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Expert Tips RENO ADDICT Styling

The colours set to dominate interiors in 2018

2018 is creeping up on us. Did you know it’s 16 weeks to Christmas? Agh! So, as we look to the year ahead, Dulux has announced its colour trends for 2018. A collection of globally inspired hues, breezy neutrals and muted shades, the trends include four carefully curated themes: Essential, Kinship, Escapade and Reflect.

So how are 2018’s trends different from the past? Dulux colour expert Andrea Lucena-Orr explains: “Natural, earthy colours and textures will be coming to the fore and there will be even more of an appreciation for the splendour of imperfection. At the same time, we’ll also see an inspiring travel palette emerging filled with palm prints, happiness and visual delights.

“Soft, greenish-greys and neutral pinks are predicted to be popular in 2018 as they provide the perfect base to experiment with many of the bolder brights coming through. We’ll also continue to see darker colours and striking hues being used in small doses to add dashes of drama to the home.”

Essential

With its predominantly muted palette, Essential will create a soft and peaceful setting through warm shades of leather and putty with cool grey-green. “From the four palettes of 2018, I predict this one will dominate,” says Andrea. “As home enthusiasts will appreciate how easily these colours can transform and update a space.”

Essential
Essential

GET THE LOOK: For a subtle effect try a soft pink such as Mornington Half paired with a neutral grey-green such as Spanish Olive.

Kinship

Mixing subtle neutrals with bolder hues derived from nature, Kinship is an exciting and eclectic palette that will rejuvenate any interior. Think terracotta, burnished red and faded green.

Kinship
Kinship

GET THE LOOK: Make a small space pop with Very Terracotta or for a moodier feel consider a charcoal such as Ruski.

Escapade

Be on holiday every day with a collection of saturated, summery brights that make you think of tropical beaches and cocktails by the pool. “Escapade is all about fun and adventure,” explains Andrea. “It’s a great example of how the emotional impact of colour can create a playful retreat with an added zest for life.”

Escapade
Escapade

GET THE LOOK: For an exciting and unexpected combination combine a teal such as Bondi with a greenish-yellow hue such as Pale Mustard.

Reflect

Celebrating ’70s glamour and ’90s swagger in an understated and thoroughly contemporary way, Reflect is all about decadent green, greyish purple and burnt rose.

Reflect
Reflect

GET THE LOOK: Add a touch of drama and decadence to your home with deeper hues such as Biro Blue or Bruised Burgundy.

Photography by Lisa Cohen | Styling by Bree Leech

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Art Interviews

The joyful art of Jessica Watts, inspired by vintage finds

Since her days working as an art director in New York City, Jessica Watts has been collecting discarded graphic ephemera. From vintage bingo cards and antique storybooks to old typeface compendiums and retro seed packets, the list is endless. However, it was an unexpected find in the early ’90s that inspired her to leave a career in advertising and become a full-time painter.

“I’ve been collecting wallpaper ever since I came across a couple of beautiful vintage rolls from the ’40s and ’50s at the 26th Street Markets in New York,” explains Jessica. “The pile grew over the years until it became obvious they needed to be revived in some way.” So came the idea for her Wallflower series.

“My work generally addresses stereotypes and attempts to reimagine fixed ideas,” says Jessica. “So I started to think about the era of wallpaper, when women were sirens, china dolls and wallflowers. The series is an exploration into beauty and the nature of feminine identity. In particular how appearances relate to the inner self and how beauty is more about the hidden than the revealed.”

The art making process begins with Jessica building timber boards, which are then wallpapered. Once dry, she beings painting, layer upon layer, with oils and sometimes a bit of house paint. The end result is feminine, joyful and original, something Jessica accredits to having no formal training.

“When I finished high school, I was leaning towards Fine Arts but my parents felt I should do something a bit more ‘practical’ with my creativity, so I completed a Bachelor of Design majoring in Visual Communications. As a result, I think I’ve been able to develop a painting style that is quite individual. It mixes influences from my background in graphics with techniques I’ve discovered through trial and error.”

Now based in Sydney, her days are spent working in a studio in the beachside suburb of Manly. And the days are long and busy at the moment, with Jessica preparing for two shows opening this September. “I have a solo show opening at Sogo Gallery in Yokohama City, Japan and I am also exhibiting in a duo show locally at Sydney Road Gallery (September 7-to-24) with fellow painter Fiona Chandler. It’s going to be bursting with springtime florals.”

Jessica’s artworks are available as originals and prints. She also does commissions.

For more on Jessica Watts | Affordable art

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Art Designers Homewares

Urban Road’s new collection an homage to the Australian summer

As I write this it’s pouring, my feet are hovering dangerously close to the fire and I am debating whether I should ever brace the outdoors again. So while those sweet, sun-kissed days are out of reach, I’m going to live vicariously through Urban Road’s latest collection Rhapsody, an homage to the Australian summer.

Drawing inspiration from brightly coloured beach umbrellas, toes dipped in cool blue water and moments spent watching sunsets with a cocktail (or two), the collection is a harmony of textured abstracts, intricately illustrated watercolours and photographic montages of the ocean’s dynamic ebbs and flows.

This collection also sees the release of Urban Road’s first ever wallpaper collection. Staying true to the brand’s iconic style, the range carries the motifs, shapes and moods that have popularised their collections to date.

The brainchild of self-taught artist and illustrator Suzie Atkin, Urban Road has been sprucing up the walls of homes since 2010. Affordable and high-quality, the artworks are easy-to-match with both contemporary and traditional settings.

