: Clinton Weaver
Communal tables, exposed utilities, raw brick and polished concrete make for a sparse, industrial, yet absolutely on-the-pulse spot to dine. The layering of these textures – and the unconventional “popcorn” ceiling – establish mood and interest. The jury adore the way in which this vision from Anthony Gill Architects is beautifully resolved and elegant in its simplicity.
Best Restaurant Design: (Joint Winner) Osteria Tedesca by Cox Architecture (Red Hill, VIC)
Image: Jaime Broadway
This deeply personal labour of love for chef Brigitte Hafner winningly captures the warmth and relaxed hospitality of a domestic kitchen. The jury commended the immersive open-plan space in Victoria’s Red Hill wine region, which encourages guests to engage in the experience as if they were in their own homes. Hafner’s blackened cooking staton – loosely based on a carpenter’s workbench – sits in front of a woodfired brick hearth, where she presents a new menu each day based on seasonal produce sourced from the property.
Image: Tommy Miller
The original building, set amid a spectacular rural landscape, has been sensitively modernised by Hafner’s partner, architect Patrick Ness of Cox Architecture, and provides a complete, holistic escape from a busy world. The remarkably unfussy, functional design facilitates a focus on sustainability and longevity at every level.
Best Café Design: There Cafe by Ewert Leaf (Footscray, VIC)
Image: Jenah Piwanski
Housed in a 19th century wool store that was previously known as the longtime headquarters of book publisher Lonely Planet in Melbourne’s Footscray, There Café makes dramatic yet sensitive use of its heritage location. Executed with impressive restraint by Ewert Leaf, the jury love this buzzing, inner-west meeting spot.
Image: Jenah Piwanski
Premium finishes share a subtle, uniform colour palette, with steel beams, leather banquettes, polished concrete and industrial light fittings accentuating the soaring, almost floor-to-ceiling windows that draw in waves of natural light. The softness of the design plays off the grandness of the original building, and the jury love the way in which rich textures and discoverable layers feel natural, giving an easy sensibility and sophistication to the venue.
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Interior designer Katy Thomas is one of the many Australians who has shifted her focus to revamping her existing space, and creating an oasis in her backyard this summer. She also managed to do so on a tiny budget, spending under $1,200 and all at Bunnings!
After
Before
Reflecting on the original space, she says: “This part of our backyard was so overgrown. We had so much bamboo, old pavers, and it was a space we didn’t use.”
Katy says that it was very important for this outdoor space to connect with the rest of her home, so she utilised lots of white and natural timbers, in order to extend her interior design style, and create a feeling of relaxed sophistication.
It was also important, on such a small budget, to cleverly incorporate the existing features of the space. “We have so much bamboo,” says Katy, “So the plan was to neaten it up by creating a white screen fence which really helps to frame this corner of the garden. I love how the bamboo provides some greenery behind the fence!”
After
This makeover has also completely altered the way in which Katy uses this space, and now, she says, is the perfect time of year to enjoy it. “I’m so excited for Christmas out here!” she adds.
“The biggest transformation to this space is definitely the white screen fence,” continues Katy. “The most affordable way to achieve this look was to use fence palings from Bunnings which cost $1.40 each. Once painted white they look amazing. The new round pavers have also helped to finish off this space.”
Katy utilised the space carefully, creating different zones using furniture. She acknowledges the importance of planning, and suggests that prospective renovators create a wish list online, so that they know the costs upfront.
After
She also recommends that to gather inspiration and cultivate a cohesive look, creating a moodboard is a game-changer. “I moodboard every project which makes the process so much easier. I often visualise the beautiful end result I want, then work backwards researching all the elements I’d need to achieve this look within my budget.”
Of course, you don’t have to completely overhaul your backyard in order to rejuvenate it for the summer. “A small change can make a big difference,” says Katy. “For example, a coat of fresh, white paint is an easy and inexpensive way to brighten and refresh a space.”
