Categories
Expert Tips

Before & after: rust and violet warm up heritage home

Dulux’s Indulge palette, one of four identified in the brand’s 2020 colour forecast, combines rich tones of russet and berry with soft shades of lilac and touches of mustard that turn up the heat for winter.

Dulux Wash&Wear in Russet Tan and Natural White

Stylist Bree Leech shows just how much paint can warm up and change the feel of a room, by using colours which might not be your natural first pick, to great effect. To give them a new winter look, Bree made over a home office and study nook in a heritage home and we’re loving the results.

“These two rooms have great bones – high ceilings, ornate cornicing, natural light and a beautiful fireplace in the home office. But the steely grey on the home office walls and the white behind the study nook felt cold and uninviting. Colour has such a huge impact on the mood of a room, and I wanted to create spaces where you’d want to linger. The furniture and built-in joinery are stunning; I wished to make these more of a feature through the use of colour,” Bree says.

“I wanted to make the rooms feel cosy and inviting and play up their best features without a huge outlay of time or money. Paint was the best way to achieve this – it gave the rooms a whole new look without replacing all the furniture or blowing the budget.”

AFTER: Dulux Wash&Wear in Russet Tan and Natural White. Artwork: Still Life with Dianthus and Bee by Dena Khan
BEFORE

Bree chose Dulux Wash&Wear in Russet Tan for the walls and shelving in the home office, which has a luxurious, enveloping feel. “Colour contrasts can be incredibly effective when you want to highlight specific features in a room; I retained the existing white ceiling and fireplace, which were painted in Dulux Natural White – a classic warm white, that allowed the cohesion of these elements with the white desk.”

She introduced a large rug in warm colours that harmonises with the walls to provide softness underfoot, and an art-deco inspired side table to tie in with the curves of the desk and chair.

“The study nook in the child’s room was better suited to a lighter palette,” says Bree, who replaced the cool white on the walls with Dulux Wash&Wear in Subtle Violet – a gentle shade that added warmth without overpowering the space. It works beautifully with the blonde timber of the built-in joinery, as well as the skirtings, which were already painted in Dulux Vivid White, a crisp, pure white.

“I gave the chair a quick update by giving it a lick of Dulux Aquanamel paint in Lilac Light and by adding a pretty pink cushion. Fresh flowers, touches of gold and some pink and violet glass pieces reinforced the feminine palette.”

AFTER. Dulux Wash&Wear in Subtle Violet and Vivid White and Dulux Aquanamel in Lilac Light. Artwork: More Than we Could Know by Kate Dambach, Modern Times.
BEFORE

Andrea Lucena-Orr, Dulux’s colour and communications manager, adds: “People are often cautious about experimenting with bold colours, but there’s no need to be. Statement colours can be incredibly effective – and chances are, once you start experimenting with them in your home, you’ll never want to go back to a blank canvas. Paint is such a versatile decorating tool – if you change your mind down the track, you can easily switch it out.”

Winter styling tips:

  • Up the texture: For a warm, homey vibe, mix different textures such as velvet, chenille, felt and leather.
  • Love your layers: Create a luxe, layered effect by selecting one hero colour and running tonal variations of it across the large expanses in the room, such as walls, rug and the sofa covering.
  • Highlight your best features: Bring original features such as beautiful cornicing or fireplaces to life by painting them in a contrasting shade of white.
  • Use lighting to dial up the cosiness: Rather than harsh, overhead lighting, create a warm, layered lighting scheme with a mix of floor and table lamps.
  • Mix pieces from different eras: Combine art deco, 70s and 80s pieces for an on-trend feel.
  • Be space-savvy: If the room is small, opt for sofas, tables and chairs on slender legs that maximise the sense of spaciousness.
  • Pared-back displays: Keep it modern by going for pared-back arrangements on shelving with plenty of breathing room. And remember – odd numbers are a stylist’s best friend.

Styling: Bree Leech | Photography: Lisa Cohen

Categories
Competitions Design

Dulux paint: 2020 Colour Awards finalists announced

When it comes to our mood, the transformative power of colour is well documented. And while we’re all searching for little pick-me-ups (to escape the unfolding horror), the arrival of the 2020 Dulux Colour Awards finalists is a welcome distraction indeed. Currently in its 34th year, the 107 finalists span a variety of categories, but it’s the residential ones that interest us the most. From suede effects to bold coloured joinery, there’s an abundance of inspiration to be found.

Dulux Colour Awards 2020 – Residential Interior. St Kilda Residence by Doherty Design Studio. Photographer: Derek Swalwell
Dulux Colour Awards 2020 – Residential Interior. St Kilda Residence by Doherty Design Studio. Photographer: Derek Swalwell

“Architects and designers have set a new precedent with this year’s awards program submissions. They have exhibited original and masterful use of both colour and texture in their design approach, creating sophisticated interior and exterior spaces,” says Andrea Lucena- Orr, Dulux Colour planning and communications manager.

Suede effects
No longer a 1990s’ relic, suede effect walls appear to be back on trend, though interpreted through a modern lens.  “We have seen the emergence of textures, such as concrete effects, patinas, French ash and Suede Effects in both commercial and residential spaces. Repetition of these textures paired with unexpected tones was apparent, such as yellow, red and coral in the form of accent walls, cabinetry, doors, skylights and trims,” says Andrea.

Dulux Colour Awards 2020 – Residential Interior. Perfect Storm by Green Anvil Co, Killing Matt Woods, Set for Art. Photographer: Kat Lu.
Dulux Colour Awards 2020 – Residential Interior. Perfect Storm by Green Anvil Co, Killing Matt Woods, Set for Art. Photographer: Kat Lu

Dulux Colour Awards 2020 – Residential Interior. Orchard House by Chelsea Hing. Photographer: Rhiannon Taylor.
Dulux Colour Awards 2020 – Residential Interior. Orchard House by Chelsea Hing. Photographer: Rhiannon Taylor

Dulux Colour Awards 2020 – Residential Interior. Budge Over Dover by Amber Road. Photographer: Prue Ruscoe.
Dulux Colour Awards 2020 – Residential Interior. Budge Over Dover by Amber Road. Photographer: Prue Ruscoe

Coloured cabinetry
From emerald green to coral and a variety of blue shades, there’s barely a white cabinet to be found in the finalist list. Statement making, we think these bold shades are a fabulous alternative to run-of-the-mill, neutral tones.