From humble beginnings Urban Road now boasts over 1000 products – from its signature premium artworks, to cushions, rugs, acrylic art pieces and poster prints.

The Rhapsody collection will be available for purchase from 24 July.

Urban Road will be at Decor + Design in Melbourne this week, stand D26.

Shop online | Other places to online shop

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Decorating 101 RENO ADDICT Shopping

How to: avoid common painting mistakes

We’ve all been there, midway through an exciting reno project only to realise that we haven’t done as much pre-prep ‘homework’ as we probably should have! Mistakes and stuff ups are common place with any reno, usually due to lack of knowledge, preparation and inadequate tools.

To achieve professional results and prevent mistakes when it comes to your pain job, Rod Bradey from Dynamic Paintware has offered tips on how to avoid the most common painting mistakes.

common painting mistakes

 – Preparation is best
Lack of proper prep and cleaning of a surface will impact the final results. Ensure the walls are properly cleaned with sugar soap to remove grease and grime, this will help paint stick better. A stain blocker will need to be used over existing marks to prevent them showing through the new paint. Once the surface is clean and dry, remove, scrape or sand off any flaky paint and fill in any cracks or gaps. The Dynamic Dyna Patch Light Filler is a great product for lighter duty, quick repairs as it dries quickly and requires no sanding.

 – Quality tools for professional results
Whether it’s a minor repair, repainting the interior walls or a small building project, to achieve professional results you need to invest in quality tools. Good quality brushes and rollers will give you better coverage and will minimise paint wastage in the long run – and will last for years. Also, be aware to choose the right brush for the right paint – synthetic filaments are best for water-based formulations.

The Dynamic Infinity 100% Dupont Chinex is crafted with Chinex filaments delivering the ideal balance of paint pick-up and release for high quality, high viscosity water-based coatings.
Brush size and style is also important, as each cut and shape is used for different tasks and surfaces. Wall painting brushes are the most standard type and are thick, flat brushes to hold a lot of paint which makes it faster to cover large surfaces. Cutter brushes have a specially shaped tip for accurate and straight brush lines most commonly used for painting door and window frames, or ceiling and wall corners.

Different projects also require different brush sizes. For example, a 12-25mm brush is best for small jobs and touch-up work, whereas a 50mm brush is ideal for medium sized painting tasks such as doors and furniture. For large surfaces a 100mm brush is best to help get the job done quickly.

common painting mistakes

 – It’s a crime not to prime
If painting over an old colour or painting on a surface that is plaster, wood, concrete, glossy paint or stained/porous drywall, it’s best to apply a primer beforehand to cover flaws in the surface, and create a smooth, long-lasting finish.

Another handy tip is to add extender to paints to eliminate brush strokes and avoid dry edges – maintaining a wet edge while painting is crucial for preventing brush and roller marks.

Dynamic Paintware offers a range of valuable and innovative products ensuring great results and long lasting performance.

Visit www.dynamicpaintware.com.au for more information

Categories
RENO ADDICT

How to prepare your wall for painting: expert advice

By Naomi Findlay

Repainting a wall, or painting a new wall for the first time, is a great way to add elements of newness, freshness and crispness into a space. Painting a wall a new colour can symbolise the start of something new, such as moving into a new property, start of a new stage in life, such as going from childhood to adulthood, or it can even symbolise the start of a new colour obsession.

Image source: DesignLoveFest

The idea of painting a space can seem like a daunting task to many people, but in reality it is an exciting time that will allow you to redesign your space.

Making painting a space as stress-free, fun and exciting as possible is all about the preparation you do. There are a bunch of remedies out there for how to get the perfect paintwork at home, but these don’t last as long as some others. I have created the perfect method of prepping and painting a wall through years of trial and error.

So, what will you need?

You will need a soapy solution of detergent and water as this is the most affordable method of washing your walls prior to painting. You will also need pre-mixed filler so you can create an even painting surface, sandpaper at either 180 or 240 grade and finally, masking tape.

Once you are ready with your equipment it is time to start preparing your wall. How long this will take can vary from wall to wall as it is totally dependent on how many bumps and issues the wall has.

To start, you will need to take down anything and everything that is on the wall. Once you have done this it is time to wash the walls with your soapy solution. This is to remove any dust from the wall so the paint will stick to the wall, not the dust.

Image source: Cassandraellis.co.uk

Next, you must check the walls to see if there is any surface damage, use your hands for this as the light can play tricks and make it appear that there are lumps where there isn’t! Make sure the wall is completely dry then begin checking for mould. If you find any mould, clean the location with bleach and again, wait for the wall to dry.

Once the wall is completely dry, place masking take around the skirting boards, light switches or any other items that can’t be removed, such as an air conditioner. If you notice that any areas of the wall are flaking paint, sand back the spot to allow to an even coat to paint to be applied. Similarly, if there are any holes or dints in the wall, use nail filler to patch the area up. Once the filler is set, sand the area down again. It is also important to prime the filled areas with a high quality spot prime such as Taubmans 3 in 1 Sealer Primer Undercoat. This can also be applied to the whole wall to create an even finish.

Then you’re good to go!

Naomi Findlay is Australia’s Rapid Renovation Expert and a resident expert at our sister site, Reno Addict.

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Designers Expert Tips

Shaynna Blaze’s 7 commandments for faking space in apartments

By Shaynna Blaze

With urbanisation and smaller living spaces on the rise, clever interior design and decoration that creates the illusion of more space has never been so important. While a smaller space may have its challenges, there are many ways to fake space with colour, which will make your apartment feel like a castle.