Thinking outside the box can also be helpful, for achieving the look you want within your budget. In Katy’s yard, she used round pavers for something a little different against the white stones.
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If there’s one thing architects, interior experts, forecasters, and leading designers agree on it’s this: our collective experience of lockdown will fundamentally alter the way we live in our homes in the future. What we place importance on – from the materials we choose, to the design of our living spaces – has changed dramatically and may continue to evolve as we cautiously navigate our way through the pandemic.
Image: Mia Mortensen
Home design, decoration, and renovation brand Houzz has searched through its data in order to create this collection of materials, colours, and other home design ideas that we can expect to see a lot more of in 2021.
1. The rise of antibacterial materials
One thing we’ll definitely take away from this year is the importance of hygiene. As sanitary practices have become a life-saving routine that we’ve integrated into our daily lives, we’re seeing a rise in automatic washbasins, touch-less flushing, and infrared sensors in bathrooms to meet the desire to reduce unnecessary touching. And in kitchens, we have started to see similar intentions through voice-activated appliances and cooktops with sensors.
Image: Mia Mortensen
Professionals on Houzz are reporting a greater demand for surface coatings that are bacteriostatic (capable of inhibiting the growth or reproduction of bacteria) and antimicrobial metals. Copper and its alloys, brass and bronze, fulfil this criteria, so we expect to see more of these materials in tapware, and kitchen and bathroom fixtures such as sinks and splashbacks in 2021.
2. Artistic tiles
Image: Lauren Andersen
Many international artists have started working with manufacturers to turn these common furnishings into artform, and now this influence is working its way to Australian shores. In fact, due to COVID-19, many Australian designers have started working with more local manufacturers for their tiles and stones as – due to supply chain delays – materials from Europe may not come in time. One rising style is the use of zellige tiles, which are commonly handmade in Morocco. 2021 will see tiles push the boundaries in both shape and colour.
3. Bricks
Image: Houzz
Bricks are back in 2021! Homeowners like to experiment with colour and texture primarily through paint colour and application, but lately we’re seeing homeowners take that idea further, moving onto bricks – with incredible results. Rather than 60s red brick we all know, or building blocks, homeowners are instead looking for beautiful bricks, used externally or internally, adding robustness and warmth to the space. In the new year, we expect to see bricks and tiles being used as vehicles of self-expression.
4. Clever small home design
Image: Renotech Building
This year and into the next year, we will see more homeowners making better use of their small space, using joinery and furniture to create functional areas of the home. Small spaces and awkward layouts are common pain points for homeowners, which is confirmed by increasing search terms such as “small apartment” and “U-shaped kitchen”. Designers are responding to these new demands with study nooks, and clever joinery to maximise a small space.
5. Adaptive large-home layouts
Image: Paolo Fusco
The belief in “set” layouts that can’t change and grow with a family will be revisited. Our houses will need to be more adaptable in the future. Larger homes have the luxury of playing with more modularity. Many people are considering multipurpose rooms, non-permanent walls that can be shifted, and inventive ways that rooms can be opened up and shut off as needed.
6. Nature as saviour
Image: Murray Fredericks
The lockdown certainly heightened the value we place on our outdoor areas. A Houzz survey from mid-2020 found the outdoor area to be the most desirable for upcoming improvements. Increasingly, architects and interior designers have reported a demand for designs that connect the indoors with the outdoors through biophilic design including green roofs, internal courtyards, and garden walls.
7. Biodesign
Image: Rikki Snyder
Biodesign, the creation of furniture and objects from living organisms, is another important way we will see advancements in product design and materials in the foreseeable future. Indeed, technology has advanced so much that furniture could be made using waste, bacteria, and fungi. Designers have explained that this trend goes beyond environmentally-friendly, as we learn more about how science can truly innovate design.
8. Natural and rich colour palettes
Image: Jordi Folch
It’s not just through actual flora that we will seek to simulate a natural environment; colours will help us to achieve this too. Colour specialists have predicted that earthy tones will be strong interior colours in the new year, which include sand, soft greens, warm browns, and terracottas. On the flip side, rich reds, inky blues, and mustard tones have also been gaining popularity as homeowners look for more ways to express themselves.