Dulux Colour Awards 2020 – Residential Interior. Malvern Residence by Doherty Design Studio. Photographer: Derek Swalwell
Dulux Colour Awards 2020 – Residential Interior. Malvern Residence by Doherty Design Studio. Photographer: Derek Swalwell

Dulux Colour Awards 2020 – Residential Interior. Orchard House by Chelsea Hing. Photographer: Rhiannon Taylor
Dulux Colour Awards 2020 – Residential Interior. Orchard House by Chelsea Hing. Photographer: Rhiannon Taylor

Dulux Colour Awards 2020 – Residential Interior. Centennial Park House by Balmoral Blue House by Esoteriko Interior Architecture.Photographer: David Wheeler.
Dulux Colour Awards 2020 – Residential Interior. Centennial Park House by Balmoral Blue House by Esoteriko Interior Architecture.Photographer: David Wheeler

Dulux Colour Awards 2020 – Residential Interior. Brunswick Residence by Lucy Bock Studio Photographer: Derek Swalwell.
Dulux Colour Awards 2020 – Residential Interior. Brunswick Residence by Lucy Bock Studio Photographer: Derek Swalwell

Dulux Colour Awards 2020 – Residential Interior. Ruckers Hill House by Studio Bright. Photographer: Rory Gardiner
Dulux Colour Awards 2020 – Residential Interior. Ruckers Hill House by Studio Bright. Photographer: Rory Gardiner

Dulux Colour Awards 2020 – Residential Interior. Bourke Street Apartment by Fowler and Ward. Photographer: Tom Blachford.
Dulux Colour Awards 2020 – Residential Interior. Bourke Street Apartment by Fowler and Ward. Photographer: Tom Blachford

Green & timber
Our obsession with the outdoors continues with many of the projects using tranquil green tones alongside timber in all its forms. “Many briefs discussed the need for the space to be conducive for rest and a connection to nature, which translated to the employment of botanicals and natural materials, such as timber in both interiors and exteriors,” says Andrea.

Dulux Colour Awards 2020 – Residential Interior. Concrete Blonde by Carter Williamson. Photographer: Katherine Lu.
Dulux Colour Awards 2020 – Residential Interior. Concrete Blonde by Carter Williamson. Photographer: Katherine Lu

Dulux Colour Awards 2020 – Residential Interior. Gillies Hall by Jackson Clements Burrows. Photographer: Peter Clarke.
Dulux Colour Awards 2020 – Residential Interior. Gillies Hall by Jackson Clements Burrows. Photographer: Peter Clarke

Dulux Colour Awards 2020 – Residential Interior. Angophora Pavillion by Ava Shirley Architect. Photographer: Michael Nicholson and James Deck
Dulux Colour Awards 2020 – Residential Interior. Angophora Pavillion by Ava Shirley Architect.
Photographer: Michael Nicholson and James Deck

The judging panel will select winners and commended projects across the six categories. The Australian Grand Prix title is also up for grabs with a $5000 AUD prize in Australia, and $5000 NZD on offer in New Zealand.

The judging panel includes Adele Winteridge, Director of Foolscap Studio; Jean-Pierre Biasol, Director of Biasol Design Studio; Jonathan Richards, Director of Richards Stanisich Architecture; Kathryn Robson, Director of Robson Rak Architects & Interiors; and Toni Brandso, Director of New Zealand’s Material Creative.

Winners will be announced in the coming months.

For more on the awards | Painted brick houses: Three readers share before & afters

Categories
Art Interviews

Artist Alizon Gray brings calm in challenging times

“I am hoping that I can bring a little bit of beauty to the world when it all seems so ugly. Maintaining hope and an appreciation for beauty is so important in times like this,” says Melbourne abstract artist Alizon Gray whose colourful yet calming works are just the antidote in times like now.

While acknowledging that her latest works have been created against a shambolic global backdrop, Alizon is hopeful that her beautiful oil paint creations cut through, bringing joy in this incredibly anxiety-provoking time.

Artist Alizon Gray in her Melbourne studio
Artist Alizon Gray in her Melbourne studio

“Considering the current mood of the world and the fear that many people have been experiencing in relation to climate change and now the coronavirus, I am focusing on making paintings that are quiet and calming. I am using lots of different colours in the paintings but working towards harmony in the marks and colours in the final layers,” says Alizon who graduated with a Bachelor of Fine Art (honours) from the Victorian College of the Arts and works out of a home studio in the Melbourne suburb of Northcote.

'Frost' oil on canvas
‘Frost’ oil on canvas

'Prosecco' oil on canvas
‘Prosecco’ oil on canvas

Describing her paintings as ‘abstract landscapes,’ Alizon uses minimal mark making around the edge of her paintings, leaving a calmer contemplative painted space within the interior.

“There is usually a horizon line in them somewhere; but I don’t like to be prescriptive about it. Often people will tell me that they see all sorts of images in my work that I would never have seen. I think that what we each see in any abstract work is very personal, and whatever we get from it is totally valid,” says Alizon.

'Forest' oil on canvas
“I spend a lot of time looking at my paintings as they develop and enjoy watching the different colours hum or settle as the layers build,” says Alizon.

An obvious colour lover, Alizon also finds inspiration in colour itself and is a big fan of Ken Done and his painting philosophy. “I love his idea that paintings can be beautiful objects that grow with you and give you pleasure over time, that you can find something new every time you look at them,” says Alizon.

'Florentine,' oil on canvas
‘Florentine,’ oil on canvas

And while she’s held many solo and group exhibitions since graduating, her most recent achievement is very impressive indeed. Alizon has just been announced as the winner of Fenton & Fenton’s inaugural ‘Australian Rising Talent’ artist search.

Calling Fenton & Fenton ‘an institution,’ Alizon is very excited about the possibilities that may open up from showing her work through the business. “I’m also thrilled to have the chance to share my work with a new audience.”

Photography: Dave Kulesza

Shop Alizon Gray’s work online | Covet my Coffee Table with Lucy Fenton of Fenton & Fenton | Sustainable design underpins Melbourne cottage reno

Categories
Design Interviews Styling

Becoming a stylist: Aisha swaps IT for interiors!

An IT career seems an unlikely beginning for an interior stylist but it’s the story of Melbourne’s Aisha Chaudhry. Like many women, the career change was initiated by a maternity leave stint, when Aisha decided to leave the IT world behind and study a Certificate IV of Interior Design & Decoration at RMIT.

“I spent three years completing the course part time while raising kids,” says Aisha, who also used the time to assist family members with renovation advice, build two different homes for her family’s property portfolio and work in a design capacity on a series off-the-plan townhouses. Busy much?

Aisha Chaudhry
Styling: Aisha Chaudhry for Greenhouse Interiors | Stylist assist: Jessica Retallack, Justine Lanigan and Sophie Barratt | Photography: Armelle Habib

But it’s one thing to complete a course and quite another to actually find work in the uber-competitive interior styling field. Which is where Aisha’s relationship with Julia Green of Greenhouse Interiors proved integral.