The size of an apartment and the abundance or lack of natural light plays a major part in your colour palette selection. Likewise, the direction your apartment faces as well as the era your apartment reflects will all influence your options.

Most people put off painting their house as they look at the whole picture and get overwhelmed before even starting. With an apartment, you can feel a sense of achievement quickly, as you only have to work with the interior, so the amount of time and money is significantly reduced. However, the same rules apply to apartments as they do houses – it is all about planning and preparation.

My seven commandments for apartment living:

1.    Aesthetically speaking

The secret is to use rich colours to extend the visual width of a room. For example, a great way to get impact in a kitchen is to use a rich colour on the walls and use the same colour for the cabinets, creating a completely new personality. To achieve this, I like working with rich emeralds, aubergine and ink blues, and partnering them with metallic tones, granite or colours rich in earth tones, partnered with rustic timbers and exposed brickwork.

Paint colour: Taubmans Pleasant Hill

2.    Tonal vs contrast

Smaller apartments call for simplicity but this doesn’t have to mean boring. Keep your palette for doors, trims, ceiling and cornices in the same colour family, and then select one main colour for the walls. When you get to the bedrooms you can be a bit more playful, but I recommend the same colour palette, with minimum contrast so it does not feel like a ‘jolt’ when you walk into the room.

Paint colour: Taubmans Rose Nude

3.    Impactful over oppressive

Apartment living does not need to be about white and stark colour palettes, however too many contrasting colours and patterns can often take over a space. Make sure your colours have a white, grey or blue/green base as these colours reflect light and cool colours recede. Some of my favourite whites are Taubmans’ Crisp White, Akimbo and Cloudburst. Also, look at timbers that are either grey or lime washed or oak and pine to balance strong colours, as they add a natural warmth to the space.

Paint colour: Taubmans Violet Verbena

4.    Making small look large

The trick is to connect the largest space in the room (walls) to the second largest impact space (the floor). To make the room feel larger, I like to connect similar colour palettes and make the skirting in that area the same colour as the wall, so that the eye travels from floor to ceiling, taking everything in as one big space.

5.    Decorating approach for modern vs period inspired

The key here is to know what you are working with — modern apartment living requires minimal focus on trims, skirtings and ceilings and keeping the palette quite simple, with the addition of a couple of extra colours thrown in. On the other hand, interiors inspired by period styles often have many details, so in this case it is best to work out one main type of feature to highlight in colour so the room does not become visually overloaded. Decide which feature you want to draw your eye, for example feature panelling or cornicing, and go from there.

6.    Decorating disasters not to be repeated

One of my pet hates is the common perception that apartment living needs to be treated as one big white box. Just adding a hint of colour to the walls can take the apartment from feeling clinical to full of life.

7.    The three do’s

Formulate a plan, tackle painting in stages and focus on rooms as single projects.

–Shaynna Blaze appears on TV’s The Block, Selling Houses Australia and Deadline Design and is a brand ambassador for Taubmans.

Categories
Art Interviews

Art alert: Scott Petrie’s work just got a lot more affordable

Scott Petrie is one of my favourite Australian artists and his work is just beautiful. It has always however, been a little (okay, a lot!) out of my price range. And while I think his originals are worth every dollar of the thousands they go for, I’m so excited that we now have the opportunity to buy signed prints for the first time thanks to his collaboration with Sydney-based The Art and Framing Company (AFC).

Scott's Blue Essence in Greg Natale's Elizabeth Bay House project
Scott’s Blue Essence in Greg Natale’s Elizabeth Bay House project

Award-winning Scott, a favourite of leading interior designer Greg Natale, who uses his work in many of his projects, is excited to introduce his work to a larger audience. “I have been painting for over 15 years and exhibiting throughout Asia, Australia and America, being hung in art prizes, for which I am very fortunate. I’ll continue to do this and I don’t feel the print range will take away from the one-off paintings or their value. To be able to give people quality at a lower price point is fantastic.”

Scott Petrie
Scott Petrie

And the “phenomenal” response just proves he made the right choice: “The response from interior designers and stylists, right through to the retail market has confirmed that having a signed collection at an affordable price range was a great idea. It has exceeded my expectations and I feel totally appreciative that my collection has been embraced,” says Scott. You can now see his prints in the guest rooms at the Greg-Natale revamped Kirkton Park Hotel in the Hunter Valley, NSW.

The Delicious print
The Delicious print
The Ocean Bliss print, unframed
The Ocean Bliss print, unframed

Scott said he had an instant connection with Marianne Zahos of AFC: “She was very enthusiastic about encouraging Australian artists in our market and promoting their works with integrity and of course quality.”

Scott's work in a Penthouse styled by Alexander Pollack Interiors
Scott’s work in a Penthouse styled by Alexander Pollock Interiors

There are 14 prints to choose from and prices start at $250 unframed. Scott’s personal favourite at the moment is Fragile Earth: “It has a subtle layered feel with depth and calmness. I am extremely influenced
by nature. My studio is near the national park out of Sydney and I spend a lot of time there tracking and exploring the beaches and bushlands.”

You can choose to have your print professionally mounted and framed (in a choice of three finishes) from $450 including the print. All prints are open edition, signed by the artist and printed on 305gsm Hahnemuhle Art Rag Paper.

Shop online.

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RENO ADDICT Shopping

How to: Pick the right paint brush

Whether it’s a minor repair, repainting the home or a small building project, to achieve professional results the right paint brush is essential.