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Award-winning interior design firm Joanne Green Landscape & Interior have completed a stunning transformation of a tired, awkwardly laid-out bathroom in a federation home on Sydney’s lower North Shore. Blending functionality with a spa-like aesthetic has created a contemporary and family-friendly space that seamlessly suits the style of the home.
Interior designer Angela Neylon worked closely with the client through several iterations of the design, from modern concepts to classic layouts; deciding on a contemporary version aiming to create a sense of space.
“The existing layout was a traditional and common 1980s arrangement that unfortunately led straight into the shower and emphasised the toilet. In this long, narrow space it was critical to get the layout right and it was certainly a challenge to fit everything in while creating a light, bright and spacious atmosphere,” says Angela.
The clever design simplified the layout, repositioning the bath and shower to create a wet area against the window, and elongating the vanity for visual appeal upon entry. Choosing a timeless white and grey palette, Calacutta marble was selected to be the major feature as it adds a spa-like, luxurious feel to the family bathroom.
The entire bathroom was demolished and re-built with an impressive attention to detail. A challenge for the team was lining up the 20mm marble to meet the 12mm thick tiles, ensuring a seamless façade without an overhang, which helps to visually enlarge the space. A recessed, mirrored cabinet and oversized wall-hung custom vanity answers the client’s need for additional storage.
Right from the initial consultation, Angela’s focus was very much upon the practicality of use within the space, as well as its aesthetic qualities. “As the family’s main bathroom, it was essential that the finished result was both beautiful and functional. The layout, palette and materials were all carefully considered to sit cohesively within the magnificent federation home,” she says.
Details such as the clear shower door and minimalist fixtures help achieve the client’s vision of an airy, open space. The careful combination of curves and angles also adds dimension and visual interest, without cluttering the space or detracting from its simple elegance. This project truly shows the impact that a clear and clever design plan can have when updating and modernising a space.
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With Christmas not too far off, the season of festive decoration has well and truly begun! There are so many products that can be used to get your home Santa-ready this Chrissie, including cushions, wreaths, stockings, decorations for the tree – and much, much more!
To celebrate, we’ve collated some stylish Christmas decorations for your home, at a wide variety of price points and in a number of styles, so that – whatever your design preferences – you can create the Christmas wonderland of your dreams.
This stunning range of Christmas cushion covers comes in a variety of sizes, styles, and colours. With designs ranging from minimalist, Scandi-inspired prints to classic Christmas versions, there is sure to be something for everyone!
Of course, we had to include this incredible IKEA piece ($14.99), from their VINTER 2020 collection! This Scandi-inspired wall hanging can be styled in beautiful minimalist fashion, as seen below, or even using family photographs slotted into the pine bars for the ultimate personal touch! It’s perfect for those who don’t want the mess or fuss of a real tree, and it can be re-used year after year, with different decorations for a unique creation each time.
This cute and classic doormat is the perfect way to welcome the festive season to your house! At just $10, visitors this Christmas are sure to love this gentle reminder of the yuletide spirit.
These place card holders are wonderful and practical additions to any table setting for Christmas lunch or dinner. They’re not only adorable and festive, but also allow for clear seating arrangements. There are other varieties, but we think this miniature Christmas tree ($7.99) is just gorgeous.
Scent is the sense that is the most closely tied to memory, meaning that it’s not only the visuals of this yuletide period that are so important in our homes. This gorgeous set of three miniature candles ($59.95) gives you a nice variety of iconic Christmas smells.
This faux (but convincing!) eucalyptus and wattle wreath ($79.99) is a fantastic way to combine the classic European Christmas designs with the Australian native flora. At 50cm in diameter, with pops of gorgeous yellow from the wattle, this is a truly magnificent way to display your festive spirit! Additionally, as it is faux, it will continue to look fresh and perfect for many Christmases to come.