“Everywhere I looked employers wanted experience, and no one was interested in hiring a fresh graduate. So, I started attending different events to network and see if I could volunteer my time somewhere to gain experience.” She attended a couple of Julia’s styling masterclasses before asking if she could assist on a shoot.

Aisha Chaudhry
Styling: Aisha Chaudhry & Jessica Retallack for Greenhouse Interiors | Stylist assistant: Kendall Troon | Photography: Armelle Habib

“Julia was kind enough to offer me the opportunity but after assisting her on my first shoot, I was not sure if I was going to get another opportunity. I learnt a lot on the day and saw how much effort goes into creating one shot and seeing the final images just blew my mind.” Aisha was instantly hooked.

Aisha Chaudhry
Aisha Chaudhry

“The hardest part for me was to put myself out there and trust in my abilities,” says Aisha whose courage has since reaped reward after reward. Not only has she gone onto assist Julia myriad times, but she’s also had the honour of styling her own shoots too. “Aisha has become my most loyal and trusted style assist over the years and is now so accomplished I trust her with entire campaigns, and this is a first for me,” says mentor Julia.

Aisha Chaudhry
Styling: Aisha Chaudhry for Greenhouse Interiors | Stylist assistant: Jessica Retallack | Photography: Armelle Habib

Aisha’s Pakistani background was certainly an easy fit for the colourful Greenhouse Interiors aesthetic. She moved from Pakistan to Melbourne with her family in 1995. “Coming from a heritage that is full of colour, I am naturally attracted towards colour and pattern. I still go back to my home country and always come back inspired. In our traditional clothes we use a lot of colour and pattern which is the main influence for me.”

Aisha Chaudhry
Styling: Aisha Chaudhry, Jessica Retallack, Justine Lanigan and Sophie Barratt for Greenhouse Interiors | Photography: Armelle Habib

Photography: Armelle Habib | Styling: Aisha Chaudhry

For more on Aisha and her business Interior Designstein | Before & after: Stylist Julia Green revamps living room

Categories
Bedrooms Design Designers Homewares Interviews Shopping

Sage x Clare’s fab new Ibiza-inspired autumn range

Harlequin prints combined with Moroccan stars and statement animal print? It sounds like an impossible mix but not when left to the talented folk at Sage x Clare. Influenced by the iconic Spanish island of Ibiza, the new range ‘Le Tigre’ has a free-spirited feel with hand drawn florals and a heady 70’s infused colour palette, plus plenty of the brand’s signature handmade details.

Sage x Clare
Sage x Clare’s new ‘Passa Velvet’ bed cover is a stunner!

“I became enthralled with an image I saw online of a boutique hotel in Ibiza called Los Enamorados. This image then inspired me to have a look further into Ibiza, beyond my stereotyped view of the ‘party’ isle and what I discovered was another much lesser-known and charming side. A side that was all about quiet villages and off-the-beaten-track beaches, lived in by all types of creatives who bring an edgy and hip vibe to the area,” says Sage x Clare’s designer Phoebe Bell.

Sage x Clare

Sage x Clare

The inspiration has resulted in more of the luxe bohemian vibe we’ve come to associate with the brand. “I fell head over heels for the imagery capturing crystal clear waters and hidden sandy coves and felt compelled to try and capture this laidback sense of bohemia in our next collection,” says Phoebe of the Spanish inspiration.

Sage x Clare

Sage x Clare

Fans of the brand will be excited to see that this range includes a rather fabulous selection of womenswear; as a mother, with another child currently one on the way, a desire to create comfortable yet stylish womenswear makes a lot of sense.

“I’m really excited about our first foray into womenswear and let’s face it, it was always bound to happen! We’ve designed leggings and sweaters that can effortlessly take you from home to the cafe and back again. Comfy yet stylish is always my go-to,” says Phoebe.

Sage x Clare
Pieces from Sage x Clare’s fun new womenswear range

The brand went through many iterations of the apparel to make sure it was perfect. “We needed to have the softest of soft material, plenty of stretch to make it comfortable and just the right amount of material for just the right fit. We love a baggy jumper, but baggy leggings? Nah!” says Phoebe.

Sage x Clare
Be still my beating heart…

Of her favourite pieces, Phoebe struggles to choose but she’s rather fond of the new Passa Velvet bedcover. “I always love to update my tufted throw and I’m crushing over the colour palette and versatility of that one; I just can’t decide which side I like the best as I’m a sucker for animal print anything!” says Phoebe.

Sage x Clare

There’s a new line-up of door mats too – there’s one that reads ‘G’day’ while a leopard print and 1960’s inspired daisy print one rounds out the mix.

Sage x Clare

With a new baby on the way, Phoebe is rather invested in the range’s children’s offering. “I’ve got my eye on quite a few things from our Kids + Baby range, in particular the sweet bird print on our Casanita baby blanket, the adorable Rari woven wall hanging and the Ethel patch cushion is a new fave that I could style both in-and-out of the kids’ rooms,” says Phoebe.

Sage x Clare
Pieces from the kids’ range

Ultimately though, it’s the usual mismatch of prints and colours that excites Phoebe the most. “We’re proud to design prints that unexpectedly and expertly clash with one another. I also can’t wait to see how our customers choose to style prints from the new range; they always inspire me just as much as the collection itself does!”

Sage x Clare

Photography: Armelle Habib | Styling: Noël Coughlan

Shop the range online | The best places to buy Australian bed linen online

Categories
Expert Tips Interviews Kids Rooms

2020 trends: Warm neutral paint colours are back!

After a decade where cool paint tones reigned supreme, warm neutrals are back on-trend if the latest from Dulux is anything to go by. The work of stylist Bree Leach, a bland white child’s room was imbued with gorgeous warmth courtesy of Dulux ‘Pancake Mix,’ a biscuity, putty-like clay tone that completely transforms the space.

Part of the paint brand’s ‘Grounded’ palette (one of four trend palettes identified in the 2020 Dulux Colour Forecast ‘Essence’), the palette combines warm biscuit tones derived from nature with touches of muted coral, mauve and gold for a contemporary edge. Who would have thought that such warm tones could look so modern?

BEFORE
BEFORE

AFTER
AFTER: The ‘Grounded’ palette is versatile enough to work in a girl or boy’s room

“We’ve seen a much more tonal palette coming through this year. The bold colour contrasts of previous years have made way for subtle layering of natural hues. Depth is added through texture and materiality,” says Andrea Lucena-Orr, Dulux colour and communications manager.

While the original room was fairly monochrome, it did have great features for Bree to work with including a high ceiling, solid timber floor, French doors, plenty of natural light and a striking brick fireplace. The colour palette was less than optimal however; all-white, it was fairly uninviting which is not exactly the vibe that you want in a child’s room!