Rod Bradey from Dynamic Paintware shares three tips to keep in mind when shopping for a new paint brush.

Brush style

The style of a brush refers to the cut and shape of the brush head and each are used for different tasks and surfaces. Paint and wall brushes are the most standard type as they are thick flat brushes that hold a lot of paint and are used for painting large surfaces.

Cutter brushes are specially made for door and window frames, ceiling and wall corner sections as they’re used for cutting in before roller painting. Cutter brushes have fewer filaments and have a specially shaped tip for accurate and straight brush lines, and a long handle to help control each stroke.

woman-painting

Brush size

Size is important when selecting a brush for each project. For small jobs and touch-up work a 12-25mm brush works best. A 38mm brush is ideal for furniture, window frames, trellises and downpipes. For medium sized painting tasks such as doors and cabinets a 50mm brush is best, while 63 – 75mm is most suitable for large areas such as walls, floorboards, and post and rail fences. When painting larger areas select a 100mm brush to help get the job done quickly.

Bristles and different paints

Quality bristles are important for achieving even, streak-free results. Brushes with quality bristles provide more efficient pick-up and steady release of paint, which reduces splattering. Different bristles (also known as filaments) are needed for different paints, and water-based paints are best suited to synthetic filaments.

The Dynamic Infinity 100% Dupont Chinex is crafted with Chinex filaments delivering the ideal balance of paint pick-up and release for high quality, high viscosity water-based coatings. The Dynamic Solomon Range of Brushes with a mixture of both polyester and nylon filaments provide excellent performance in both water and oil based paints. Remember to match the quality of the brush to the quality of the paint.

Dynamic Paintware is available from quality independent paint stores nationally.

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Expert Tips RENO ADDICT

Watch Jen in these 2 weekend paint project video tutorials

Sponsored by Berger Paints

Want to know the cheapest, easiest, quickest, most effective way to transform your home or furniture? Paint! And there’s nothing more satisfying that updating or transforming something yourself. You’d be amazed what you can get done over a weekend. But it’s always best to follow some expert tips to get the best result. A little prep can go a long way so I’ve teamed up with Berger Paints to inspire you and offer a little advice.

These one-minute video tutorials will guide you through two projects, step by step. The first shows you how to transform a piece of timber furniture (in our case, a hall table but you might have a chair, side table or stool that needs a change) and the second, how to make a big impact by painting your floorboards.

Project 1: Upcycling a piece of timber furniture

In this furniture tutorial we used two shades of grey: Storm Chaser and Silver Cup. Berger have a wonderful range of classic neutrals: greys, whites and beiges. The hardest task may be choosing which to go for! By keeping your colours classic, you’ll create a look that will last and won’t date.

Project 2: Painting your floor

I’d never considered using grey on a floor before, but painting your boards a light colour like this creates a bright, contemporary look and may make your space look bigger too. Berger Jet Dry is the perfect durable product for this job.

While I love the transformative effects of paint and find painting very therapeutic, I’ll level with you: I’m no expert! I really recommend you have a watch of these videos to pick up the great tips I learned from our friends at Berger Paints.

Good luck with your projects! We’d love to see the finished results!

Categories
Designers Expert Tips RENO ADDICT

How to pick the right grey paint: expert advice

Grey is the new neutral that stylists love to work with. It’s sophisticated, versatile and can add depth or lighten up any room.  But there’s one problem – finding the right shade without professional advice can prove extremely difficult. Unfortunately, I know from experience. Despite trying numerous samples in the room, in different lights, I painted our bedroom walls lilac not once, but twice. Ahh! So, how can you avoid making the same mistake? I quizzed colour consultant Lisa Harragon to find out.

Tip 1. A grey with a beige base will stop your walls looking purple. To identify the base colour look at the darkest colour on the fan deck or colour atlas, then run your eyes up to find the shade you’re after.

Tip 2. Don’t assume the grey in your friend’s home or on Instagram will work in your home too. Natural light, the colour of the floor, overhead lighting and the aspect of the house all play tricks on the eye and transform the colour.

IMAGE 3
This is Dulux Celtic Sky on the living room walls of one of my favorite Insta accounts, @the_stables_
IMAGE 4
…then in my home (with sample attempts over the top).

Tip 3. Always buy a sample pot and test the paint on every wall in the room. Make sure the test patch is at least one metre squared and apply two coats. A small test patch and one coat won’t give a true indication of the colour.

Tip 4. Don’t rush out and buy 4 litres of paint before you’ve checked the grey on all walls, at different times of day, with the lights switched on and off. A wall with no natural light looks much darker than the colour chip in store and as the sun sets, more of the base colour will show. It takes patience but this is the only way to get an accurate idea of whether you really like the colour or not.

IMAGE 6 OR SPARE
My spare bedroom wall in Dulux Narrow Neck Quarter (beige base).

So there you have it. Simple tips that will hopefully save you from painting your walls twice, like me!

–Lauren Ellis is a reporter/senior producer for TODAY, the face of Interiors Addict TV and a graduate of ISCD. Follow her on Instagram @mypicketfence_

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Art

Watch an artwork unfold over 30 days on Instagram

Today, I’m excited to announce something a little different in partnership with artist Fiona Chandler. Each day for 30 days, she filmed 15 seconds of the creation of an original painting and now you’ll be able to watch it unfold, day by day, over on our Instagram (starting tomorrow, Tuesday). Follow with the hashtag #fionachandlerartin30

Fiona proves that it’s never too late to follow your dreams to do what you really love, and that the backing of a supportive husband goes a long way (something I’m lucky enough to know myself!).