Prefer your flora living (but low maintenance)? Whether you want a 30cm dried willow wreath with a small bunch of succulents ($155), or one filled with more than 30 succulents ($225), there’s a Little Succers Christmas wreath for you!
For those who don’t succ creatively and want to save a little, Little Succers also offer DIY kits ($100), where you can create your own wreath. Everything is there including green florist wires, six succulents, propagation pots and even gift packaging – just in case you want to create one for a pressie.
There’s also sweet build-your-own-terrarium baubles ($85). They come in DIY kits for 1, 2 or 4 people, making them a super fun and festive activity in the lead up to Christmas.
This stocking holder is sure to take pride of place on the mantle, as a piece that is both functional and incredibly stylish. There are other designs too, but this gorgeous faceted glass mirror tree ($84) instantly conjures up visions of a delicate winter wonderland!
These are possibly the cutest ornaments we’ve ever seen! The tiny woollen creatures add just the right hint of whimsy and sweetness to any home decor style. With a wide variety of animals and designs, there is sure to be the right little friend for every Christmas tree!
Of course, Christmas is the time for sweet treats, and nothing could be more perfect for storing these than this beautiful set of three differently-sized tins ($30) (they also make amazing receptacles for pressies!). With designs that marry Australian wildlife and traditional Christmas imagery, these two varieties of tin are gorgeous decorations in their own right.
You’ve still got time (just!) to order one of these divine advent calendars (pictured here in Jen’s kitchen) to fill with your own surprises for your little ones. At $109.95, it’s a quality, stylish decor piece too, which you’ll use year after year. It even comes with its own cotton bag for storage.
These two collections ($54 each), created in collaboration with Ros Shiers, are not only visually stunning, but also include a variety of high-end pressies inside, including miniature whisks and cookie cutters, brushes, wooden dice, and much more! They also contain a beautiful motto and, of course, the classic hat.
Now for a classic, inexpensive, pick; Target’s range of Christmas tree baubles, which are available in various colours (including red, silver, gold, blue, pink and green) and a variety of textures and finishes. Starting from only $6 for a pack of 24, you can buy several, and mix and match the colours to perfectly suit your home decor!
These beautiful, personalised Christmas sacks are a wonderful alternative to stockings, usually providing a larger capacity. We love this minimalist version ($49), but with so many options available, there is the right design to suit every child – and every adult!
And, finally, we adore these incredible stockings, which also allow for personalisation. The design takes inspiration from classic Australiana, and comes in two varieties; cockatoo (white) and flora (green) ($34.95 each).
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IKEA’s DEKORERA range is focused on the contrast and combination of shade and light, creating a multi-dimensional and sophisticated ambiance in your home. These pieces were designed to renew existing furniture items, and enhance and update living spaces without complex and expensive overhauls. This is achieved through eye-catching decorative items and textiles such as throws, pillows, rugs, bowls, vases, jugs and trays.
DEKORERA is a collection that draws from the rich colours and style of 17th Century Dutch master painters like Rembrandt, Vermeer and Hals; full of swirling, golden light, playful domestic scenes, and shadowy corners. This, combined with traditional Scandinavian craftsmanship, results in products created to add an inviting flair to your home.
The bright pattern of many of the textiles and decor items enables you to combine them with darker, or more neutral, furniture – such as an armchair or couch – to refresh the space without making any major replacements. By using a patterned throw, some contrasting cushions, and a rug (to tie this decorative moment together), you can entirely refresh the furnishings that you already own.
There’s even a new neutral cover, made of natural cotton, for your existing STRANDMON armchair, which can create the base for a fresh new style at a fraction of the cost of a new chair.
Many of these contrasting textiles were envisioned as points of interest in a shady and sophisticated living room with distinctive diamonds, textured stripes, and bold patterns.