BEFORE
BEFORE

AFTER
AFTER. That pretty lavender paint colour offsets the warmth in the room, keeping the look rather modern.

“I wanted to add warmth and personality to the space so that its little occupant would enjoy spending time here. I aimed to highlight the room’s best features, detract from the less appealing ones, and spend next to nothing,” says Bree who kept the budget in check by retaining key furniture pieces such as the room’s toddler bed (with timber detailing), and the curvy armchair and ottoman.

AFTER
AFTER: Don’t add too much clutter to a child’s room, particularly if it’s small, as you want to give them space to relax and play.

“When you’re choosing a palette, it’s best to start with one main colour, which you can use across large expanses, such as walls, then a supporting hue and one or two accents,” says Bree.

The room’s existing warm white (Dulux Wash&Wear in Natural White) was retained for the fireplace and ceiling but Bree chose a soft clay (Dulux Wash&Wear in Pancake Mix) for the walls as a feature, to tie in with the warmth of the timber floor and the detailing on the bed. A muted lavender (Dulux Wash&Wear in Hint of Lavender) was chosen for the new door on the fireplace opening, and Bree added touches of coral in the bedding.

AFTER

“We made the bed the hero of the room by piling it high with comfy pillows and using bedlinen in shades of grey and coral. An inexpensive rug adds softness underfoot – its round shape echoes the curves in the furniture. To accentuate the fabulous fireplace, we kept it white to subtly contrast with the walls.”

Styling: Bree Leech | Photography: Lisa Cohen

For more on Dulux | Australian bathroom trends: February 2020 edition

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Design Designers Homewares Interviews Shopping

Marmoset Found latest: Balloon shaped glass vessels

Following on from the success of the brand’s hugely popular ‘Omari Glass’ range, Melbourne’s Marmoset Found is back this month with another covetable line-up of glass and ceramic vessels. The Balloon collection is inspired by its namesake as well as the rich landscapes of Sri Lanka; lush tea plantations, waters filled with sea turtles and bright sari-clad women.

The Balloon collection
The Balloon collection is named after the balloon-like shape of this design

Marmoset Found owner Nareen Holloway recently spent a month in the island country; an experience that proved integral in creating the new range. “I spent several days amongst the tea plantations where I watched the Tamil women gracefully fill their sacks with fresh tea leaves. The women were easily spotted amongst the huge lush mountains by the colourful saris they were in. Their gorgeous rich blue and pink hues inspired the palette for the new collection,” says Nareen.

Marmoset Found

But unlike the bold colours found in a sari, the colours in the range are fairly muted; something of a Marmoset Found design signature. There’s rose pink, ink blue, stone grey and a brand new soft green.

A highlight of the range, the Balloon vase works equally well with foliage, as a stand-alone piece or grouped in a cluster. The refined, spherical shape is designed to catch the light.

Balloon vase
The Balloon vase

The brand’s hugely popular Memphis and Aswan styles both sold out within weeks from launch last year; they’ve been reimagined in green. “We have introduced the softest green to these designs which looks lovely clustered with the Rose or Storm vases,” says Nareen.

The Aswan and Memphis vases have been created in soft green
The Aswan and Memphis vases have been created in soft green

A brand staple, since its inception almost a decade ago, the Tulip ceramic vase line-up has been expanded beyond its colour range that includes icy pink, dove grey, moss green and steel blue. “I absolutely love the new Tulip vase in terracotta! It is such a rich, earthy tone and looks so beautiful paired with our icy pink pieces. This colour works for just about any interior colour scheme,” says Nareen.

The Tulip range has been expanded to include a rich terracotta tone
The Tulip range has been expanded to include a rich terracotta tone (seen here in the centre)

Photography: Armelle Habib | Styling: Julia Green for Greenhouse Interiors, assisted by Jessica Retallack

Shop Marmoset Found online | Target’s fab new ‘Jaspandi’ homewares range

Categories
Design

Quick colour guide: Which ones work best in each room?

The following is an extract from The Little Book of Colour by Karen Haller, published by Penguin Books.

When we understand that every colour can be used to create a positive emotional response, it becomes a powerful tool to affect our wellbeing; it has a transformative effect on how we feel, think and behave. Following is a quick reference guide as to how to use colour in different rooms.

Red
Image: Shutterstock

RED
Some popular names:
 Rust, russet, cherry, strawberry, maroon, watermelon, pillar-box, burgundy, fire-engine
Positive effects using the right tone for you: Feelings of physical energy, excitement, strength and courage
Adverse effects using the wrong tone or too much: Can feel overheated and aggressive, can lead to feelings of impatience or being emotionally overwhelmed

Ideal area in the home

  • Bedroom – passion (lust)
  • Dining room – can stimulate conversation (though too much red can turn a discussion from friendly to heated)

Best avoided

  • Any room that feels hot, like a kitchen, or receives full direct sunlight
  • Study, meditation room, as can overexcite

Image: Philipp Shurev/Shutterstock
Image: Philipp Shurev/Shutterstock

PINK
Some popular names:
 Pastel pink, nude, shell, rose, dusty pink, blush, fuchsia, magenta
Positive effects using the right tone for you: Feelings of maternal love. Nurturing, compassionate
Adverse effects using the wrong tone or too much: Can feel emotionally fragile, emasculating, physically draining

Ideal area in the home

  • Nursery – eases tension, soothing

  • Bedroom – can help with grief or loneliness

Best avoided: Avoid soft pink in a home gym, as it’s physically soothing

Image: Shutterstock
Image: Shutterstock

YELLOW
Some popular names: 
Daffodil, buttermilk, magnolia, saffron, lemon, sunflower, mustard, fluorescent yellow
Positive effects using the right tone for you: Feelings of happiness, optimism and confidence
Adverse effects using the wrong tone or too much: Can feel overstimulating, can lead to irritability and feelings of anxiousness

Ideal area in the home

  • Hallways – these are usually dark without much, if any, natural light.
  • Breakfast areas – great if you wish to create a sunny, happy way to start the day
  • Brightens a dark space
  • Can create a sense of light, warmth and a friendly welcome

Best avoided

  • Bedroom – over time, a yellow bedroom is likely to mean waking up irritable and annoyed
  • Babies are very sensitive to colour frequencies, so avoid using cream, which also contains yellow
  • Spaces that already feel overheated

ORANGE
Some popular names:
 Terracotta, amber, peach, apricot, burnt orange, salmon, pumpkin, Persian orange

Positive effects using the right tone for you:

  • Feelings of fun, playfulness and joy
  • Supports feelings of physical comfort, security and warmth
  • Stimulates appetite
  • Feelings of sensuality and passion