After being a graphic designer for years and talking about returning to painting, Fiona was turning 40 when her husband Nick asked: “When? When will you return?”  He pushed her to apply for a residency which she was awarded. “I had six months. Six months to turn it around and make larger works that I actually showed. That room looked so daunting on that first day,” Fiona says. “This led to a group exhibition which was successful, then my residency was extended; another show. Then I was asked to be a part of Temple & Webster’s art market. Another show and I was on my way.”

IMG_1343

She now pushes herself to take part in as many shows as possible while people continue to commission her and pop by her studio to look at and buy pieces. Fiona has a show coming up in Orange in October and is part of a group show at Koskela at the end of the year. As if she wasn’t busy enough, she started an artists in residence program at her local school. “I create, talk and teach art daily and it is wonderful. I work hard to make opportunities as it would be far easier for me to paint away all day by myself – but I want to be doing this forever and for that, it needs to be sustainable. So I have to work at it.”

Fiona and her son
Fiona and her son

Fiona’s keen to dispel a lot of the myths around art and being an artist. At the end of the day, it’s easy to make assumptions if you’ve not been exposed to that world. “Some people think that you paint, a gallery likes it and runs a show for you. It’s never that simple. Art is a business like any other. Many artist spaces are run by artists so a lot of time effort and money is invested, even in small shows. Other misconceptions are that you need to know a lot about art to enjoy it, that it will cost a fortune and that all original art pieces are out of reach. Galleries aren’t only interested in buyers. People in the art world love art, it is inspiring and they like to talk about it, hear your opinions and ideas. It is a two-way conversation and the people in art stores are usually artists too.”

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She wanted to share this project with you, our readers, for a few reasons: “When teaching or exhibiting, people often ask about working full-time as an artist. There is a romantic notion of the muse and inspiration. I love being in my studio and do feel lucky to have a job I enjoy, but art doesn’t just happen. Every piece is not for showing. It is often an isolated pursuit. It is putting in the hours even when you are not yet happy with result. Turning up. Making marks every day.

“I wanted to show the realistic view of the creation of a work. Non-styled, not professionally shot. You can hear all weather and conditions. Artworks are often made for an exhibition or specific location. These are deadlines of sorts. There is a terror to putting yourself and your work out there that needs to be surmounted each week. To engage with a viewer either in a gallery or a studio visit requires a courage I had no idea about. I would like people to feel engaged with the piece, feel more comfortable to approach artists with questions and requests, more comfortable in a gallery. Interior designers often work with specific artists, dropping in regularly and requesting pieces of a certain size. Artists like to sell work. In fact, their livelihood depends upon it.”

drenched

What Fiona really hopes is that you’ll feel engaged with art and more confident to walk into a gallery or show and ask questions. “Ask an artist about their work or walk into an art store and have a go. I hope the gallery where this is shown has lots of people pop by to look. People who have never visited. I am hoping people will sign up to a gallery newsletter and attend an opening . A glass of wine, beautiful work — what’s not to enjoy?”

serenity2

At the end of the 30 days of sharing the creation of the artwork, we’ll be giving you the opportunity to go and view it and perhaps even to purchase it. Stay tuned over on Instagram from tomorrow! Don’t forget the hashtag: fionachandlerartin30

Fiona is represented by Platform 72 and Paper Pear in Wagga Wagga. Visit her website. Follow her on Instagram.

Categories
Art

Kimmy Hogan’s digital art inspired by old oil paintings

Kimmy Hogan’s art is refreshingly different. Artwork is often described as unique, but we think we’ve actually got something new for you today! Although she’s a graphic designer by background, the mum-of-two says it has influenced her technique but not the art itself.

KH_FlatLay_IV_display_screen

“Whilst I can draw and paint, I feel that I prefer the digital brush to really capture the images in my head. But in a contrast to digital, I worship the messiness and imperfection of a hand drawn artwork, so I let my digital drawings go wild and don’t try to neaten or tweak things too much. I strive for that hand painted look with my digital drawings as that is really how they’ve been created.”

KH_Flora_display_screen1

Kimmy has loved art and interiors for as long as she can remember so now creating art for people’s homes is the perfect combination of the two. “I was drawn to graphic design initially as I loved the digital world. While 10 years of designing logos and websites was great, I just knew deep down I wanted something more. I’ve had an unrelenting love of interior design and I realised that my skills in digital illustration could be the pathway to that industry.”

KH_StillLife_IV_display_screen

She may be a digital artist, but Kimmy adores traditional oil paintings. “This was the starting point for my latest collections and I spent many months developing a new technique to reinvent this oil painting look in a digital way. My Still Life collection was then born, which played with the traditional subject matter of flowers and vases just like an oil painting. My Flat Lay collection came out of a lot of experimenting drawing random objects which I then displayed like the flat lays you see in magazines. This collection was a more modern interpretation of my new technique.”

Kimmy takes us through how the process works: “After I raid the local florist, I take loads of photos of various combinations as well as different bottles so I can really capture the best light and prettiest reflections in the glass. I then reference these over the following weeks and months to work up the drawings. Whilst my medium is digital, it is still a very time consuming hand drawn process with every line and curve being the stroke of the hand and every fleck of colour carefully considered. After I finish a drawing I will usually come back to it a week later to see it with fresh eyes. Also, when working on a collection I start to revisit each artwork so they subtly reference each other.”