There’s also a playful homage to the roots of the range’s inspiration, with colour-block versions of some of the most famous works by Vermeer and Da Vinci (as seen above on the shelf). They are not only decorative pieces, but also function as trays that can be used to carry your morning coffee or tea! The candlesticks (seen on top of the cabinet, above) are striking design accessories as well, playing with bold shapes and colours while retaining their functionality.
The rounded, gentle forms of DEKORERA’s bowls, jugs, and vases reflect traditional Northern European crafts and techniques. Released just in time for Christmas, they inspire thoughts of a rustic and rural simplicity, delivering a much-needed respite in a time such as this.
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With thousands of award winning garden designs under his belt, and a long list of some of the country’s best gardens under the care of his business Landart Landscape, Matt Leacy shares his top tips for ensuring your garden thrives this spring and summer.
Creating a luscious lawn
One of the best things you can do for your lawn as we come out of winter is to de-thatch. Thatch is an accumulation of dead organic lawn matter or a build-up of roots that can prevent moisture, nutrients and air getting through to the grass roots.
If you’ve got very large lawn spaces, you might consider using a de-thatcher to do the job. Otherwise, a thatch rake or normal garden rake should work, depending on the size of the lawn and how thick the thatch is.
You should also aerate the lawn to help get water and nutrients through to the turf zone. If you’re working with a big lawn, you might look at using a motorised aerator. Otherwise, you can use spiked aerator shoes or a simple garden fork.
Once you’ve removed thatch and aerated, add some coarse sand or top dressing over the lawn – and don’t forget to fertilise with something high in nitrogen, and preferably organic.
Maintenance will set you up for summer
It’s not necessarily the fun side of gardening, but now is the ideal time to get into garden beds and remove any weeds before the weather gets hotter and they really take off. And now is also the as time to prune plants to get them in prime condition for growth in spring and summer.
Ensure that any ornamental grasses like miscanthus are cut to about 100-to-200mm above the ground and that any shrubs such as bottlebrush that like to flower in spring are pruned well before their flowering month.
Mulching is the garden gift that keeps on giving
Mulch is a must when it comes to keeping your garden beds looking great in summer.
Mulch will help your soil retain moisture as the weather heats up – and it’s also helpful for keeping weeds at bay.And mulch can come in a variety of colours that can enhance your garden design.
I like to use an organic compost and a slow release fertiliser. Dig it into the soil by hand where possible, but be wary of applying too close to plant trunks and stems. Excess moisture can cause stems to rot, so it’s generally best to mulch at least 50-70mm thick and to keep the mulch well away from stems and trunks.
As the weather gets hotter, keep an eye on your plants and keep topping mulch up.
Re-design and plant out garden beds and pots
Plants should always play a key part of any outdoor space, whether they’re potted or in a garden bed.
When you’re choosing what to plant it’s always good to consider what is to come – our summers are long and hot so if you’re planting greenery rather than something that will just give you a seasonal burst of flowers consider plants that are water-wise and will hold up well in the heat of the coming months.
Some great water-wise plants to consider include agaves, dragon trees, tree aloes, Nolinas and cactuses. They’re not only low-maintenance, but also bring a lot of form and structure into the garden – as well as being very diverse in terms of texture and colour, which means they can be suited to many different styles of outdoor spaces.
Succulents are a great choice. They are very versatile and water-wise. Some of my favourite succulents include Crassula, Carpobrotus, Aloes, Senecio, Sempervivums and Sedums.
Native Australian species such as Lomandra, Westringias and Casuarinas are awesome if you’re looking to plant on mass for large spaces. Mixing these with some exotic succulents and native ornamental grasses can create some really interesting planting palettes with varying textures and colours.
Grow your own food
If you would like to add a veggie patch to your outdoor space for spring and summer, and we’re finding in these times a lot of people are, planting things like spinach, iceberg lettuce, snow peas and kale as well as zucchini, and cherry tomatoes are always great staples that will flourish close to year round.
Chinese greens will also thrive, and Pak choi (also called bok choy) will be up and ready to eat in only six to eight weeks.