Adverse effects of using the wrong tone or too much

  • Can feel too playful and over-stimulating
  • Too frivolous

Ideal area in the home

  • Kitchen, dining room – encourages socialising and stimulates appetite
  • Bedroom – look for soft peach and apricot tones

Best avoided: Study, meditation room – as orange can be playful and fun, you may find it difficult to concentrate

Image: Ayman Alakhras, iStock/Getty Images
Image: Ayman Alakhras, iStock/Getty Images

BLUE
Some popular names:
 Sky blue, duck egg, periwinkle, navy, royal blue, turquoise, petrol, teal, powder blue, midnight blue

Positive effects using the right tone for you

  • Light blue creates feelings of calm and serenity
  • Can aid in reducing mental stress and relieving tension
  • Dark blue aids focus and concentration

Adverse effects using the wrong tone or too much: Can feel depressed, withdrawn, cold

Ideal area in the home

  • Bedroom – light blue helps to relax the body and prepares us for sleep
  • Study – light blue for creative, ‘blue sky’ thinking, dark blue for focus and concentration
  • Bathrooms – turquoise for morning energising and waking up the body and mind

Best avoided

  • Kitchen and dining areas – as blue can aid in suppressing the appetite
  • Spaces that already feel cold

Image: Jonny Valiant
Image: Jonny Valiant

GREEN
Some popular names:
 Apple, mint, forest, bottle, sage, jade, moss, pea green, pine, chartreuse, seafoam, pistachio, aqua, emerald, khaki, olive

Positive effects using the right tone for you

  • Creates feelings of harmony, peace, reassurance
  • Restorative, restful and tranquil
  • Lighter greens can be refreshing
  • Can help us to feel connected to nature

Adverse effects using the wrong tone or too much: Feelings of stagnation and lack of motivation

Ideal area in the home

  • Bedroom, study, home office, living room
  • A psychological primary colour – restorative and rejuvenating for the holistic whole

Best avoided: Using lime green in the bedroom – the yellow in this overstimulates the nervous system

Image: Nicholas Bjorn, product designer, NICHBA DENMARK
Image: Nicholas Bjorn, product designer, NICHBA DENMARK

BLACK
Some popular names:
 Onyx, jet
Positive effects using the right tone for you: Sophistication, glamour, aspirational, protected
Adverse effects using the wrong tone or too much: Oppressive, cold, menacing, straining, intimidating

Ideal area in the home

  • Recommended for use only by those who have black in their tonal colour family
  • More supportive dark colours are dark browns, purples or blues

Best avoided: A room that already feels cold, small or with little light, as it will make the space feel smaller and possibly claustrophobic

WHITE
Some popular names:
 Ivory, oyster, pale cream, pure white, Brilliant White
Positive effects using the right tone for you: Clarity, purity, cleanliness, simplicity, sophistication, efficiency
Adverse effects using the wrong tone or too much: Isolation, sterility, coldness, unfriendliness, elitism
Ideal area in the home: Kitchen, bathroom (accent colour) – creates feeling of cleanliness
Best avoided: If white makes you feel very cold, then avoid using as the main colour. It can also feel sterile and isolating

Download the first chapter or purchase The Little Book of Colour

Categories
Design Designers Expert Tips RENO ADDICT Shopping Styling

Interior design trends 2020: Josh & Jenna’s picks

Whether you are renovating a home because it’s new, or you want to increase your comfort and enjoyment, it’s important to keep up-to-date with the most relevant interior trends and styles. According to a recent study, 1 in 6 Australians have home renovations on their wish list but are unable to currently afford home improvements.

Ex Blockheads, HPM ambassadors and home renovation experts, Josh and Jenna Densten, share their top four interior design tips for 2020, designed to make renovating your home simple and cost efficient.

Josh and Jenna
Josh and Jenna Densten in their new North Melbourne home

“We love the finished result of our home. The intricate details, small finishings and simple gadgets we have carefully selected help make our home practical yet adaptable. To make our house feel like a home, we source each item carefully to ensure it marries with our overall aesthetic for a calming yet homely feeling, that is perfect for our growing family,” says Jenna Densten.

Consider colour
Studies show that colours can affect our mood. Therefore, when renovating it’s important to select colour schemes that evoke complementary emotions to the space you are trying to create. In 2020, we can expect to see more houses utilising warm and earthy tones, like clay, to create a relaxing and comfortable atmosphere.

If you’re worried about making permanent changes with colour, start small by adding pops of colour using kitchen appliances, light switches and cover plates, and art work.

Colour is the hero in Josh and Jenna's children's room
Colour is the hero in Josh and Jenna’s gorgeous children’s room

Mix metals and materials
For novice renovators or home builders, mixing metals can seem like a big ‘no go’. However, by following some simple rules it can transform a boring all white space into an interior gold mine. Balance warm and cool metals by using one as the dominant feature and the other as an accent. This typically works well in bathrooms, kitchens and for ceiling spaces.

Seen on the right, the HPM Excel VIVO Coverplates range is available in a range of colours to suit your personal taste. The cover plates easily clip on/off making them simple to alternate colours as your preferences change.
Brass & copper: Seen on the right, the HPM Excel VIVO Coverplates range is available in a range of easy to change colours to suit your personal taste.

Shape and size
This year curved and cylindrical shapes will evolve as these free form shapes become increasingly popular. Simultaneously, modern finishes and clean lines add luxury appeal. Pendant lights, often referred to as the ‘jewellery of lights,’ are a simple home feature that can tap into these design aspects to either highlight the size of a room, or create an intimate, ambient mood.

Pendant light
This gorgeous pendant light works a treat in Josh and Jenna’s lounge room

Less is more
As open floor plans continue to be the trend for new homes, it’s important to make your space functional and practical. To save space in your home office or kitchen pantry and to keep them tidy, simple gadgets like the HPM wireless charging pad can charge your phone, laptop and wireless earbuds without the hassle of cords.
Josh and Jenna
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Design Homewares Interviews Shopping

Ceramics Australia: Jones & Co latest a colour hit!

Just when you thought its wares couldn’t get any better, the latest Jones & Co range dropped this week and we’re hard pressed to pick a favourite piece. The brand’s mission is “to make the most interesting ceramics on the planet” and we think they’re doing a damn fine job of it. The latest collection is brimming with colour, pattern, texture and so much joy.

The brand's iconic tweed pots are back with a face lift
The brand’s iconic tweed pots are back with new colours and patterns

“The inspiration behind our latest collection is colour in all its forms! From splashes to spots, stripes and blotches, nothing gets our heart racing more than a great colour palette. Joy is a big focus in our design process and colour is at the heart of that,” says Jones & Co creative director Jennifer Sampson.