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Not surprisingly, nature is her biggest inspiration and she loves flowers and foliage. “I have loads of plants around my home as I feel they have such a beautiful energy. When I’m out taking my boys for a walk, I always have my phone handy for taking photos of random gardens around the neighbourhood and I love a visit to the Geelong Botanic Gardens. I also love little trinkets and treasures. My glass bottle collection is a bit out of control and I have baskets filled with little ornaments I’ve acquired over the years which I just can’t part with.”

KH_StillLife_III_display_screen

Kimmy, who is represented by Greenhouse Interiors, is currently working on a new range of art that uses the same digital painting technique but experimenting with some very different colour palettes and compositions. “It’s incredibly hard to work with two young children and I don’t want to miss my babies growing up. So I’m really enjoying just taking this next collection slowly and being a mummy for the majority of my day. I’m really excited about how some new drawings are coming together and love any precious few hours I get to work on them.”

Something take your fancy? The great news is that prints start at just $35!

For more information and to buy online.

Categories
Art Expert Tips

Antoinette Ferwerda on her inspiration & stunning new prints

Another week, another Aussie artist whose work we have well and truly fallen for! Today, meet Antoinette Ferwerda, the Melbourne talent behind these beautiful paintings. We think you’ll love the story behind her becoming a full-time artist, proving that science and creativity aren’t as far removed as you might think.

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Antoinette started creating works of art aged around three, all over her parents’ walls! Luckily, they forgave her and fostered her creativity. “I was constantly drawing, sketching, painting and writing and illustrating stories,” she says. “I even drew up plans for my dream home. I guess there was never a time when I didn’t think of myself as an artist. At eight years of age, I received my first microscope. This was a pivotal time in my life. My early observations of insect wings, flowers and water droplets started a lifelong obsession with pattern, art, design and science.”

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So it’s perhaps not entirely (if a little) surprising that Antoinette ended up working in pharmaceuticals. Although she was passionate about being an artist, the sensible side of her thought she’d better get a ‘proper’ job to pay the bills. “I’m not the only artist to grapple that challenge, and I won’t be the last. Working in the corporate world of ‘big-pharma’ in sales for over 10 years saw me develop my career, while still creating paintings. I learned valuable business skills — sales, product development, budgets, marketing and people management – all skills you need as an artist too.” In the evenings and on weekends, she painted, determined to sell her work and one day start her own art business.

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It was becoming a mum which finally allowed her to transition into a full-time artistic career as she negotiated small children. “Having a very supportive husband, somewhere amongst the nappies, feeding and sleep cycles, I managed to carve out creative time in my dedicated art studio. My passion to focus on creating art as my vocation evolved over time and I’m extremely grateful that I have successfully created a business that satisfies my artistic drive and stirs connections in others.”

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That was 10 years ago.  During this time, Antoinette says she’s learnt a lot about herself and her creative abilities, while saying ‘yes’ to just about every creative project going to grow her skill base and build her confidence. “Becoming a full-time artist seemed to open up opportunities for me. There have been some intensely enriching moments, like my very first solo exhibition after months of late nights in the studio. Nothing will ever replace that memory of  sold-out sales of all of my original artworks.”

There have been a few bumps in the road along the way too, of course, like the first time she saw one of her designs ‘borrowed’, slightly altered and claimed by someone else. Antoinette was frustrated and disappointed. “Working as a full-time artist requires every ounce of my passion, dedication, determination, courage and trust in myself that I can innovate faster than others can imitate.”

She describes her style as abstract impressionist and her paintings combine mixed media on canvas or linen. “Many of my paintings contain abstract shapes with layers of colour blocking. For many buyers who are attracted to my landscapes, their abstract yet somehow familiar interpretations of the Australian outback and coastline seem to really resonate. I like to think my style evokes hopefulness, positivity and pure pleasure.”

Her inspiration comes from nature, science, architecture, fashion, interior design, family history, psychology, travel, cultural tradition and sociology; pretty much everywhere! “My art and design practice really are triggered by simple, random observations – the colour of a flower in my garden, shapes in clouds or the patterns on the sand from waves washing the shore. Surface patterns on living and non-living things are one of my obsessions. I’m inspired by my children’s drawings, stories or when they read poetry, paint or even build Lego. I also often listen to music whilst I paint which helps me find the subconscious space where my painting takes over.”

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Antoinette’s rightfully proud of her latest prints, pictured here, which combine her science and art backgrounds beautifully. They’re a curated selection of limited edition reproductions from her original 2015 paintings for her ‘Alchemy’ solo exhibition. “Early chemists, known as alchemists, were inspired by ancient traditions and  attempted to transmute base metals like tin and lead to form noble metals like gold. I was fascinated by their work and incorporated gold, silver or copper metallic leaf in my works. I loved exploring the transmutation and colour change process using mixed media. My New Galactic prints and the symbolic We Have Met Before butterfly print are just luminous.”

She’s happy to be able to open up her work to more people and make it more affordable. “Selling limited edition art prints has been a satisfying process in showcasing my art and introducing my painting style to diverse art buyers. Offering an accessible price point has been important for my business growth. I’ve enjoyed a successful association with wholesaler representation. Greenhouse Interiors has styled my art prints alongside gorgeous homewares, and this has led to greater awareness of my artwork.”

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“Art and interiors are intrinsically linked, whether a room is designed around a painting or a painting is hung within a space to create colour, evoke feeling or start a narrative,” she says. “Art is personal and subjective, it may hold great meaning or sometimes be something you simply loved at first sight. When choosing art, I like to feel a connection with the piece – maybe it’s the colour or the composition, the technique or subject matter, the artist’s story or the title of the painting.”