Herbs such as aromatic basil, mint, parsley, thyme, rosemary, chives and chillies are all good choices for summer growing, as well as herbs with known health benefits such as turmeric, ginger, ginseng, Echinacea and maca.
With many of us utilising a limited garden space, using edible plants as part of your overall garden design has become very popular. If you’re keen to look at foodscaping to update your garden for spring and summer I would suggest adding edible flowers, using rosemary trimmed into balls, or using Cranberries or a wild or Alpine strawberry, mint, thyme or oregano as ground cover.
From a design perspective, my tips for creating a space that is bountiful, functional and beautiful include:
Create structure – if you are dedicating a space to growing food then geometry and structure work to maximise space.
Consider colour – opt for heirloom varieties like purple kale and blue cabbage to create a design feature.
Many vegetables and herbs also have lovely flowers and variations in foliage that add interest. Be sure to layer and use the different textures and colours in your garden design.
Screen or create shade with fruit bearing trees – if you need some screening trees look at how you can use trees that fruit. Citrus, apple and pear trees are great options.
Use raised garden beds – build in seating and storage around the edge of your garden bed to make tending to it more enjoyable and to maximise the use of space, and also look at planter boxes, tiered garden beds, pots and herb walls. These are particularly practical for small courtyards or balcony spaces.
Run fruit and vegetables off pergolas and other outdoor structures. Things like hanging strawberries can soften these structures with attractive greenery – and will also save you having to dedicate land space to your veggie patch.
If you’re concerned about the look of your edible garden while transitioning between seasons consider hedging or other structures to conceal beds when they’re not looking their best. And interspersing herbs and vegetables with other plants will help minimise any sparseness that may arise as an edible plant goes out of season.
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This winners and commended projects in the The Design Files + Laminex Design Awards 2020 were recently announced in a live-streamed, online ceremony. The results showcase the incredible and diverse Australian talent that currently exists within the architecture and design industries.
Bismarck House by Andrew Burgess Architects (Residential Architecture award winner), Image: Caitlin Mills
10 winners and 19 commendations were awarded to a wide range of creatives from 119 finalists across the 10 awards categories: Residential Architecture, Interior Design, Collaboration, Emerging Designer, Furniture Design, Handcrafted, Landscape Design, Lighting Design, Sustainable Design or Initiative, and Textile Design.
Budge Over Dover by YSG Studio (Interior Design award winner), Image: Prue Ruscoe
The awards are an extension of Lucy Feagins’ The Design Files (TDF) blog.
Andrew Burgess Architects took out first place in the Residential Architecture category, for their work on Bismarck House. This urban oasis in the heart of Sydney’s Bondi emanates a soft industrial style, and utilises raw materials and sculpted spaces to integrate the house and garden.
Bismarck House, Image: Caitlin Mills
The winner of the Interior Design category was YSG studio, with their creation Budge Over Dover. As an ode to both whimsy and functionality, this coastal home was transformed into a gorgeously nuanced piece of art, combining and contrasting shape, texture, and colour. It was praised by the judges for the effective fusion of the renovation with the original structure of the house, which felt seamless and organic.
Budge Over Dover, Image: Prue Ruscoe
Jessie Fowler and Tara Ward, who formed the Fowler and Ward architecture practice in 2018, won the first prize in the Emerging Designer category. This company is focused on redesigning residential spaces in Melbourne, especially smaller homes, or developments where the population density is increasing while the character of the neighbourhood is preserved.
Image: Tom Blachford
There was also a significant increase in the number of First Nations designers and collaborative projects entered in 2020, which is reflected in winners and commended projects.
Pitjantjatjara woman Tjunkaya Tapaya, a senior artist with the Tjanpi Desert Weavers, took out the Handcrafted Design category for her Tjanpi Teapot woven from native grass, which represents a playful take on the important cultural practice of tea-making on the NPY (Ngaanyatjarra Pitjantjatjara Yankunytjatjara) lands.