Jones & Co

Bud vases
Bud vases

Long-time fans will be delighted to find a new line-up of the brand’s iconic face vases while the face planters feature some of their most fun faces yet; there’s Iris Apfel, Salvador Dali and Elton John.

New face planters include Dali, Iris and Elton
Fun new face planter designs include Dali, Iris and Elton

There's a new line-up the cult face vases
There’s also a new line-up the cult face vases

The ‘Wild At Heart’ series features panther pots, Tibetan Tiger planters and a panther print pot alongside a series of pots emblazoned with gorgeous desert scapes.

We love those panther print pots!
We love those colour blocked panther print pots!

The female warrior series is back in a lovely porcelain palette, and this time there’s male silhouettes in the mix too. Produced by an artisan factory that the brand has been working with for over 14 years, these are some of Jennifer’s favourite pieces. “They are made by a small family run business that we love to constantly reinvent with, and it means so much to us personally when the pieces are so warmly received by our customers,” says Jennifer.

Female warrior series
Female warrior series

The Westwood range, with its stripes and spots, is another highlight for Jennifer. “It really celebrates the colour and hand painting that is synonymous with who we are. There’s great wheel thrown terracotta shapes in super fun patterns, and a great colour combo of soft pink, peach and navy blue on a crisp white base,” says Jennifer.

The Westwood range
The Westwood range

We love these uber on-trend line drawn face vases
There’s uber on-trend line drawn face vases too

Shop online | Covet My Coffee table with Miss Jones

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Interiors Addict

Artist Joan Blond’s work filled with joie de vivre

Yarra Valley artist Joan Blond raised three young children and worked in the corporate world for 21 years (as an executive PA for a partner of a law firm), before taking the plunge and pursuing a full-time art career.

“I have always loved painting and have dabbled for years. When my children grew up and left home I started painting seriously again, and people started asking if they could purchase my work,” says Joan who has since become something of a household name, no doubt in part because one of her works featured in the 2018 season of The Block.

Joan Blond

Self-taught, Joan paints intuitively, drawing from every life and memory, using acrylic and oil paints as well as inks. “Over the years I have attended quite a few workshops run by various artists and picked up some interesting tips,” says Joan who now runs her own workshops out of Geelong’s Artworx, when time permits.

Joan Blond

Describing her work as abstract expressionist in style, her latest collection is inspired by the rural milieu that surrounds her home. “It features abstract landscapes. I cover my canvas in semi-abstract plants, flowers and leaves in various colours and then use line work and dots to add texture and interest,” says Joan of her unique style. Multi-layered and colourful, the closer you get to each piece, the more detail you notice.

Joan Blond

“I get a lot of feedback from people who say that my paintings evoke feelings of happiness and that people find them very uplifting. I find great fulfilment in delivering work that brings happiness and excitement,” says Joan.

Joan Blond
Artist Joan Blond with one of her works

Bold colour and pattern aside, Joan’s works are often large in scale too; many of them are over two metres wide which can make for a logistical challenge when working inside her small studio. “Eventually I would like to find a larger space to work from, but I love where I live and appreciate the rolling hills and beautiful gum trees that I can view through floor to ceiling glass windows.”

Photographer: Stephanie Rooney | Stylist: Alex Carter at Harlow + Willow | Stylist assistant: Erin Mellington

For more on JoanThe artist who saved a house deposit by drawing houses

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Art Interviews

Feliz Home co-founder launches painting career

If you’re a long-time reader, you’ll be familiar with the lovely homewares label Feliz Home as we’ve featured it many times. Specialising primarily in bedding, the boutique brand was co-founded by Geelong-based Janey Forbes who recently made the decision to sell the business to explore a full-time career as an artist.

“Designing, painting and drawing were always the most enjoyable parts of running a bedding business and I’ve always had a burning desire to paint and create. The time feels right to move a bunch of obstacles out of my way and see what happens if I have the chance,” says Janey, who recently joined the Greenhouse Interiors stable after Julia Green got in touch.

Jane Forbes
‘Pretty Young Thing’

Describing her career trajectory as ‘really curvy,’ the latest move doesn’t look that surprising when you consider Janey’s past which has included roles in event management, product development at Hallmark Cards and a stint in the not-for-profit sector inspired by a year spent in South America. “After all that, I had my first child, and while on maternity leave, I felt I had to do something!” says Janey who started Feliz Home with her friend and former work colleague Melissa Alessi in response.

Jane Forbes
‘Air Waves’ and ‘Wanderlust’

“We threw ourselves into Feliz with very little experience in bedding, screen printing, running a business and motherhood; we were both juggling it all!” says Janey who started the business by importing an array of organic cotton from India and simply taking the plunge. “Our dream was to be creative and in control, rather than world domination. We earned some amazing exposure early on and grew a loyal customer base. It was exciting and I’m so proud of the path that the brand took. It was the hardest thing I’ve ever done, but by far the most rewarding,” says Janey.

'The Florist'
‘The Florist’

Seven years on, Janey and Melissa decided to sell Feliz Home, rather than simply close it. “We felt that we had put so much work into this little baby of ours, we really wanted to see it live on with some new energy,” says Janey who advertised, and was thrilled to find new owners eager to inject more love into the business.

'Shapely' and 'The Diva'
‘Shapely’ and ‘The Diva’

As for her paintings (featured here), Janey is inspired by the way that children paint without inhibition and she’s a colour lover too. “My work is colourful, layered, a bit quirky and evolving. Whatever it is about the human brain, colour has so much power over us. I love colour and shapes that you want to wrap yourself in. Ultimately, my paintings are all trying to express some fun and beauty.”

Photography: Armelle Habib, assisted by Edwina Hollick | Styling: Jessica Retallack & Aisha Chaundhry for Greenhouse Interiors, assisted by Kendall Troon

Shop Janey’s work online | The artist who saved a house deposit by drawing houses

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Bathrooms Before & Afters Design House Tours Interviews Kitchens Real Renos RENO ADDICT

1970’s Sydney brick & weatherboard reimagined in blue

No way was I going to install a white kitchen, I do that all too often for my clients! I knew, for my own home, that I wanted a colour, and l love blue,” says interior designer Anoushka Allum of Smartspace Interiors, when faced with her own home renovation in Sydney’s Wahroonga.

BEFORE kitchen
BEFORE kitchen

AFTER kitchen
AFTER kitchen

The kitchen, complete with v-groove panelling in Dulux ‘Buoyant’ and timber handles, is a standout space – the soft mid tone is a fabulous alternative to classic navy. “In terms of trends this colour is neither on, nor off trend. I just love it so for me it will always be on trend! If you want to do something different you need to commit wholeheartedly. And you need to LOVE it,” says Anoushka.