If you’re keen to start an art collection and have limited experience, she recommends starting at your local gallery. “Supporting existing and emerging artists is a great way to build your confidence and appreciation for varied artworks and styles. Ask questions of the gallery staff as you grow your understanding of the artist, their process, and themes and mediums used. You may be surprised by how comfortable you begin to feel within the gallery space — just keep following your instincts, and enjoy the process of opening yourself up to artworks.” From a more practical perspective, think about where you will hang the painting, what mood it bring to your space and if the dimensions will fit your wall.

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“Be brave, a little spontaneous, carry your measuring tape, remain open-minded and you could be on the way to starting your own art collection… you are in for a wonderful journey!”

Antoinette is also the creative talent behind towel brand Ninnho.

View Antoinette’s paintings and limited edition prints at www.antoinetteferwerda.com.au. Wholesale enquiries for limited edition prints to [email protected]

Styling by Noël Coughlan for Greenhouse Interiors (assisted by Tara Carroll) | Photography by Armelle Habib
Categories
RENO ADDICT

Join the eight-week painting challenge with Shaynna Blaze

Like us, we’re sure many of you have experienced procrastination when it comes to a DIY home painting project. Akin to a fitness challenge for home renovators, Taubmans has partnered with interior design authority Shaynna Blaze to encourage Australians to get back to the paint pots.

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Walls in Taubmans Bristol Harbour Mist

While many people cite a lack of painting skills as a reason for their procrastination, others have difficulty even choosing a colour as they can’t imagine the final result. The ‘Paint in 8’ program, starting on Tuesday (9 February) is designed to remedy this by giving people the confidence to paint, all in eight weeks.

“Many Australians feel their homes should be a reflection of themselves, but they often come unstuck as to how to turn their goals into reality. Paint in 8 keeps people on track by making sure the process is comprehensive and stress-free over an eight-week period,” says Shaynna Blaze.

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Walls in Taubmans Abstract Quarter and Blue Fog

The step-by-step program is designed to motivate and mentor would-be painters. From style advice to colour selection, the buying of tools and practical advice on painting, the program is ideal for those that want to undertake a painting project but just can’t get started.

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Walls in Taubmans Surprise Party

“Our research found that while people procrastinate and fear the painting task at hand, half actually love the social element of painting alongside family and friends,” says Nadine Miller-Vachon, Marketing Director of Architectural Coatings ANZ.

Click here for more.

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Art Homewares Interviews

Self-taught artist Clare O’Donoghue turns art into homewares

It was while working in fashion, prior to becoming a mum, that Clare O’Donoghue’s painting became more than just a hobby.

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“It started with my colleagues ordering pieces and then their friends,” explains Clare. “After the birth of my first baby 18 years ago, it become more and more busy and now in the last three years, ridiculously busy, with three more children added and doing a lot of work for interior designers and stylists.”

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Now working as a full-time artist, whilst juggling her other role as mum of four, Clare has had a life-long love affair with art. “I am a self-taught artist, although I have always loved art… in primary school I would sneak into the art room at lunchtime! I did a super short-term fine arts school stint, but in the end I just wanted to do my own thing.”

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[contextly_sidebar id=”WieQtPojRNbJE7wPAKQnU6ojd81FGHsj”]And clearly that approach worked, with Clare’s artworks proving so popular, she was offered the opportunity to turn them into homewares. “I was approached by Nerdia Hansen about 18 months ago, regarding them using my paintings to create soft textiles. So we selected some portions of my paintings, which were then printed on gorgeous textured linen and turned into cushions. I have also started to create lights, which are combining my paintings with lighting and fabric to create table lamps, wall lamps and pendants.”

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With her homewares and prints available via her online shop and a range of bricks and mortar stockists, Clare also makes one-of-a-kind mixed media commissions. “I use inks, pastels, perspex, acrylic, collage and paper, as I love using different mediums to create different textures and looks and creating layers. When it comes to creating art I cannot say I have a particular formula I follow. If it’s a piece for a client I usually have a brief which may require some concepts, but all my other work just leaps almost uncontrollably onto the canvas tweaking the entire way with lots of standing back in between!”

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With no grand plans for the future, Clare just hopes she can continue doing what she loves; making clients’ spaces feel good and most importantly, creating colourful, functional artworks that can positively affect the world. “It’s tricky to pick my proudest moment, but the feeling that comes with donating pieces to charity and someone admiring my work enough to bid, and then that money actually making a difference to someone’s life or foundation. Well that makes me feel really proud.”

Shop online.

Photography by Nikole Ramsay | Styling by Emma O’Meara

Categories
Interviews RENO ADDICT Styling

How to create the right mood in your home with colour

By Nikki Donald

Have you ever wondered why you feel really energised in some rooms and subdued and introspective in others? Or why some rooms feel cold and expansive while others feel cosy and comforting? Chances are it has to do with the colour choices and where those colours have been applied.

If you’re renovating or redecorating, colour is one of the most powerful elements you can use in your space to enhance a specific mood or visually manipulate the space. And if you’re being brave enough to tackle this all yourself, there are some essential insider tricks you need to know about before you run off to the paint store!

Di Swinbourn, head of colour at Sydney Design School, has compiled her top go-to tips to help you create just the right mood for your home.

Bright colours advance the most

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Photo credit: Coco Lapine Design

Di says that in the past there was a belief that warm colours like red, yellow and orange were the first colours we noticed – or, the colours that ‘advanced’.