Image: Isobel Egan
Acclaimed Kudjla/Gangalu artist Daniel Boyd collaborated with architects Edition Office on For Our Country, the inaugural National Aboriginal and Torres Strait Islander War Memorial located on Ngunnawal and Ngambri Country.
Image: Ben Hosking
The Textile Design award went to North – a not-for-profit lifestyle brand facilitating the economic agency of remote Aboriginal artists and art centres – for their Tiwi Strong Women’s Collection created in partnership with female artists from Jilamara, Munupi, and Ngaruwanajirri Art Centres.
Image:Hilary Faye
The major sponsors of the awards included Laminex, Brickworks, De’Longhi, Jardan, Country Road, and Phoenix Tapware.
“Celebrating a diverse cross section of designers and creatives from across Australia, The Design Files + Laminex Design Awards in 2020 has united us as a creative community, highlighting the remarkable strength and resilience of Australia’s creative industries,” said Lucy Feagins, founder of The Design Files.
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After debuting the original IXEO All-In-One in 2019, Tefal has launched its newest combination steaming solution, the IXEO Power, created to replace a garment steamer, a steam generator, and an iron and ironing board.
The Tefal IXEO Power was designed with efficiency in mind, producing an output comparable to that of a boiler steam generator. It can also heat up in just 70 seconds.
It comes with an adjustable Smart Board, which has several different built-in positions. The steam head is half the weight of a traditional steam iron, and the removable water tank can hold up to a litre of water. This main unit and steam head can also be detached from the rest of the system, for maximum portability and ease of use.
The base is set on wheels, meaning that the steamer can be transported around to wherever you need it, or be stored away until you need it next. Accessories include a steam-brush, designed for thick fabrics, and clips to fasten your garments to the built-in board.
IXEO Power also features Smart Protect technology, created to ensure that the temperature is adapted suit all garments – even the most delicate pieces, like silk – without the need to manually adjust any settings.
And with home hygiene at the forefront of everyone’s mind right now, the IXEO Power was designed for increased manoeuvrability so that you can steam and sanitise all around the house. Upholstery, curtains and even bed linen are ideal candidates for steaming, as the power of steam kills up to 99.9% of bacteria.
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With its colourful collections spanning from bedding to bath and baby, Melbourne’s Mosey Me is a sophisticated yet playful brand, bringing life and a much-needed splash of colour into our homes.
Led by textile designer Eliza O’Sullivan, Mosey Me started in 2016 when she saw a gap in the Australian market for unique homeware textiles that were beautifully made, yet thoughtfully considered. Colour and print have always been the driving force behind Eliza’s design process, and the brand was created out of pure passion for design and a love of product.
Based in Brunswick, each Mosey Me collection is a journey. The first phase starts with the print development, where Eliza hand paints her designs in the studio. From there, each design is translated into the printed product, using a variety of print methods in an ethical and sustainable manner.
“I was inspired to create this brand as an ode to creativity and following through on my own dreams. I’m inspired by past renowned artists like Picasso and Matisse not just for their art, but for the fluidity of fun that is forever present in their work. I find the simple yet playful nature of these artists very inspiring,” says Eliza.
Mosey Me has six core ranges: tableware, bathroom, bedding, art, gifting, and Baby Mosey, the brand’s new dedicated baby range. Whether you’re looking to add a little colour to your walls, bathroom floor or elevate your at-home dining, there is something for every room within your home.
A big part of the brand is taking a collaborative approach with like-minded Australian brands and businesses that allow them to combine their strengths and create beautiful and unique products. Eliza is constantly looking at connecting with women who share similar values and giving them a platform to share their stories and experiences.
Sustainability also plays an important role and responsibly manufacturing their products in an ethical manner is a core focus. Working with both local and offshore suppliers, they produce small batch product runs where the process can be monitored closely. Taking inspiration from design, mood, and female connection, Eliza’s unique playful textiles are an extension of her own personal style and values.
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