AFTER dining
AFTER dining

The space is complemented by nearby custom blue-toned banquette seating which makes a lovely eating nook for Anoushka and her husband. Original artworks by Queensland artist Hayley Wills complete the space.

from Globe West,” says Anoushka. The artwork is from Urban Road.
AFTER entry. “I love this statement sideboard from Globe West,” says Anoushka. The artwork is from Urban Road.

Built in 1975, the original brick and weatherboard home had a distinct 1970’s vibe (which appealed to Anoushka), who then went about updating it for modern living. Aesthetic changes aside, the update also included increasing the size of the two bathrooms and the guest bedroom. “We sacrificed one of the original five bedrooms, but it has created much more usable spaces,” says Anoushka.

BEFORE lounge
BEFORE lounge

AFTER lounge
AFTER lounge

AFTER lounge
AFTER lounge

The tranquil feel is a constant throughout the home, most notably in the master bedroom where the lovely pale green Dulux ‘Pattypan’ takes centre stage. “I get a lot of comments on that paint colour as well as the kitchen cabinet colour,” says Anoushka. The main bathroom wall tiles are also a treat – the pearl grey Gesso penny rounds impart subtle texture.

BEFORE master bedroom
BEFORE master bedroom

AFTER master bedroom
AFTER master bedroom

AFTER master bedroom. The wall strap lights are from Lighting Collective.
AFTER master bedroom. The wall lights are from Lighting Collective.

“I’m proud of the peaceful flow throughout the home. Moving from one room to the next the textures, materials and colours all hang together well to create calm, balanced rooms. The kitchen is by far my favourite room. It’s a real feature in terms of design and it’s the heart of the home, as every kitchen should be.”

BEFORE main bathroom
BEFORE main bathroom

AFTER main bathroom
AFTER main bathroom

AFTER main bathroom
AFTER main bathroom

Photography: Liam Molloy

For more on Smartspace Interiors | More before & afters

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Art Interviews

Brisbane artist Beth Kennedy’s childhood calling

We’ve profiled many artists but it’s not often that we find one that was convinced of their career path as a child. “When I was about 16, I decided that I wanted to be a painter. I’d always loved to paint and draw and was loving my art classes in high school. I never wanted to do anything else,” says Brisbane artist Beth Kennedy who went on to study a Bachelor of Visual Arts at the Australian National University.

Beth Kennedy
‘Turning Tide’

After graduating, numerous group and solo exhibitions followed (Beth still exhibits at Anthea Polson Art Gallery on the Gold Coast), as did a number of magazine appearances. Beth’s work has appeared in Australian House & Garden and Belle magazine amongst others. For the last couple of years, she has been represented by Greenhouse Interiors who sell her original framed paintings and limited edition prints. “It’s been wonderful to be a part of such a dynamic, supportive and colour-loving group,” says Beth.

Beth with her painting 'Peachy'
Beth with her painting ‘Peachy’

When it comes to her practice, Beth loves working with acrylic paint, gouache, watercolour, liquid acrylic and ink. She always starts by drawing from life before enlarging the image onto canvas and ‘washing in’ the image. “My paintings do seem to have minds of their own, quite often taking directions that I hadn’t anticipated – the ‘happy accidents’ that occur when I’m painting are all part of it for me and quite often my favourite parts of the painting,” says Beth.

Beth Kennedy
‘Birdsong’

Beth’s latest body of work is about the light and shade in life; loss, betrayal, acceptance and love. “There’s always an emotional narrative driving the painting – my stories and the stories of those around me. My paintings are layered labours of love; opaque areas of paint, patterns and lines all dance in and around each other as the paintings come to life,” says Beth.

Beth Kennedy
‘Silver Lining’

Beth’s influences are a disparate bunch – she’s particularly inspired by Australian artists Del Kathryn Barton and Cressida Campell as well as Japanese woodblock prints. “The flattening of the image has intrigued me since I was a student,” says Beth who turns to interiors magazines, fabrics and wallpapers for inspiration too.

“Also, I love a pop of neon, usually hot pink! To this and other shades of pink, I add blues, greens, oranges and black.”

Photography: Mindi Cooke | Styling: Antler & Moss and Debbie Lymbery

Shop Beth’s work online | Aliki Kapoor: Melbourne artist who started in fashion

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DIY Interviews Styling

Christmas styling tips from DIY queen Annie Sloan

Chalk paint and DIY doyenne Annie Sloan is known for producing beautiful imagery, but this year’s Christmas pics stopped us in our tracks. Completely free of the usual Christmas tropes, Annie has a sophisticated and stylish take on the festive season. We caught up with her to tease out her best Christmas styling tips.

Annie Sloan
This dreamy sage green is such a beautiful alternative for Christmas

The role of colour at Christmas
Just like any other time of year, colour has an enormous impact on the way your home can feel at Christmas time. It pays to ask yourself, what is the holiday vibe you are going for? “Do you want your inside to reflect a winter wonderland in contrast to the warm summer outside? Or do you want to bring that warmth into your home too?” says Annie.

For instance, blues, silvers and whites can feel cold (which may be the frozen, stylish look you’re going for), while reds, golds and yellows will have a warmer feel.

Annie Sloan
Navy looks fabulous at Christmas time

Think beyond red, green & white
Many people have been thinking well beyond the usual red, green and white for a while now and it’s something that Annie encourages. “Any colour scheme can be made to feel like Christmas, especially in warmer climates such as Australia. Play on the red and green scheme and use a pastel pink or go deep and royal with purple and gold. The colour you use doesn’t really matter, it’s what you do with it,” says Annie.

Annie Sloan

And as for the key to pulling a diverse colour palette together, it’s all about metallics. “Whether gold, silver or even copper, metallics make a space feel more festive,” says Annie. We concur!

Annie Sloan

Easy DIY decorations
Christmas DIY projects are a great way to reuse old decorations and upcycle second-hand ones; both great options for minimising waste and environmental impact. I love painting ornaments for Christmas – it’s an amazingly therapeutic exercise and one you can do with all ages, from grandchildren to grand friends!” says Annie.

Try painting or gilding pinecones – they can be used as table name holders, tree baubles or even bunting.

Annie Sloan

Christmas styling 101
“I have frames dotted all over my walls in varying size and placement, as well as furniture and sculpture dressing every wall. This keeps the eye moving throughout a room and makes the most of vertical space as well as horizontal space,” says Annie who recommends translating this idea to the festive season by placing presents and candles around the room at different levels – not just on the floor.

“Also, how about a bar stool with a gilded wreath on it? Or baubles hanging from the ceiling?” says Annie.