This is actually untrue! It’s the bright vibrant colours that we see first, regardless of their temperature. For example: a bright blue wall (blue being a cool colour) in an interior will jump out to meet us before a light or dark wall.

This is good know if you are trying to bring the walls visually ‘closer’ to create cosiness, but should be avoided if you are trying to make a room appear more spacious.

Dark colours advance next

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If brights aren’t your thing, Di suggests trying dark colours and tones. Walls – and ceilings – painted in dark colours like chocolate-brown, charcoal, dark navy and even black, will also give the impression that they are closer to you than light walls. Like bright colours, darks ‘advance’ but they’re just not as attention grabbing as their brighter counterparts.

Light colours recede and create spaciousness

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Photo credit: Coco Lapine Design

Think of looking off into the distance at a mountainous horizon. Everything starts to look very light and the further it is away from you the lighter it becomes. This theory also applies to interiors. If you need to widen a narrow space or just want to create an open expansive feeling, stick with light colours. Di reminds us not to get stuck on white – your scheme can have colour but make sure it’s a muted pastel colour. The secret to this one is to make sure there is little to no contrast in terms of colour or tone.

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Photo credit: Coco Lapine Design

Not really a fan of all white interiors? An all dark space can feel almost as spacious as an all light space. Dark or mid-tones can create spaciousness, just as long as the space isn’t broken with contrasting colours or tones.

Extra tip: Di says don’t be afraid of black or charcoal walls in the bedroom. They can add a sophisticated look that is very timeless and also create a cocooning ambience that is great to lull you into a blissful sleep.

A room with contrast will appear smaller

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Photo credit: Sbraathen

If you want to lessen the impact of an overwhelming large, open space, then fill it with lots of contrasting colours and tones. It will feel smaller and cosier. Remember, darker/brighter hues will ‘advance’ towards you.

Visually lower a ceiling

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Photo credit: sfgirlbybay

A terrific way to add drama and to visually lower a high ceiling in a cold, open space is to paint it brighter or darker than the walls. And if you’ve got picture rails, bring that colour down to meet them!

— Nikki is a surface designer who teaches colour at Sydney Design School. She was taught by Di in 2001 and now works proudly alongside her as a fellow colour-aholic.

Categories
Design DIY RENO ADDICT Shopping Styling

Experiment with colour before you pick up the paintbrush with Dulux ColourView

Deciding on the right hue for your room can be a daunting task, but Dulux’s new digital tool ColourView (a much-anticipated update to the Dulux Colour App), aims to make that easier.

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Encouraging homeowners to experiment with colour and reinvent their homes before they’ve even picked up the paintbrush, ColourView allows you to easily visualise how a splash of colour can create impact, softness or completely transform the mood of a space. From walls and ceilings to tabletops and craft projects, revamping a room is as easy as snap, colour and view.

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Simply select the ColourView feature in the Dulux Colour App, take a photo of a room, or upload an existing one to the app, then select a Dulux colour to virtually paint a section of the image and see ideas come to life. With the ability to experiment with more than 4,000 Dulux colours until the hue is just right, the possibility of disappointment and desire to re-paint once the job is complete, is a thing of the past.

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Incredibly easy-to-navigate, the Dulux Colour App also includes a host of existing features which equip users with the best tools and inspiration anytime and anywhere. This includes the clever Colour Capture function, which easily finds the closest Dulux colour match to any colour using the device’s camera, and Browse Colour, to discover the expansive collection of more than 4,000 Dulux hues. The Dulux Colour App also provides the latest information and images showcasing popular colour trends.

Compatible with iPhones, iPads and Android, ColourView features on the free Dulux Colour App. Download it now.

Categories
Art Designers Homewares The Block

Win your favourite from Alisa & Lysandra’s exclusive art range

Sponsored by United Artworks

When Alisa and Lysandra Fraser first popped onto our screens some two years ago I was well and truly in my Block obsession prime. I loved everything about the show and everything about the twins (especially their sassiness!). In fact the level of enthusiasm was so high that when I visited their series of The Block there was some real real emotion. Not tears, but very watery eyes.

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Now, a few years on, I can say I’m older, wiser and less emotionally invested in reality TV. However, they still hold a special place in my heart. So when I heard about their latest venture, an exclusive artwork range in partnership with United Artworks, I was very excited.

Hear what the twins have to say about it…

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Designed and produced in Australia, the range features both graphic and photographic designs, inspired by the grandeur and abundance of nature. “This collection is moody, raw and very ethereal,” explains Alisa. “It features a series of visually powerful prints that create aesthetic polarities and perfectly balance masculine and feminine tones and textures through the colour palette of nature.”

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With the range representative of Alisa and Lysandra’s styling, the twins were keen to create an artwork collection, believing art to be a vital component to all interiors. “As interior designers we know that our projects become complete when all the finishing touches are in place and this includes artwork, which can deliver enormous emotional power in a space more than homewares or other accessories,” says Lysandra. “We have always wanted to create a collection that will compliment our design style, our colour forecasts and a collection that matches the tone of our work.”

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With the artworks available for purchase from today, the sisters have already started brainstorming about future collections. “We are very excited about this collection with United Artworks,” explains Alisa. “They understand our vision and our design philosophy, which is really important in translating our ideas into physical artworks. Also, we’re one step ahead and already collating ideas for subsequent collections that we know our audience will love!”

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COMPETITION

You could win the print of your choice by entering our competition! Check out our Instagram feed today for more details! Entries close midnight Sydney time on Wednesday 21 October 2015.