For more on Annie Sloan | Christmas candles 2019: The most stylish & best scents

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Art Interviews

Artist profile: Alesandro Ljubicic’s uplifting florals

Known for his large scale, vibrant florals and impasto technique, we’ve long admired the work of Sydney artist Alesandro Ljubicic. One for colour lovers, Alesandro’s work centres around his passion for colour and a natural, gestural use of paint.

“My work has no demons or dark metaphors; it is simply full of positive energy, with flowers picked at their peak and recorded in paint. It’s about celebrating and prolonging the joy of the moment and life in its prime,” says Alesandro who explains that if there is a metaphor to be had, it’s “all is well.” How refreshing!

Alesandro in the studio
Alesandro in the studio

Born in central Bosnia and Herzegovina, Alesandro studied at Sydney’s National Art School and, since graduating, has exhibited with leading galleries in Sydney, Melbourne, Berlin and Montreal. His work can be found across the globe, housed in collections from New York to London, Berlin, LA, Hong Kong and Singapore. “Moving forward, I am in discussions with two galleries, both in New York and London,” says Alesandro.

One of Alesandro's recent works
One of Alesandro’s recent works

Alesandro uses pure oil paint, made from single pure pigment and linseed oil, to create his works. “I apply the paints with various tools of the trade such as large brushes and painting knives,” says Alesandro who had to switch to acrylic paint when creating his latest work – a large-scale installation inside the G.H. Mumm sponsored birdcage at this year’s Melbourne Cup. “It used acrylics over birch panel due to drying time and the scale of the work,” says Alesandro.

Alesandro with part of his Melbourne Cup installation
Alesandro with the bespoke work he created for this year’s Melbourne Cup

Working alongside fashion designer Dion Lee, interior stylist Nina Maya, presenter Kate Peck and surfboard entrepreneur Hayden Cox, the installation was designed to bring a boutique Parisian hotel feel to the heart of the birdcage. “We each contributed to the different experiences within the ‘Maison Mumm,’ from our respective fields. The bespoke piece of artwork I contributed draws on my signature style,” says Alesandro.

Alesandro
Alesandro’s corner of ‘Maison Mumm,’ found at this year’s Melbourne Cup

“G.H. Mumm’s cuvees have always been my champagnes of choice when celebrating my own successes, so when approached by the brand, the alignment felt organic,” says Alesandro.

Another of Alesandro's recent works
Another of Alesandro’s recent works

When not hard at work at the easel, Alesandro also runs The Sydney Art Store, a bricks and mortar Sydney retail outlet and online Australian art store. The store sells some of the world’s finest painting products including oil paints and acrylics from France, handmade paints from New York, and pastels and watercolours from Germany and America, as well as brushes and canvasses too.

Photography: Lucas Dawson and AKQA

For more on Alesandro | Artist profile: Grace Costa’s regal horse photography

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Art Interviews

Aliki Kapoor: Melbourne artist who started in fashion

It’s no surprise to hear that emerging Melbourne artist Aliki Kapoor has a background in fashion. Formally trained with a BA Fashion from RMIT Melbourne, her vibrant, colourful works could easily translate to textiles. “I have worked as a designer and product developer for many leading Australian apparel brands. I’m big on colour! I’m always looking at how to combine and complement different shades together,” says Aliki.

Aliki Kapoor

Always a keen drawer, Aliki has painted for years and it’s a practice she maintained outside of work, to keep her creativity flowing. But it was after the arrival of her first child that she really got serious about her art. “After stopping painting briefly, when my daughter was born, I decided to pick it up again and my art has grown organically since then,” says Aliki who works mainly with acrylic based paints and inks, plus a smattering of oils.

That organic, creative process has resulted in a distinct style that is abstract, free-flowing, intuitive, colour driven and spontaneous. “My work has lots of layers and a combination of bright and soft colour palettes, bold strokes, translucent drips and fine textural sketches,” says Aliki.

Aliki Kapoor

The artist also combines her love of architecture, nature, fashion, textiles and interiors into her works. “I love being influenced by the colour, shapes and silhouettes from nature, architecture, fashion and all things beautiful and feminine. I have a love of flowers and especially the way in which they are all individual,” says Aliki. Beautiful blooms form the basis of Aliki’s latest collection ‘Boho Gypsy,’ seen photographed here.

Aliki Kapoor

Aliki’s work can be purchased directly from her, or through a variety of homewares stores and galleries including Mynd Interiors, Crate Expectations and Arthouse Co.

Photography: Stephanie Roonie | Styling: Alex Carter from Harlow + Willow | Styling assistants: Aisha Chaundry & Nicola McFlinn

For more on Aliki | Artist profile: Farmer Kate Owen inspired by drought

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Design Furniture Homewares Shopping Styling

Home styling trends 2019: French Blue

A gorgeous smokey, grey-blue, I’m not sure there’s ever been a more beautiful uniform colour than that of the French infantrymen of the 19th century (seriously, Google it!). Rich and warm, French Blue also happens to look fabulous in the home; especially when paired with natural materials – think marble, stone and rattan. Oui, oui!

Jolie Paint in French Blue: A replica of the well-known paintwork that can be seen throughout the Palace of Versailles, this chalk paint is a beautiful shade for your next upcycling project. $55.50 (946ml)

Jolie Paint

Jolie Paint

Mustard Made ‘The Lowdown’ in Ocean: This multi-tasker works just as well as a console, TV station or even as home office storage. There’s one adjustable shelf inside as well as two handy hooks and a cable hole. $369.

Mustard Made

In The Sac sheet set in ‘Liberty’: While a splurge, this luxe sheet set is made from high-grade, flax linen and features two pillow cases, a very generously sized top sheet and a fitted sheet with 22mm thick tunnel elastic and french seam gussets. From $445 (double).

In The Sac

OZ Design Furniture Cruze sofa: This clean-lined, compact sofa is ideal for apartment living and its mid-century inspired exposed timber plinth, and legs, give it a point of difference.  $1,999.

OZ Design Furniture

west elm Ruby storage coffee table in petrol blue: Stylish and practical. We love how the top of this coffee table (made from walnut veneer) features two flip doors that lift up via gas-lift mechanisms, revealing hidden storage beneath. $699.

west elm coffee table

Adairs Kids Charlie velvet quilted reef quilt cover set: With a classic blue and white check on one side and soft quilted velvet on the other, this unisex quilt is ideal for a child’s room. From $119.99

Adairs Reef

Miss Amara Hadera blue transitional rug: A traditional pattern featuring a variety of gorgeous blue tones, this design has been finished with an intentionally faded look for that all-important vintage vibe. From $195.

Miss Amara

Home styling trends 2019: Statement vases!